Vinili

Six keys opened six doors, and their poison crept into our world.

Five years has passed since the doors of perdition were opened with the release of Escumergament’s debut studio album ...ni degu fazentz escumergamënt e mesorga..., and now it is time to explore the corrupted wastelands at these entrances.

Apparebat Eidolon Senex speaks of anger, resignation and misfortune. A glimpse into the smoldering ruins of temples and oceans filled with corpses. Of haunting spirits and mad gods. Of betrayal and unfathomable loss. Seven songs where the demon appears at different places depending on time, place and intent.

Just like ...ni degu fazentz escumergamënt e mesorga..., Apparebat Eidolon Senex was recorded in the Chapel of the Wanderers on old and unpredictable equipment during days and nights of storms and torment.

These spells of uncompromising black metal are designed to curse and bring ruin.

Debemur Morti reissue 2026

Comes in a 6-panel digipack. First batch comes in black polycarbonate CD.

Originally released in 2017 by Dark Descent records and long sold out, "Holókauston" is - for now - the crowning achievement of BESTIA ARCANA, the occultist Black Metal outlet for Naas Alcameth (AKHLYS, AORATOS, NIGHTBRINGER) alongside current and ex-members of NIGHTBRINGER.

Pressed on deep blue marble effect heavy vinyl. Comes with a 12-page booklet, A2 poster and download card. Colors on final record may vary to a degree from the mockup.

The electrifying 9th full-length from Czech avant-Black Metal voyagers INFERNO distils the bleak grandeur of 2021's "Paradeigma" into another disturbed and profound psychological trip, where the listener takes the role of 'silent witness to the chaos within our cosmos'.

The album With No Human Intervention, released in 2003, is considered by many fans and critics to be Aborym’s creative peak. It is a complex work that blends the violence of black metal with industrial rhythms, digital sampling, and extreme electronic elements.

The album is dedicated to Jon Nödtveidt (frontman of Dissection) and to Bard “Faust” Eithun.

Line-up and Musicians
Attila Csihar: Lead vocals (Mayhem).
Malfeitor Fabbri: Guitars and synths.
Seth Teitan: Guitars.
Mick Kenney (Irrumator): Programmed drums (Anaal Nathrakh).

Collaborations and Guests
The album features several collaborations, with lyrics and performances by:
Bard "Faust" Eithun: Lyrics (tracks 2, 6).
Nattefrost: Lyrics and vocals (track 13).
Kvarforth: Additional vocals (Shining).
Sasrof: Lyrics (Diabolicum).

The album With No Human Intervention, released in 2003, is considered by many fans and critics to be Aborym’s creative peak. It is a complex work that blends the violence of black metal with industrial rhythms, digital sampling, and extreme electronic elements.

The album is dedicated to Jon Nödtveidt (frontman of Dissection) and to Bard “Faust” Eithun.

Line-up and Musicians
Attila Csihar: Lead vocals (Mayhem).
Malfeitor Fabbri: Guitars and synths.
Seth Teitan: Guitars.
Mick Kenney (Irrumator): Programmed drums (Anaal Nathrakh).

Collaborations and Guests
The album features several collaborations, with lyrics and performances by:
Bard "Faust" Eithun: Lyrics (tracks 2, 6).
Nattefrost: Lyrics and vocals (track 13).
Kvarforth: Additional vocals (Shining).
Sasrof: Lyrics (Diabolicum).

The journey of Spirit Adrift has come full circle. With their sixth album in a decade, mastermind Nathan Garrett is ready to unleash the band’s final chapter. Infinite Illumination, the Spirit Adrift swansong, is a return to the wellspring that first inspired it all and testament to a band that in the last ten years has crafted an impeccable signature thoroughly their own, molded from the elemental matter of more than a half century of heavy metal exaltation.

Infinite Illumination has a directness to it, a sense of urgency and raw intensity. The songs feel inevitable, like they had to be driven out from deep within during a time of great upheaval. The fatalistic “Born in a Bad Way” summons a vengeful “broken relic from another age” that must “live again and make them pay” via Garrett’s swaggering snarl, while “White Death” impugns “God shined on a chosen few, we must kill the rest of you”. These songs have a palpable sense of malaise both spiritual and terrestrial, personal and universal, inflicted via crushing traditional doom riffs, thunderous mid-tempo marches and Garrett’s impassioned vocal delivery.

Black Vinyl

Norwegian titan, Mork, was created by Thomas Eriksen in 2004, with the debut album ‘Isebakke’ eventually surfacing in 2013. Since then, Mork has been ceaselessly rising through the echelons of Black Metal, and on the heels of 2024’s intense and groundbreaking ‘Syv’ opus - which has resulted in the band branching out with tours in the Far East & Australia - Eriksen continues on this evolutionary path with the new album, and what is undoubtedly set to be a new benchmark, ‘Monolitt’.

“A stark monument to the unrelenting brutality of reality, the monolith looms above us, immovable, indifferent, eternal. Its crushing presence bears down on the spirit, suffocating hope and testing the limits of endurance. It is an experience carved in stone, unyielding”.

‘Monolitt’ is an album that further expands the sonic and atmospheric depth of existing Mork releases; unafraid to challenge the listener, while steadfastly rooted in the cold traditions of the genre. With this uncompromising vision and direction for ‘Monolitt’, Mork delivers a sound which is brutal yet expansive, whilst also heavy and epic, for a relentless journey through the shadows of Norwegian Black Metal, while forging new paths within that ancient and revered framework.

Across these songs, themes of collapse, transformation, isolation, and destruction form the central pillars. From the crushing burden of existence to spectral wanderings through forgotten landscapes, ‘Monolitt’ explores the human condition through bleak introspection and grand imagery. Nature rages, giants awaken, faith crumbles, all in pursuit of experience beyond the limits of flesh and mind.

Black Vinyl

Norwegian titan, Mork, was created by Thomas Eriksen in 2004, with the debut album ‘Isebakke’ eventually surfacing in 2013. Since then, Mork has been ceaselessly rising through the echelons of Black Metal, and on the heels of 2024’s intense and groundbreaking ‘Syv’ opus - which has resulted in the band branching out with tours in the Far East & Australia - Eriksen continues on this evolutionary path with the new album, and what is undoubtedly set to be a new benchmark, ‘Monolitt’.

“A stark monument to the unrelenting brutality of reality, the monolith looms above us, immovable, indifferent, eternal. Its crushing presence bears down on the spirit, suffocating hope and testing the limits of endurance. It is an experience carved in stone, unyielding”.

‘Monolitt’ is an album that further expands the sonic and atmospheric depth of existing Mork releases; unafraid to challenge the listener, while steadfastly rooted in the cold traditions of the genre. With this uncompromising vision and direction for ‘Monolitt’, Mork delivers a sound which is brutal yet expansive, whilst also heavy and epic, for a relentless journey through the shadows of Norwegian Black Metal, while forging new paths within that ancient and revered framework.

Across these songs, themes of collapse, transformation, isolation, and destruction form the central pillars. From the crushing burden of existence to spectral wanderings through forgotten landscapes, ‘Monolitt’ explores the human condition through bleak introspection and grand imagery. Nature rages, giants awaken, faith crumbles, all in pursuit of experience beyond the limits of flesh and mind.

Formed in 2020 by AS, Inherits The Void is a French project of atmospheric and melodic black metal, inspired by the frozen visions of Vinterland, the incantatory fury of Misþyrming, and the melodic intensity of Dawn.

Since its inception, the project has explored the tension between melody and atmosphere, blending emotional intensity with celestial melancholy. Through several releases - Monolith of Light (2021), The Impending Fall of the Stars (2023), Scars of Yesteryears (2024), all released via Avantgarde Music - Inherits The Void has established itself as a singular voice within the modern French black metal scene.

The Silent Abscission, the fourth Inherits The Void studio album, is a true turning point: a concept album about erasure, cosmic implosion, and isolation. Conceived as a journey through eight visions, it moves between incantatory convulsions and silent abysses, leading to an inevitable and overwhelming resolution. Like the collision of celestial bodies, the music whirls, riffs lash, dissonances burn, and harmonies collapse into silence. A total black metal experience, where matter and spirit are consumed within the same incantation, standing at the frontier between despair and eternity.