CD

Drawing forth the dark wine sea of stars by spiral spin of warp wizardry, Cosmic Crypt revels in a truly enthralling arsenal of psychedelic black metal spellcraft, darkest of grimoires resplendent with captivating compositions electrified by synth sorcery and fuzz laden guitars. Hailing from the tormented tropical kingdoms of Ecuador, Cosmic Crypt unleashes a full-length debut incarnation, Csmc Wzrd, right out of the sidereal spell forges; wasting no time in bombasting its acolytes with a host of hard rocking harmonies, daemonic black orations, mind-bending guitar solos, galactic groove percussion, cryptic cosmos thematics and a kaleidoscopic dreamscape in which to lose oneself within the endless eyes of the multiverse. Infinitely catchy in its alchemical sonic transmogrifications, Cosmic Crypt’s Csmc Wzrd is a truly enjoyable, captivating and sidereal experience that any acolytes of the black magick armies would be naked without when they march onwards to astral battle.

CD jewel box with 8 pages booklet.

Fuath, meaning “hatred” in Gaelic, is the one-man Atmospheric Black Metal project of Scottish musician Andy Marshall, renowned as the creative force behind the acclaimed Folk/Black Metal band Saor.

Formed in 2015, Fuath is Marshall’s outlet for a colder, more ferocious vision, melding relentless aggression with haunting, melancholic melodies. The music channels a timeless frostbitten spirit, weaving immersive soundscapes steeped in winter’s bleak beauty, ancient mysticism, and dark folklore.

Though rarely performed live, Fuath’s selective appearances have left a lasting impact, immersing audiences in its stark, otherworldly realm.

Debut album of Sweden-based black metal entity Wékeras.  Jewelcase CD with booklet.
"Do wirów, do krzyków!" is a testament to the band's continued evolution, drawing inspiration from the chilling intensity of the Norwegian black metal scene (Burzum, Emperor) and the primal aggression of first-wave influences like Bathory and Venom. Lyrically, the album delves deep into the unsettling realms of primitive magic, Slavic folklore, horror, and demonology.

* ten new, full-fledged symphonic compositions, that are just as complex as ever, working in tandem with a bed of pagan black metal to provide an unparalleled listening experience
* unique, sophisticated, evolutionary, potent, dynamic.. the HELLVETO's quality is, as usual, essentially unmatched
* a must for the fans who have followed the band through the years
* available as 6 pannel glossy DIGIPACK CD

Being around for nearly seventeen years now, and having the dozen of albums released, HELLVETO is much respected act in the today's pagan black metal underground scene. Leading by LON, as the one and only composer and craftsman behind the entity, HELLVETO started with the intention of honouring proud and barbarian Slavonic ancestral heritage through their triumphant orchestral black metal.

The new album "Damnaretis"is by far the most complete, coherent and aggressive recording HELLVETO has done to date, both musically and production-wise. The album was recorded and mixed with LON himself handling all the production duties and performing all the instruments, including the entirely live drums, live violins and acoustic guitars. The instrumentation and it's interplay would have you believe a whole band is doing this.

"Damnaretis" contains all the elements and atmosphere that can be find on the previous records, sewing together the sinister black metal attitude with along with a more exotic, medieval charm and epic and beautiful classical orchestration. The end product is the epitome of unconventional, a must for the fans who have followed the band through the years as well as for the new ones.

Released as 6-panel DIGIPACK with booklet.

“Ciuciubabka” is the third full-length album from Licho. The word “ciuciubabka” translates to the children’s game “blind man’s buff” or “tag” in which one person has a cloth tied over their eyes and tries to catch the others. The album tells the story of what can be seen when blindfolded, the game of hiding and catching what has fallen from the sky. It is also about, as always, walking towards the light. On foot, on horseback, by car, by spirit.
 

Jewelcase CD with 12-page booklet.  

Brand new studio album from one of Poland's most original and long-running metal bands - Tenebris. Formed in Łódź, Poland in 1991, they began as a death metal act before incorporating progressive and even jazz influences into their sound, being extremely hard to categorize as under just one metal genre.

The album title references the iconic Polish XVI century poet, visioner and magician, Jan Kochanowski. His works are shown here as  a deliberate labyrinth based on Pythagorean numerology, which in turn was derived from Hermes Trismegistus. This new perspective transformed Kochanowski from a simple, pastoral poet into a practitioner of what might be called magical arts. The idea of Kochanowski as a prophet figure, transcending even Mickiewicz, became central to the album's unapologetic title.

 

Deluxe cross-shaped 10-panel Digipack CD with partial glossy UV Varnish and SoftTouch finish. Limited to the first pressing. 

Debut album from new occult/doom rock act from Poland - Drowned in Silver. 

Drowned in Silver is a project formed by musicians from the black metal and experimental music scenes. Their music finds a unique balance between occult rock and trance-like expression, drawing inspiration from the spiritual intensity of artists like The Devil’s Blood, Dead Can Dance and Wardruna.

The band’s signature sound, blends the dark atmospheres of occult and doom rock with a distinct gothic rock touch. 

Gladium Regis was born in the early 2000s as a collaboration between Arcanist Augur Svafnir and Salinoch. The duo recorded The Dark Stronghold (2003), an unreleased demo. Though never published, the demo songs and ideas carried forward and have been later reworked for Draugr (the Italian pagan black metal band which Svafnir co-founded and fronted in 2000s).

Even before Gladium Regis or Draugr, Svafnir had been experimenting with folky synth and dark electronic compositions, collected under the demo "Svafnir – Let the Ravens Come". Years later, those early sketches became the foundation for “Kingdom” (2020), a dungeon synth release created in London as an atmospheric backdrop for tabletop campaigns. “Kingdom” served as both a resurrection of the Gladium Regis banner as a solo dungeon synth act and a bridge between past experiments and future directions. “Kingdom” received some attention and has been released as CD and MC format.

Released in 1998, "Odin Owns Ye All" is the second full-length studio album by Einherjer. It’s a fascinating, if slightly polarizing, chapter in the history of Viking Metal because it marked a distinct departure from the cold, black-metal-influenced sound of their debut "Dragons of the North". While their earlier work was rooted in the atmospheric and aggressive Second Wave of Black Metal, "Odin Owns Ye All" leans heavily into Heavy Metal territory. The guitar work is much more rhythmic and "groove-oriented" than the tremolo-picking found in traditional Norwegian metal and the sound is cleaner and punchier, losing the raw, lo-fi aesthetic of the mid-90s in favor of a more polished, rock n' roll Viking vibe. One of the most notable changes is the vocal delivery of Ragnar Vikse: instead of the typical black metal shriek, Vikse utilizes a unique, raspy, and melodic approach. It feels more theatrical and storytelling-driven, which fits the epic themes of Norse mythology but was quite a surprise to fans at the time.

 Released in 1998, "Far Far North" is a cult-classic release by the Norwegian band Einherjer. While technically an EP, it is often cited as a definitive moment for the band, bridging the gap between raw black metal roots and epic, melodic storytelling. Unlike their debut album Dragons of the North, which featured a more aggressive, traditional black metal vocal style, "Far Far North" introduced a shift toward melodic Viking Metal. "Far Far North", the title track, is an absolute anthem. It’s known for its catchy, galloping rhythm and a chorus that practically demands you grab a drinking horn. It’s one of the band's most recognizable songs. Released at the time via Century Media, this EP helped solidify Einherjer as leaders of the second wave of Viking Metal. While bands like Bathory pioneered the genre, Einherjer are among those who refined the Viking metal aesthetic—blending heavy metal structures with Norse mythology and folk-inspired melodies