Vinili

UK thrash legends Acid Reign return with their highly anticipated new album, Daze Of The Week, releasing on May 15, 2026, via Back On Black Records. Produced by Jayce Lewis, the album features ten tracks promising catchy choruses and high-speed thrash, following their 2019 release

Despite being called from the grave at a time when Black Metal from Norway suddenly gained worldwide popularity, MALFEITOR always remained an obscure entity. When some of their compatriots signed record deals with international labels, the horde from Askim deliberately acted from within the deepest underground. With a short lifespan of only 2 years, the output produced by MALFEITOR is naturally rather meagre. The releases spawned between 1991 and 1992 only consist of 1 rehearsal- and 2 demo tapes and were back in the day only spread on home-dubbed tapes in very limited quantities. Devoted to Black Metal of the rather stripped-down, minimalist style similar to early BATHORY, ILDJARN or DARKTHRONE, MALFEITOR had the potential to release a great first full-length. Unfortunately, this wasn’t destined to happen since shortly after the release of the very promising second demo Pandemonium MALFEITOR returned to the shadows from which it was conjured. The member’s contribution to Black Metal wouldn`t end with the demise of MALFEITOR, though since out of the ashes STRID and MANES (featuring Vicotnik from DØDHEIMSGARD) rose.

Despite being called from the grave at a time when Black Metal from Norway suddenly gained worldwide popularity, MALFEITOR always remained an obscure entity. When some of their compatriots signed record deals with international labels, the horde from Askim deliberately acted from within the deepest underground. With a short lifespan of only 2 years, the output produced by MALFEITOR is naturally rather meagre. The releases spawned between 1991 and 1992 only consist of 1 rehearsal- and 2 demo tapes and were back in the day only spread on home-dubbed tapes in very limited quantities. Devoted to Black Metal of the rather stripped-down, minimalist style similar to early BATHORY, ILDJARN or DARKTHRONE, MALFEITOR had the potential to release a great first full-length. Unfortunately, this wasn’t destined to happen since shortly after the release of the very promising second demo Pandemonium MALFEITOR returned to the shadows from which it was conjured. The member’s contribution to Black Metal wouldn`t end with the demise of MALFEITOR, though since out of the ashes STRID and MANES (featuring Vicotnik from DØDHEIMSGARD) rose.

ABIGOR’s 1994 full length debut captured the sudden discharge of the scene´s massive energy, which had built up in the early ’90s. As a result, Verwüstung turned out a bold, forceful but also deeply emotional album, created by adolescents who already had a sharp and individual idea how Black Metal should sound like. Although Verwüstung has in retrospect sometimes been overshadowed by the impact of Nachthymnen (From The Twilight Kingdom), its songwriting easily matches the 1995 classic and shows even more variety. No other ABIGOR album displays such a mix of demonic furore (“Kingdom Of Darkness”), complexity (“Universe Of Black Divine”) and atmosphere (“Midwintertears”), in addition Silenius delivered a vigorous peak performance and never sounded more powerful before or after.

For the first time, DSR presents a vinyl edition with the original 1994 cover collage. Verwüstung comes in a gatefold sleeve with an extensive 40 page booklet, including a comprehensive collection of photos and artefacts from that year, an A4 sticker sheet with the two blasphemous slogan-flyers made in early 1994, as well as liner notes and two detailed interviews:
one with Bruder Cle, talking about the tape-trading scene which shaped the emergence of Black Metal as well as this very album, and one with Georg Hrauda (Hörnix Studio), who recorded all the classic ABIGOR albums in the ’90s.

The vinyl sound – also for the first time – has been cut true to the original Hörnix master, while the download code leads to a new master, especially created for today´s mobile digital devices.

ABIGOR’s 1994 full length debut captured the sudden discharge of the scene´s massive energy, which had built up in the early ’90s. As a result, Verwüstung turned out a bold, forceful but also deeply emotional album, created by adolescents who already had a sharp and individual idea how Black Metal should sound like. Although Verwüstung has in retrospect sometimes been overshadowed by the impact of Nachthymnen (From The Twilight Kingdom), its songwriting easily matches the 1995 classic and shows even more variety. No other ABIGOR album displays such a mix of demonic furore (“Kingdom Of Darkness”), complexity (“Universe Of Black Divine”) and atmosphere (“Midwintertears”), in addition Silenius delivered a vigorous peak performance and never sounded more powerful before or after.

For the first time, DSR presents a vinyl edition with the original 1994 cover collage. Verwüstung comes in a gatefold sleeve with an extensive 40 page booklet, including a comprehensive collection of photos and artefacts from that year, an A4 sticker sheet with the two blasphemous slogan-flyers made in early 1994, as well as liner notes and two detailed interviews:
one with Bruder Cle, talking about the tape-trading scene which shaped the emergence of Black Metal as well as this very album, and one with Georg Hrauda (Hörnix Studio), who recorded all the classic ABIGOR albums in the ’90s.

The vinyl sound – also for the first time – has been cut true to the original Hörnix master, while the download code leads to a new master, especially created for today´s mobile digital devices.

"The Scottish threat of blackened speed metal is back!
Featuring 8 new tracks over 44 minutes, the highly anticipated fourth album, Coronach, reaches new heights of metallic intensity.
Bolder, more daring, and more adventurous than ever, Hellripper is crafted for speed and razor-sharp riffs."

Both classic AMON (pre-DEICIDE) demos Sacrificial and Feasting The Beast, finally available again on limited LP.

Officially licensed from the Hoffman brothers, these cult-demos are among the most significant and important underground releases of the late 80s and, along with a handful of other bands like MORBID ANGEL, DEATH, NOCTURNUS or OBITUARY, mark the beginning of the legendary Bay Area death metal scene from Florida.

Remastered for this DSR-release by Dan Swanö (Unisound) in June 2023.

Black  vinyl

3LP triple-gatefold sleeve incl. a huge 24-page 12” booklet including an in-depth interview with Tomas „Samoth“ Haugen and many never seen before pictures.
An double-sided A2 poster will be added to every vinyl too.

Revealing Emperors’ dark past…

Founded by Samoth and Ihsahn in 1991, EMPEROR became widely acclaimed for their innovation and sophistication. They unquestionably rank among Black Metal’s most seminal bands. Throughout their exceptional career, they released landmark albums that will forever belong to the genre’s canon. Given EMPEROR’s status and popularity, it may then come as a surprise to some that this legendary band was a side-project of the Norwegian duo. This is especially true given that, at the time that EMPEROR was established, Samoth and Ihsahn’s main band was THOU SHALT SUFFER.

Although quite a short-lived entity and bound to forever dwell in the shadows of its members’ celebrated offshoot, the material which had spawned under the name THOU SHALT SUFFER is notable and worth being paid attention to. Even though the three recordings which comprises of a five-track-rehearsal, the EP Open The Mysteries Of Your Creation, and the demo Into The Woods Of Belial that the horde managed to unleash in 1991, are no less dark than what EMPEROR came up with subsequently, THOU SHALT SUFFER weren’t a Black Metal band, but were sworn to Death Metal of a distinctly tenebrous nature. Like many Norwegian bands, including IMMORTAL, ENSLAVED, BORKNAGAR, and HADES ALMIGHTY – who began as Death Metal acts under different names in the late 1980s and early 1990s before shifting towards Black Metal, Ihsahn and Samoth, aided by various members, (most infamously Ildjarn on bass), cut their teeth in a Death Metal outfit. It is sonically somewhat comparable to the earliest period of DARKTHRONE, PARADISE LOST, SENTENCED and the like when all of them still played Death Metal, and with some hints of CARCASS, which are especially audible in the fast parts, THOU SHALT SUFFER put to tape some great Death Metal darkness of lasting quality.

Despite the members being very young at the time the recordings were done, the tracks are proficiently composed and competently performed. They frequently shift between doomy, mid-tempo, and fast sections that are accompanied by Ihsahn’s morbid growls, which have nothing in common with his high shrieks that he would later be known for. This, plus some obscure keyboards on top, which adds a sombre layer to the compositions, the band were able to turn their music into a mandatory feast for devotees of dark Metal.

Darkness Shall Rise is very proud to present this re-release, which features the three recordings that THOU SHALT SUFFER had released during their short lifespan. As usual, we went to great lengths to turn this re-release into something out of the ordinary. Not only was all the music mastered for vinyl to achieve the best sound by Patrick W. Engel, but we didn’t spare any effort to create a thick booklet featuring old pictures, of which many are unpublished, and a lengthy interview with Samoth. Also for this release, the band has opened their vault and for the VERY FIRST TIME EVER, obscure material prior to THOU SHALT SUFFER has been exclusively featured. Namely XERASIA with rare rehearsal tracks from 1990, EMBRYONIC rehearsal tracks, and the official EMBRYONIC demo The Land of The Lost Souls from 1990.

Pressed on transparent black heavy vinyl w/ yellow swirl. Side D contains no music. Comes with a 2-page insert and a download card. Colors on final records may vary to a degree from the mockup.

The sublime 4th full length from UK avant-Black/Death Metal band LYCHGATE advances the kinetic potency of their 2020 DMP-debut EP, "Also sprach Futura", to a frightening level of mind-mangling intensity.

"Precipice" is progressive Extreme Metal plummeting inside a black hole: scorching, twisted and transfixing. The band have upped both the dystopic prog-Death quotient and their sense of experimentation, moving with formidable, mechanised poise and a surrealist’s sense of dread.

Black Vinyl

Olde Throne is a melodic and atmospheric black metal band born in a time when main composer and frontman Harrison McKenzie was living in Glencoe, Scotland. Even after moving back to his native New Zealand, McKenzie felt deeply inspired by his experience in the highlands, and this project was the result of such inspiration. Olde Throne released two studio albums under this monicker, An Gorta Mór (2022) and In the Land of Ghosts (2023). Two years later, the man from Christchurch signs with Italian long-standing label Avantgarde Music to release their third full-length album, Megalith.

Two years in its creation, Megalith is a primal journey into the depths of prehistory. Where previous albums explored the strife of 19th-century Ireland (An Gorta Mór) and the spectral lore of 17th- and 18th-century Scotland (In the Land of Ghosts), Megalith delves into the primordial darkness of the Neolithic age. Drawing inspiration from stories of Celtic mythology, the album’s narrative is rooted in tales dating back as far as 10,000 BC. The use of flutes, throat singing and tribal drums forges an immersive brand of Neolithic Black Metal.