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Fourth press of the second full length for the Italian vampire punx Horror Vacui after their (already) classic "In Darkness You Will feel Alright" on vinyl! 10 brilliant tracks of pure goth/death rock in the vein of Lords Of The New Church, Spectres, T.S.O.L., Sisters Of Mercy and 1919. This record has originally been released in 500 copies by the American label Black water in support of their October/November 2014 U.S.A. tour and then it's been repressed several times by L.O.T.D./Agipunk, Avant! Records and Plastic Bomb Records. This version includes the 2014 U.S. tour single 7" tracks as a bonus. Don't miss the chance to add this item to your collection or be damned forver!

High Roller Records, reissue 2024, slipcase, poster, booklet

Remastered by Patrick W. Engel at TEMPLE OF DISHARMONY in June 2024.

Transfer, audio restoration and mastering by Patrick W. Engel at TEMPLE OF DISHARMONY in July 2024.

High Roller Records, reissue 2024 

Transfer, audio restoration and mastering by Patrick W. Engel at TEMPLE OF DISHARMONY in July 2024.

Belgian speed metallers Bütcher have exploded onto the scene and have been making a name for themselves internationally. Their music caters to the blackened souls who love old school speed, thrash, heavy and black metal. Cuts such as Iron Bitch, 45 RPM Metal and 666 Goats Carry My Chariot are now part of the canon of the old school metal community.

After an avalanche of successful shows and festivals throughout Europe they are proud to present their 3th LP “ON FOWL OF TYRANT WING”. After the rabid debut “BESTIAL FÜKKIN' WARMACHINE” (Babylon Doom Cult Records, 2017) and the heralded sophomore album “666 GOATS CARRY MY CHARIOT” (Osmose Productions, 2020), they delve deep into their specific mixture of the golden 80's and extreme 90's.

BÜTCHER have always mixed ancient speed and thrash metal with NWOBHM, classic hard rock and black metal. On side A of the new album, they continue their very own legacy. On side B they double down on that premise. It's a concept side with an overarching unique story (written by R Hellshrieker) and a fully composed tour de force (by KK Ripper) where tempo changes, interwoven melodies, sitars, organs and various percussion instruments create an unexpected musical journey.

Heavy, death and black metal counter the speed metal and nobody will see it coming. Both progressive and very traditional, this album is sure to opiate fans and critics alike. 

Sargeist has always had an interesting atmosphere, and it's rather hard to describe. Imagine if Mütiilation's predilections for drugs, suicide, and Satan were celebrated instead of mourned and you have a good idea.
Sargeist's music is always vaguely disgusting and filthy yet resolutely proud of its own decay-hedonistic and excessive, like Caligula-era Rome. Well, if you want filth-caked black metal, it's hard to find a better example in the Sargeist catalog than this demo. Sargeist has never sounded so sleazy as on tracks like 'Anti-Human Black Metal Wrath', where the strains of 'Deathcrush'-era Mayhem come home to roost in a short, violently rhythmic track. The production only aids the oily, viscous feeling of these songs, with the murky guitars and drums moving like a sea of raw sewage under the perpetually hissing and howling vocals. It's definitely a good example of rawness used to aid music rather than detract from it.

Re-issue properly with a complete updated layout released with leading band member Shatraug himself as supervisor.

500x heavyweight marble (milky clear/black) 12" (180g) in a microtenne innerbag, innersleeve printed, black & white on 220g carton (coated paper); poster black & white, 280x430mm on 150g art-paper, simple jacket, full-color printed on 350g carton, coated paper (semi-gloss), all assembled in a plastic overbag.

Founded in 1991, Belial only lived a short career but burned with a bright flame. The band opened the gates to success – and hell – right from the start with their demo tape and mini-album “Wisdom of Darkness” (1992). Belial's debut full length album “Never Again” (1993) was well received by fans and even had some commercial success cementing their name as one of the cruelest and darkest-sounding Finnish death metal band of their time.