Vinili

 "Depravation" recorded in analog system. Old reel tapes in the city of lima- country: Peru, South America. Now again in CD/LP formats. After releasing the hit debut album "Demoniac Flagellations" in 2004, this group of Peruvian alcoholics evoked us to drink and write music for this insane new album. For those who never heard of us in the past, we play a mix of Black, Thrash and fast Death Metal, in the vein of old South American devils like Sarcofago Sepultura, Vulcano and American line like Morbid Angel, Death, Deicide.
Well, they can only hear a lot of wicked metallic chaos. If you're looking for a dose of energy and hate to mosh your bedroom walls when it plays underground, remember to thank me for this recommendation after listening to this album! The drummer here mercilessly thrashes throughout the entire album, the bassist/vocalist executes well both the 4-string desecration works and the throat torments, reminiscent of the era of "I.N.R.I." Wagner Antichrist himself!
The guitarist delivers not only fast and furious riffs, but also fucking aggressive solos! If you expected these Peruvian blasphemers to pity your ears by providing clean productions, you were sorely mistaken! This album has raw anal(og) production straight out of Peruvian hell! Some of the songs here are performed in their native languages, and some are sung in raw-as-life English, but I guess the lyrics you won't understand aren't much of a loss, as the (really!) strong side of this product it's merciless music! It's abundantly clear why this album got a huge vinyl release from From Beyond! With cover artwork done by Spanish master Juanjo Castellano.
A must have in your collection!

Osmose Productions is very proud to present one of the most depraved, full of insanity metal of Death & Black metal from Peru.
Re-issue, with great updated layout, with the original sound from the tape recording.

250x swamp green with heavy red splatter 12" (140g) in a black poly-lined innersleeve, gatefold, full-color printed on 350g, all assembled in a plastic overbag.

180g smoke vinyl in solid cover with thick insert, black inner-sleeve with poly lining, and a designed download card for the digital album.

Not only the water’s stream nor the heavy stones surrounding Elisa on her album’s cover are hitting powerfully, but also her songs’ instrumentals develop like that. Ellereve floats between captivating, magical soundscapes made of reverbs and distortions. By mashing electronic elements, folk influences, post-rock vibes, and varied dynamics to raise intensity and tension - the German singer-songwriter unveils her heart-treading melancholy and introverted nature. A curious sound researcher,

Elisa taught herself how to produce music in 2019 to maintain artistic freedom and be more independent in songwriting. The music of Ellereve has been recorded with the precious aid of her live band, which actively complements the organic and multi-faceted songwriting of the artist. The final production was done with her good friend and producer Salomon Appiah (7Apes), with whom she already worked on her debut EP "Heart Murmurs".

The visual side of the album was captured by the experienced hands of Konstantin Alexandroff and Laura Patricia. The album will be released as a limited CD edition (incl. 4 Bonustracks), various vinyl editions, and on all digital channels.

The House is one of the many names of Vladimir Pavelka (Cult Of Fire, Death Karma).
As a small child, he watched Evil Dead on a VHS tape by accident. It left him scared, but he also started to be fascinated with death and horror films. At the age of 17, he stole his school's money and used it to buy his first guitar. It was clear that he wasn't going to play folk songs but something darker and more terrifying. At 19, he began working in a morgue where his fascination with death deepened to such an extent that it became his daily routine and a part of his life to this day. Now you can enjoy his tribute to famous horror soundtracks and films.
Let there be death and horror!

ISON new album! Gatefold sleeve, double LP in Black vinyl 

Stunning limited Aside/Bside - sea blue / grey vinyl edition!
Comes housed in 300 gsm sleeve with double sided insert printed on 150 gsm art paper.

After the very well received "Of Atavistic Fury & Visions" EP Sarvekas release their first full-length album, "Woven Dark Paths"!
The 8-song/48-minute album is about delving into dark ancient rites, bloodletting for the forefathers, and true Nordic spirit as well as philosophy through ancient Nordic beliefs. With preternatural ease, Sarvekas transport the listener to ancient times: both the glorious 1990s, with their incredibly era-authentic style, and more so the times long, long before that, visual and violent in equal measure

ISON new album - test pressing  5 copies produced

white label

'Six Songs With the Devil', the savage 1994 demo from DESTROYER 666, remains to this day the most vicious blast of black metal to ever come from Australia.
Each track is a white-knuckled rip ride of volume and violence, and this recording set the tone for the career of one of metal's most infamous and uncompromising bands.
This true underground classic is available once again via the band's longtime home Season of Mist.

For fans of DESASTER, GOSPEL OF THE HORNS, AURA NOIR, NOCTURNAL GRAVES, BESTIAL MOCKERY, RAZOR OF OCCAM.
Cover illustration "Fohat" by Rosaleen Norton.

Limited to 199x black vinyl, incl. download

The word “katechon” refers to the restraining force or entity tethering the Antichrist, and thus maintaining equipoise between existence and annihilation. Sonically and conceptually, Katechon exhibits the control, power, and restraint associated with the theological concept giving rise to the band’s name. At this point in the lineage of extreme metal, the lines between the various subgenres are nearly indistinguishably blurred. Bands emerging at this stage are almost certainly influenced by Black, Death, and Thrash metal in relatively equal parts in addition to drawing influence from genres outside the traditional spectrum of metal. This amorphous state, has led many bands to retreat into strict rehashing of formulaic retro approaches. Katechon, however, embraces the entropic merging of stylistic and aesthetic projections from the various branches of the genre and beyond. Under scrutiny since the release of its demo last year, Norway’s Katechon now presents its debut full-length recording. “Man, God, Giant” reinforces the sound presented on Katechon’s previous recordings*, but features superb production that amplifies the impact of the tracks. Each of the three songs featured on the demo is reworked and incorporated into the album. Katechon’s sound is an amalgamation of Black, Death, and Thrash metal, but played with a precision and authenticity that avoids dilution. Instead the result is frenetic and possessed, devoid of theatrics and self-indulgent virtuosity, and features highly proficient and intricate songwriting executed with precision. With philosophically oriented lyrics and adorned with an esoteric and surreal visual aesthetic, “Man, God, Giant” presents a unique vision for the future direction of metal in which an equilibrium must be maintained between rote rehashing of past trends and the indiscriminate collision of clashing styles and sounds. Katechon rests perfectly at this equilibrium point, holding at bay the forces of dissolution.

“Witchdance Rising Demo 1” Demo and “If None Will Call the Devil’s Blood… Demo 2” on one LP

Gray vinyl.

(Taken from 2004 7” re-issue, words by Timo Ketola) This history of the death metal band that is known today as Ligeia goes all the way back to the first years of the decade. Formed from friends who had a mutual admiration for Kansas City area local legends Order from Chaos and Swedish death done the right way (Treblinka, Grotesque etc…), the band began rehearsals for their first real demo which took the shape of “The Conqueror Worm” demo from the year 1993. The demo had all of the hallmarks of a demo that ten years down the line would have people still mesmerized! Unfortunately for the large part the triumphant 3 song debut of Nepenthe went largely unheard, hoarded by its true followers and cherished along with demos by Nihilist and Treblinka! “The Conqueror Worm” consisted of three songs -”The Conqueror Worm”, “Gleaming Eyes of Darkness”, and “On the Cheek of an Eternity”. This demo’s line up was short lived as Joe the vocalist was asked to leave after its release and the band continued on as a three piece… Alex Blume – bass/vocals, Patrick Brown – guitars, and Chris Overton – Drums. This line up would see the band through the coming years’ trials and tribulations. In 1994 the band signed a contract to do a 7” and mini CD for a European label, unfortunately negotiations of the deal broke down and the band was stuck with what it already recorded for the label, the “Ligeia” 7’ EP tracks. During the very turbulent year of 1995 the band laid pretty much dormant, recording the one and only official live show it did as a demo in February off 1995 (”Live at Howard’s) and parting with Alex later the same year renaming the whole project Ligeia, after the, at the time, yet unreleased EP. The “Live at Howard’s” demo is another yet unfound gem, with covers of both Tiamat and Sathanas and live versions of songs still not released, the demo is a true diamond in the rough,with a questionable sound but also with a heaviness yet unheard of on these shores! In the Winter of 1995/1996 the band recorded one final EP’s worth of material. Entitled “In Death Overshadow Thee” the public has yet to witness the truest of brutality in American death! In the Spring of 1996 the band laid things to rest, as Chris had joined the rising project Vulpecula. The band still had a plethora of unheard material so negotiations began with Eternal Darkness Records in the Spring of 1996 to release the long shelved Nepenthe “Ligeia” 7’ EP. In April of 1996 Eternal Darkness did just that! And to glue the last paragraph to this old biography: And the years rolled on, until Dauthus felt “In Death…” shouldn’t remain as a mere title in the tape trading lists, it deserves black vinyl. Chris Overton agreed, Eternal Darkness dug up the layout originals of the unreleased cassette version (as once prepared by Pat Brown), which were adapted for 7” format. With the help of the mentioned persons, and Chuck Keller who delivered the master, we can hereby enjoy the final Ligeia chapter in its rightful format. 

Industrial Black Metal featuring ex-member of Christicide and some freak Italians from the Industrial/Electronic scene.

Madre was founded in the early stage of 2020 and combines members rooted in France and Italy.

They blend the rawness of black metal with the industrial side of techno and use them as a tool to craft their unique alienated landscapes.

Laurent Clément has been involved in Christicide and is currently in bands The Reptilian Session and Revenants, also an occasional contributor to Aevangelist. Luciano Lamanna is one of the most honorable names of the Italian electronic scene; since the 90s he's a pioneer of techno-rave music, but also a composer and producer involved in hip-hop, underground metal and industrial scenes. He is currently involved in the bands Intolerant, Abolition Ritual and Derelict. Gregorio Luciani has been a pillar of the Italian scene since the late 90's. He's been a member of Comrades, Concrete, Si Non Sedes Is and is currently involved with Derelict and will soon be releasing his debut EP as Grimorio.