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Vendita vinili - musica Black Metal e Dark estrema
#72
Limited Gold Nugget Edition, 108 pieces in all (58 single, 50 in the wooden Box)
THIS special edition comes with an exclusive silkscreened hand-printed and numbered slipcase, an A2 poster and a download card. Pressed on exclusive gold nugget heavy vinyl. Limited to 58 copies.
Other 50 pieces come along in the Limited wooden Box with a bottle of wine.
Formed in early 2020 and featuring individuals from bands such as ABYSSAL VACUUM, DYSYLUMN and OMINOUS SHRINE, French Psych-Black Metal voyagers BACCHUS present their intoxicating debut full-length, a fever dream where mysterious grandeur meets occult ritualistic madness. Following hot on the heels of their head-expanding January 2021 self-titled debut EP, II is a hadron collider of emotive trance-like melodies and raw power - a vortex of swirling spaced-out synth, astral-travelling leads, hypnotic swinging rhythms and an array of vocal styles from wild on-the-edge yelling and possessed roars to throat-singing, subterranean growls and anthemic unison refrains. Melancholic, atmospheric, awestruck and self-possessed, II is a Dionysian inward and outward trip into mind-altering Black Metal.
From the haunted shores of purgatory, a spectral entity cryptically summoned as Nahasheol rose from a cauldron of ominous shade carrying a will of draconian fire. With an inception dating back to last year, the enigma twisted waves under the sign of “Kaaosoth”, a three-song tome bursting with sinister ecstasy and sheer darkness. Now, a new vortex has been carved, a pathway into the realms of timeless chaos is unchained. Enter “Serpens Abyssi”! From the first moments of the belligerent opening “Arcanum Mortuus”, Nahasheol set the pathway to its journey, crafted from the nether regions with a blazing ardor of Black Metal devilry. Whether through fast impending rages of visceral wrath or alluring melodic strokes, a scorching ordeal of unholy riffing engraves a spiritual trail to the Luciferian mysteries with a poisonous drive, destructive electrical compulsions which permeate the whole record, ever hardening and potent, as varied as reeking with the essence of Black Metal tradition.
Double LP in solid silver vinyl - 200 copies printed
Russian blackgaze duo Olhava is back with their new studio album. Frozen Blooom is the natural follow-up to self-titled Olhava (2019) and Ladoga (2020), and integrates some dronescapes the band experimented on Never Leave Me Alone (2020), the drone version of their debut.
Multi-instrumentalist Andrey Novozhilov and drummer Timur Yusupov describe their new journey with words of thoughtful contemplation: “When winter is just starting to fade and give some space to the first steps of spring… When life starts to reappear and the very early flowers peek through the thawing soil, a sudden drop of the temperature can leave them petrified and frozen back again, punished by the “Queen of Fields”. This statuesque dead beauty, being infinitely alive and dead at the same time is the main metaphor of this album. Frozen Bloom is about unfulfilled dreams. About how we sacrifice everything today for some abstract “tomorrow”, which may never come. But tomorrow and yesterday don’t exist – only this very moment of static contemplation is real”.
Frozen Bloom is Olhava’s fourth opus in three years, and here the duo took some different routes compositionally. Two of the four tracks are traditionally storm-like blackgaze passages, while the other two are leaning towards a more meditative drone experience. The album also features A. Lunn, who kindly agreed to record an electric guitar solo as well as acoustic parts and choral parts on “Frozen Bloom I”.
Frozen Bloom was recorded at Olhava home studios, as well as at the local rehearsal space. Mikhail Kurochkin took care of mixing and mastering.
Double LP in solid silver vinyl - 100 copies printed
Russian blackgaze duo Olhava is back with their new studio album. Frozen Blooom is the natural follow-up to self-titled Olhava (2019) and Ladoga (2020), and integrates some dronescapes the band experimented on Never Leave Me Alone (2020), the drone version of their debut.
Multi-instrumentalist Andrey Novozhilov and drummer Timur Yusupov describe their new journey with words of thoughtful contemplation: “When winter is just starting to fade and give some space to the first steps of spring… When life starts to reappear and the very early flowers peek through the thawing soil, a sudden drop of the temperature can leave them petrified and frozen back again, punished by the “Queen of Fields”. This statuesque dead beauty, being infinitely alive and dead at the same time is the main metaphor of this album. Frozen Bloom is about unfulfilled dreams. About how we sacrifice everything today for some abstract “tomorrow”, which may never come. But tomorrow and yesterday don’t exist – only this very moment of static contemplation is real”.
Frozen Bloom is Olhava’s fourth opus in three years, and here the duo took some different routes compositionally. Two of the four tracks are traditionally storm-like blackgaze passages, while the other two are leaning towards a more meditative drone experience. The album also features A. Lunn, who kindly agreed to record an electric guitar solo as well as acoustic parts and choral parts on “Frozen Bloom I”.
Frozen Bloom was recorded at Olhava home studios, as well as at the local rehearsal space. Mikhail Kurochkin took care of mixing and mastering.
gatefold, 24 pages booklet, 2 posters
black and white swirl vinyls
Comes in gatefold cover sleeve, inside jackets are printed with lyrics.
250x SWAMP GREEN COPIES
Track D2 is a bonus track.
Sold out da qualche anno, ecco finalmente una ristampa per l'acclamato "Seasons of Desolation": copertina gatefold, vinile effetto 'Aside-Bside' in verde e nero
Emotionally raw and brutally savage release following in the tradition of 2015's Arpitanian Lands. Enisum have managed to mix elements of atmospheric black metal and doom metal into ten perfect songs for this album.
Ascolta su BandCamp
Black and Clear Galaxy Effect Merge Standard Gram
Darkness is falling. A cold wind blows from the snow-covered Carpathians, making the windows rattle and the corners of the house creak. Something is coming, eyes flashing red in the night and its footprints filled with grave dirt. What nocturnal terror is this? Why, it’s the arrival of the long-awaited third album by The Coffinshakers, folks.
While most bands quickly lose the spark, The Coffinshakers have stayed relevant – eternal like the undead. Though humor is their hallmark, there is also poignancy and something genuinely spine-tingling in their rugged, melancholy ballads. And this new offering shows them at the height of their baleful, campy power. They truly are a band that ages like fine wine – although vampires, of course, never drink… wine.
Much will be familiar to dedicated fans. Rob’s trademark malevolent chuckles still reverberate with sardonic glee, the deep rumble of his voice continuing to send all yellow-bellies hiding behind the barn. At the same time, his vocals have gained in both power and subtleness. The same goes for the guitar, bass, and drum work, now incorporating a broader array of classic Americana influences. These unholy badmen have drunk the blood straight from the neck of the authentic country, bluegrass, folk and other rootsy music of inbred US backwaters – and it has made their fangs sharper than ever.
And though The Coffinshakers still ride forth with tongue firmly planted in cheek, there is a new apocalyptic urgency to their third offering. From the marching drums of the desolate “Graves, Release Your Dead” to the echoing vocals of “River of Souls” and the cathartic cataclysm of “Down in Flames”, it all forebodes the imminent end of the whole dirty enchilada of existence. The band’s flippancy comes with a genuinely unsettling kernel of darkness – and black humor is always the most satisfying. Vampires may not cry, but we all know they laugh wickedly as they rise from the bone orchard.
Brand new 2023 reissue of the 1994 Demo, “War Funeral March” by french entity VLAD TEPES distills the essence of misanthropic hate that was worldwide spread by the Black Legions almost 30 years ago.
In this 5 tracks album, Wlad Drakksteim managed to mix crunchy and surprisingly groovy guitar riffs with weird and vicious growling vocals. Tracks like “Returning To My Old Battlegrounds” or “War Funeral March” are definitely a perfect example of VLAD TEPES‘s various and prolific discography.
For Fans of Les Legions Noires productions, Mütiilation, Torgeist or Belkètre
Comes in a 3mm cardboard jacket with a 2 sides printed innerbag with lyrics, an A3 poster and a black 12″ vinyl. 2023 Drakkar Productions release
Trenchant marched forward from the hardened heart of Texas in 2016.
Formed by NRS, TND, and GRA, the band made their official debut with the 2018 EP, Martial Chaos, and subsequently released their full-length CD, Commandoccult, on Godz Ov War Productions in 2022.
The band’s profile has continued to rise with the addition of LRA on second guitar for live appearances across the US, with Commandoccult gaining wide acclaim in the underground. Trenchant’s brand of rapid-fire blackened death should not be regarded as simply “War Metal”; it is “World War Metal”, with martial themes revealed through deadly metaphysical channels. For adherents of acts like ANGELCORPSE, IMMORTAL, or IMMOLATION, Commandoccult is a riveting foray into musical combat. Their work is both vicious and anthemic, and it will rouse even the most stoic listener to take arms.
180g vinyl, ltd 200 x black vinyl, UV varnish, 12-page 12“ booklet, A2 poster.