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With an inception going back 13 years in time, German entity Moribund Mantras has summoned a poignant blend of Doom, Black, and Post-Metal throughout two full-length records and three EPs, ever refined in its expressive touch and ardor. Now, following the colossal opus entitled “Golden Void”, the German quintet stares back into the abyss with five new mantras of roaring occult force, a fiery extended play aptly branded “…of Fathomless Depths”. Diving into deep spheres, one faces penetrating layers of sound, chilling mammoth riffs carrying the weight of the world, whether through vicious heaviness or heart-stirring bursts of melody. Moribund Mantras enter the soul of the listener as it surrenders its spirit. “…of Fathomless Depths” marks the first time the group recorded and mixed its songs by themselves and the intensity of the awareness to the detail fully enhances Moribund Mantras’ vision. Varied, tense, and highly expressive, these sonic endeavors are manifested through one particularly organic and utterly dynamic rhythmic section which, with the complicity of the riffing electrical storm, casts an aura of dreamy solemnity. On top of such instrumental traits, a voice from the nether regions screams the pressure of human existence, the man’s search for his destiny, guided by his dreams, in eternal pursuit for enlightenment.

From the haunted shores of purgatory, a spectral entity cryptically summoned as Nahasheol rose from a cauldron of ominous shade carrying a will of draconian fire. With an inception dating back to last year, the enigma twisted waves under the sign of “Kaaosoth”, a three-song tome bursting with sinister ecstasy and sheer darkness. Now, a new vortex has been carved, a pathway into the realms of timeless chaos is unchained. Enter “Serpens Abyssi”! From the first moments of the belligerent opening “Arcanum Mortuus”, Nahasheol set the pathway to its journey, crafted from the nether regions with a blazing ardor of Black Metal devilry. Whether through fast impending rages of visceral wrath or alluring melodic strokes, a scorching ordeal of unholy riffing engraves a spiritual trail to the Luciferian mysteries with a poisonous drive, destructive electrical compulsions which permeate the whole record, ever hardening and potent, as varied as reeking with the essence of Black Metal tradition.

From the haunted shores of purgatory, a spectral entity cryptically summoned as Nahasheol rose from a cauldron of ominous shade carrying a will of draconian fire. With an inception dating back to last year, the enigma twisted waves under the sign of “Kaaosoth”, a three-song tome bursting with sinister ecstasy and sheer darkness. Now, a new vortex has been carved, a pathway into the realms of timeless chaos is unchained. Enter “Serpens Abyssi”! From the first moments of the belligerent opening “Arcanum Mortuus”, Nahasheol set the pathway to its journey, crafted from the nether regions with a blazing ardor of Black Metal devilry. Whether through fast impending rages of visceral wrath or alluring melodic strokes, a scorching ordeal of unholy riffing engraves a spiritual trail to the Luciferian mysteries with a poisonous drive, destructive electrical compulsions which permeate the whole record, ever hardening and potent, as varied as reeking with the essence of Black Metal tradition.

Eternal Sorcery! Eternal Sorcery! Eternal Sorcery!

Eight pummeling hymns of dark majesty with every note echoing the burden of piety to the Black Foe of the World.
No remorse will be found in the wailing vocals, coupled with intricate guitar work – blazing with catchy yet somber melodic leads and acoustic lines. And no rest will be felt in the rhythmic, percussive assault - a symbiotic swirling of song and sorcery.

Come and see! As they journey through sonorous blood and fire, as they carry the glorious spark of olden days into unknown eons, with an iron will and a fervor that shines beyond the pathetic perimeters of time and space, into a vortex of Black Medieval Sorrow!

Eternal Sorcery will drag the pitiable listener from the windless Sundering Sea to the Forgotten South of the World, beyond the borders of the sun-lit lands, to that final realm, where the dark nets of enshrouding gloom drape eternal.
They are One of Nine! This is Eternal Sorcery!

Eternal Sorcery! Eternal Sorcery! Eternal Sorcery!

Eight pummeling hymns of dark majesty with every note echoing the burden of piety to the Black Foe of the World.
No remorse will be found in the wailing vocals, coupled with intricate guitar work – blazing with catchy yet somber melodic leads and acoustic lines. And no rest will be felt in the rhythmic, percussive assault - a symbiotic swirling of song and sorcery.

Come and see! As they journey through sonorous blood and fire, as they carry the glorious spark of olden days into unknown eons, with an iron will and a fervor that shines beyond the pathetic perimeters of time and space, into a vortex of Black Medieval Sorrow!

Eternal Sorcery will drag the pitiable listener from the windless Sundering Sea to the Forgotten South of the World, beyond the borders of the sun-lit lands, to that final realm, where the dark nets of enshrouding gloom drape eternal.
They are One of Nine! This is Eternal Sorcery!

One-man Black Metal Band from United States (Los Angeles, California).

A rider, burdened by a past which grows like a tumor inside of him, struggles against himself and loses - he chooses the rope. During what would be his last breath, he is instead given a second chance by forces beyond his comprehension, under the condition that he carries out a quest he thinks impossible. The rider flees, frightened of his own potential for greatness or for failure - but no matter how far he rides, destiny is not so easily dissuaded...

For better or worse, whether he wishes it or not, no man on this earth rides alone. We are all of us bound together, heart to heart and soul to soul -- all of us bit players in stories bigger than we know - stories we have no hand in writing. This is one of those stories - a story of friendship, love and war.

Live recorded Maida Vale Studio 4: 21/10/2011.
New and unplayed: seal just opened to check vinyl color (black)


 

ABIGOR’s classic & devastating masterpiece, Apokalypse, coming as a 12" MLP with embossed cover, sturdy printed inner sleeve and silk screen print on Side B.

Double LP in solid silver vinyl - 200 copies printed

Russian blackgaze duo Olhava is back with their new studio album. Frozen Blooom is the natural follow-up to self-titled Olhava (2019) and Ladoga (2020), and integrates some dronescapes the band experimented on Never Leave Me Alone (2020), the drone version of their debut.

Multi-instrumentalist Andrey Novozhilov and drummer Timur Yusupov describe their new journey with words of thoughtful contemplation: “When winter is just starting to fade and give some space to the first steps of spring… When life starts to reappear and the very early flowers peek through the thawing soil, a sudden drop of the temperature can leave them petrified and frozen back again, punished by the “Queen of Fields”. This statuesque dead beauty, being infinitely alive and dead at the same time is the main metaphor of this album. Frozen Bloom is about unfulfilled dreams. About how we sacrifice everything today for some abstract “tomorrow”, which may never come. But tomorrow and yesterday don’t exist – only this very moment of static contemplation is real”.

Frozen Bloom is Olhava’s fourth opus in three years, and here the duo took some different routes compositionally. Two of the four tracks are traditionally storm-like blackgaze passages, while the other two are leaning towards a more meditative drone experience. The album also features A. Lunn, who kindly agreed to record an electric guitar solo as well as acoustic parts and choral parts on “Frozen Bloom I”.

Frozen Bloom was recorded at Olhava home studios, as well as at the local rehearsal space. Mikhail Kurochkin took care of mixing and mastering.

Double LP in solid silver vinyl - 100 copies printed

Russian blackgaze duo Olhava is back with their new studio album. Frozen Blooom is the natural follow-up to self-titled Olhava (2019) and Ladoga (2020), and integrates some dronescapes the band experimented on Never Leave Me Alone (2020), the drone version of their debut.

Multi-instrumentalist Andrey Novozhilov and drummer Timur Yusupov describe their new journey with words of thoughtful contemplation: “When winter is just starting to fade and give some space to the first steps of spring… When life starts to reappear and the very early flowers peek through the thawing soil, a sudden drop of the temperature can leave them petrified and frozen back again, punished by the “Queen of Fields”. This statuesque dead beauty, being infinitely alive and dead at the same time is the main metaphor of this album. Frozen Bloom is about unfulfilled dreams. About how we sacrifice everything today for some abstract “tomorrow”, which may never come. But tomorrow and yesterday don’t exist – only this very moment of static contemplation is real”.

Frozen Bloom is Olhava’s fourth opus in three years, and here the duo took some different routes compositionally. Two of the four tracks are traditionally storm-like blackgaze passages, while the other two are leaning towards a more meditative drone experience. The album also features A. Lunn, who kindly agreed to record an electric guitar solo as well as acoustic parts and choral parts on “Frozen Bloom I”.

Frozen Bloom was recorded at Olhava home studios, as well as at the local rehearsal space. Mikhail Kurochkin took care of mixing and mastering.

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