CD

Brand new full length of post-black metal from this Polish outfit.
 

Under the sign of garazel

“The area where I live is not a precise place, it has no horizons, neither me that I’m talking I’ve never had a particular attachment to it, conversely I felt far away, it has been a place just linking the living experience of people to the area, their memory, and now that also these persons are gradually disappearing all will probably be erased."


The project Asofy originated in 2000 formerly involving other people but substantially running around the main and now sole member Tryfar: a respected visual Artist, yet author of many music covers and artworks and books illustrations. As you probably imagine, characters like him, on the same line with geniuses like Costin Chioreanu, are to be considered unique and anarchists, and out of any laws of the music market.
Music is just one, and not the primary, of their needs to exploit their visions, therefore you will not find rules and clear music genres belongings
Asofy music is dark and melancholic, extremely non commercial and even uneasy.
We quote american monsters Lycia and the other italian weirdos Canaan as possible main references, but it is nearly impossible to cut a precise profile for their music. It is not doom, it is not black and not at all that generic “post” that nowdays is so cool to use as a tag for everything that’s a bit different.

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Avantgarde Music

If the caustic vocals weren’t enough of an indicator, lyrics of isolation, tales of scavengers of the waste of humanity, and lamentations of regret might tip you off that there is absolutely nothing uplifting about this album.

While wallowing in despair, you might find the self-referential opening track, the first song released and the album’s strongest track, “Unending Call of Woe” to be a great listen, blending a strong tremolo picked melody with tempo and groove changes that are, dare I say, fun. The speed and higher vocals betray a definite thrashy punk influence that brings something more to the table than your standard black metal fare. The phased guitar lead into in “The Ones We Lost” and the ending riff of “Abject In Defeat” are some other great moments on this record.
 

Vendetta

Abhorrence’s comeback to the live arena after 20 years of lying in wait in the grave took place in the black summer of 2013. Svart Records were also there, capturing all 35 minutes of the bone-grinding mayhem and cadaveric incantations spewn forth from the stage. After an unholy gestation period the live material is now being let out to wreak havoc and cause grievous bodily and mental harm to the general public. Abhorrence are still old school, still undead and unclean!"
Svart Records

 

Soulseller

WTC

debut mini-album of ADAESTUO, Tacent Semitae. A swirling breath of otherworld energies, Tacent Semitae is a startling and profound introduction to this otherwise-unknown band.
ADAESTUO was formed as a covenant between three wandering souls at the unhallowed crossroads where the darkest elements of ambient, black metal, and spiritual praxis conjoin.
 

WTC

Temple of the Adversarial Fire

WTC

Harsh riffing guitars combined with intense atmosphere, blasting drums and maniacal possessed vocals.
This album is a great homage to the demon of all oceans, the lord of the eternal abyss - the mighty Leviathan!
 

Purity Through Fire

Winter is the fifth album from Progressive Black Metaller FEN, a colossal piece of work for the English three-piece, at once rich in sound, beguilingly delicate, and yet laced with cold darkness. produced by of Jaime Gomez Arellano (Ulver, Primordial, Solstafir).
 

Code 666

 

Martyrdoom Productions

Melodic Black Metal from Canada. First full lenght album finally on CD.



Werewolf