Vinili

Stormkeep return with symphonic black metal that feels hand-built and world-sized: sweeping orchestration, driving momentum, and a darkly radiant sense of grandeur. Bridging distant, mythic eras with the urgency of the present, their songs unfold as transporting epics—majestic, precise, and utterly absorbing.

This box-set comes with three LPs:

LP1: Those of the Unlight
Contains the full-length with considerably improved audio due to Devo Andersson`s remaster. Also, Those of the Unlight is for the first time officially rereleased with a faithful reproduction of the original cover and layout.
LP2: Unlicht 1994 – Live in Berlin/GER
Features a live show from the Sons of Northern Darkness tour in 1994.
LP3: Darkness Breeds Immortality – 30th anniversary show – Norrköping/SWE
Contains the 30th anniversary concert of Those Of The Unlight where the band played the album in its entirety.

Next to the 3 LPs, this limited box-set includes:
A huge double-sided A1 poster.
And a massive 60-page 12“ booklet with a lot of never-before-seen pictures plus a new interview with Morgan Håkansson.

Available as:
– black vinyl box (lim. 400)
– grey/black marble vinyl box (lim. 400)

Long-due official reissue!

Ships around June 5th 2026, limited to 250 copies.

Mithotyn’s Viking Metal classic remastered and with new artwork by Kris Verwimp!

First time on vinyl and digi-CD. 

If you’re already a fan of Viking or Black Metal, you’ll know roughly what to expect: longer songs with some variation, harsh growled vocals balanced with cleaner chorus sections, and a strong sense of atmosphere. It’s a familiar formula, but one that works well and captures what makes this style of music so enjoyable.

Questa è un'offerta speciale valida solo durante il preorder per acquistare una copia di Nel Buio "II" e Nel Buio "I" in blocco, ad un prezzo vantaggioso

Nel Buio "I" è in vinile grigio, mentre per "II" potete scegliere tra vinile giallo o viola (per favore indicatelo nel commento dell'ordine altrimenti manderemo una copia a nostra scelta)

Following their acclaimed self-titled debut EP from 2024, Italian trio Nel Buio is ready to release their debut studio album, once again self-titled. With their style defined as “pure Italian blackwave” — a fusion of black metal and darkwave — Nel Buio narrate a tragedy in two acts, where the music evolves alongside the lyrics, guiding the listener as if through a soundtrack.
 

Following their acclaimed self-titled debut EP from 2024, Italian trio Nel Buio is ready to release their debut studio album, once again self-titled. With their style defined as “pure Italian blackwave” — a fusion of black metal and darkwave — Nel Buio narrate a tragedy in two acts, where the music evolves alongside the lyrics, guiding the listener as if through a soundtrack.
 

Following their acclaimed self-titled debut EP from 2024, Italian trio Nel Buio is ready to release their debut studio album, once again self-titled. With their style defined as “pure Italian blackwave” — a fusion of black metal and darkwave — Nel Buio narrate a tragedy in two acts, where the music evolves alongside the lyrics, guiding the listener as if through a soundtrack.
 

Ravenous Swedish Death Metal! Heavy, raw, melodic and mercilessly dark!

Hailing from Stockholm, Sweden, the breeding ground of Entombed, Dismember and Unleashed, Xorsist carry the city’s Death Metal legacy with conviction.

Rooted in the raw buzz saw tradition of early ’90s Swedish Death Metal yet sharpened with modern bite, the band have steadily risen through the underground with “Deadly Possession” (2022) and “At the Somber Steps of Serenity” (2023).

While their earlier recordings honored the path that defined the classic Stockholm sound, “Aberrations” marks a decisive step forward, eclipsing everything that came before it and presenting a clearer, more defined expression of the band’s musical vision.

With this new chapter, Xorsist continue to carry the Swedish Death Metal torch into darker territory!

One of the UK underground's longest-running and most respected acts, HECATE ENTHRONED has been praised by the likes of Terrorizer for their "mixture of death metal aggression with black metal atmosphere" while New Noise Magazine declares them "an absolute must for fans of extreme gothic metal". Originally co-founded in Wales by guitarist Nigel Dennen in the mid-1990s, the band is dedicated to delivering their own brand of evil metal with little regard to politics or the trends of popular demand. The group's 1997 full-length, the Andy Sneap-produced 'The Slaughter Of Innocence, A Requiem For The Mighty' (Blackend Records), was a seminal release in the then-burgeoning orchestral black metal movement, and since then, five more studio outputs including their M-Theory Audio debut in 2019 with the 'Embrace Of The Godless Aeon' (HECATE ENTHRONED's first recording with vocalist Joe Stamps) and numerous live performances have firmly established the band as one of extreme metal's most important voices.

The album will be released May 29 on Digipak CD, limited-edition colored vinyl including 250 Boreal Light (EU) and 250 Draconic Vision (US) variants, and digital.  'The Corpse of a Titan, A Lament Long Buried' is once again produced by HECATE ENTHRONED and Dan Abela (Akercocke, Bleed from Within, Annal Nathrakh), who also mixed/mastered the album with cover art created by Erskine Designs (Inanimate Existence, Bleed The Sky).

After a whole decade of silence, Downfall Of Nur is back with a new album. The studio project born from Italian-born Antonio Sanna is finally ready to give a proper follow up to the acclaimed debut Umbras de Barbagia (2015). And the Firmament will Burn to Quench the Pain of this Earth unfolds as a profound reflection on the ancestral memory and deeply rooted symbols of Sardinia.
At its core lies the dual figure of the feminine: the Mother Goddess, an ancient archetype associated with fertility, the earth, and permanence, represented in the prehistoric iconography of Sardinia, and human mothers, silent protagonists who carry the restrained sorrow of mourning their children lost to ancestral conflicts, such as the disamistade, a ritualized enmity deeply embedded in Sardinian cultural memory.
The album’s central narrative revolves around the transition of an individual caught in these ancient cycles of hostility. Upon shedding his physical form, his spirit merges with the archetype of the Mother Goddess, an ancestral presence embodying the exhaustion provoked by the endless repetition of violence and death. This union marks a threshold: an essential act of purification that confronts oblivion and halts the ceaseless recurrence of suffering.
Though not explicitly named, the mothers form the ethical and emotional foundation of the work. Their grief transcends the individual and extends into the collective, shaping the social memory and the ontological relationship between human beings and the land they inhabit. The Mother Goddess and the mothers symbolically intertwine, revealing the rupture between humanity and the earth that sustains it. The album posits a breaking point: the weariness of the Mother Goddess in the face of perpetual cycles of vengeance, death, and forgetting. This rupture is not presented as punitive, but as an inevitable act of purification, fire consuming what has been denied by collective memory.
And the Firmament Will Burn to Quench the Pain of This Earth calls for attentive and contemplative listening. It is not a linear or conclusive narrative, but a fragmented ritual space that opens the way to multiple layers of interpretation, where history, mythology, and human mourning converge. Ultimately, the album stands as an act of living memory—a tribute to Sardinia as a sacred, wounded land, bearer of silenced histories—and an invitation to recognize, through listening, the profound sorrow that resides in the broken bond between man, woman, earth, and the divine. 

After a whole decade of silence, Downfall Of Nur is back with a new album. The studio project born from Italian-born Antonio Sanna is finally ready to give a proper follow up to the acclaimed debut Umbras de Barbagia (2015). And the Firmament will Burn to Quench the Pain of this Earth unfolds as a profound reflection on the ancestral memory and deeply rooted symbols of Sardinia.
At its core lies the dual figure of the feminine: the Mother Goddess, an ancient archetype associated with fertility, the earth, and permanence, represented in the prehistoric iconography of Sardinia, and human mothers, silent protagonists who carry the restrained sorrow of mourning their children lost to ancestral conflicts, such as the disamistade, a ritualized enmity deeply embedded in Sardinian cultural memory.
The album’s central narrative revolves around the transition of an individual caught in these ancient cycles of hostility. Upon shedding his physical form, his spirit merges with the archetype of the Mother Goddess, an ancestral presence embodying the exhaustion provoked by the endless repetition of violence and death. This union marks a threshold: an essential act of purification that confronts oblivion and halts the ceaseless recurrence of suffering.
Though not explicitly named, the mothers form the ethical and emotional foundation of the work. Their grief transcends the individual and extends into the collective, shaping the social memory and the ontological relationship between human beings and the land they inhabit. The Mother Goddess and the mothers symbolically intertwine, revealing the rupture between humanity and the earth that sustains it. The album posits a breaking point: the weariness of the Mother Goddess in the face of perpetual cycles of vengeance, death, and forgetting. This rupture is not presented as punitive, but as an inevitable act of purification, fire consuming what has been denied by collective memory.
And the Firmament Will Burn to Quench the Pain of This Earth calls for attentive and contemplative listening. It is not a linear or conclusive narrative, but a fragmented ritual space that opens the way to multiple layers of interpretation, where history, mythology, and human mourning converge. Ultimately, the album stands as an act of living memory—a tribute to Sardinia as a sacred, wounded land, bearer of silenced histories—and an invitation to recognize, through listening, the profound sorrow that resides in the broken bond between man, woman, earth, and the divine. 

"Eight years after 'Eonian', DIMMU BORGIR returns with 'Grand Serpent Rising', a thirteen-track album that is both relentless and remarkably diverse. The title itself symbolizes renewal: for the band, the serpent represents transformation, knowledge, and liberation—a necessary shedding after more than thirty years in the industry. From the introduction 'Tridentium' to the explosive 'Ascent', the band confirms that it has lost none of its intensity or aura. Over nearly an hour of music, the album showcases majestic power, blending the raw energy of 90s Norwegian black metal with the mastery gained over the decades. With 'Grand Serpent Rising', DIMMU BORGIR delivers an imposing and ambitious work, driven by an intact inspiration and a vision more grandiose than ever."

UK thrash legends Acid Reign return with their highly anticipated new album, Daze Of The Week, releasing on May 15, 2026, via Back On Black Records. Produced by Jayce Lewis, the album features ten tracks promising catchy choruses and high-speed thrash, following their 2019 release