Vinili

Released in 1998, "Odin Owns Ye All" is the second full-length studio album by Einherjer. It’s a fascinating, if slightly polarizing, chapter in the history of Viking Metal because it marked a distinct departure from the cold, black-metal-influenced sound of their debut "Dragons of the North". While their earlier work was rooted in the atmospheric and aggressive Second Wave of Black Metal, "Odin Owns Ye All" leans heavily into Heavy Metal territory. The guitar work is much more rhythmic and "groove-oriented" than the tremolo-picking found in traditional Norwegian metal and the sound is cleaner and punchier, losing the raw, lo-fi aesthetic of the mid-90s in favor of a more polished, rock n' roll Viking vibe. One of the most notable changes is the vocal delivery of Ragnar Vikse: instead of the typical black metal shriek, Vikse utilizes a unique, raspy, and melodic approach. It feels more theatrical and storytelling-driven, which fits the epic themes of Norse mythology but was quite a surprise to fans at the time.

White Vinyl

Clear Vinyl

Second press

Limited edition, gatefold colored vinyl with transparent "black ice" vinyl

Re-press of the band's debut album from 2009. Absolutely relentless and punishing Blackened Death Metal from Brisbane, Australia.
Featuring members from the infamous PORTAL and GRAVE UPHEAVAL.

150 copies on Translucent Reptile Vinyl.
 

From the mind of Gore Metal pioneer Matt Harvey, LEFT TO DIE pays homage to Chuck Schuldiner's revolutionary Metal band, DEATH. 

Initium Mortis, the upcoming new album from LEFT TO DIE, sees the DEATH-inspired supergroup—including original DEATH members Terry Butler (OBITUARY) and Rick Rozz (MASSACRE)—joining Harvey (EXHUMED, GRUESOME) and Gus Rios (GRUESOME) to capture DEATH's deep, die-hard-only catalog.

Featuring tracks like Arcangel, Witch of Hell, and Legion of Doom expertly executed in the now, Initium Mortis is a must-have for DEATH fans and collectors alike.   

"For Initium Mortis we wanted Death fans who had never heard these demo songs to hear them with good production," says Harvey. "Most of these early demos were poor quality, often recorded on a boom box, so by the time someone got a demo through tape trading it was almost inaudible!
We think these tracks are a good representation of the birth of Mantas/Death. This is ground zero - where it all started: three 15 year-old kids creating Death Metal history, and even within these choice cuts from the demo days you can hear the evolution of the music."

"Left To Die went from a thought to doing a full US tour in about 3 months! Pretty remarkable if you ask me," says Butler. "We wanted to play the early material for the fans that weren't able to see the first albums in a live setting. There are many young fans at our shows that are hearing the foundation that DEATH stands on to this day live for the first time! With Matt channeling the best Chuck Schuldiner out there and Gus playing the material perfectly and respectfully we hit the road and haven't looked back."

Ultimately, LEFT TO DIE celebrates a seminal band and the camaraderie of the genre's most extreme corner of music. "First off I would like to thank Gus, Matt and Terry for making Left To Die happen. It's been an honor and pleasure working with them for the past few years and beyond," says Rozz. "It's really cool to be able to hear these tunes from 1984 properly! Old-school Death fans are going to dig this release. Cheers & Peace."

Transparent grey Vinyl

'Esi um ninu - Heal us, Mother' is the first chapter of Rakinua's saga, an atmospheric folk and progressive met'Esi um ninu - Heal us, Mother' is the first chapter of Rakinua's saga, an atmospheric folk and progressive metal album blending powerful riffs, harsh vocals, intimate acoustic passages and ethereal harmonies. Rooted in ancient Raetic culture and its sacred rites, the music moves from the crushing depth of Opeth to the ethereal heights of Eivør, weaving harp, extreme vocals and cinematic arrangements into a cohesive concept album experience.al album blending powerful riffs, harsh vocals, intimate acoustic passages and ethereal harmonies. Rooted in ancient Raetic culture and its sacred rites, the music moves from the crushing depth of Opeth to the ethereal heights of Eivør, weaving harp, extreme vocals and cinematic arrangements into a cohesive concept album experience.

Reissue on translucent purple vinyl