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RÄUM was founded in 2020 in Liège - Belgium. The project emerged during the pandemic and offers a journey through the hopes, vices, fears and the decadence of human kind.
It reveals the vacuity and the auto-destructive nature of the human soul, leading to an endless movement of rise and fall. Like a demon, it needs to burn our world to the ground to reborn again.
Expressing a raw and multi-influenced Post Black Metal, the band creates desolate and melancolic atmospheres through oppresive and sometimes chaotic sonic wave.

11-Year Anniversary Edition of the since long unavailable EP

includes 4 bonus tracks and newly written essay on the featured songs by Kvarforth
mastered to perfection by Andy La Rocque in December 2022, and clad in refined artwork by Tuomas Tahvanainen and Nucleart Design.

Limited to 1000 copies

Collector's Edition in 4-panel digipack with 12-page booklet, limited to 500 copies.

Skratte was founded as a solo-project by Hevnbrann in 2012 in order to materialize his musical vision. Inspired by the coldness and brutality of Norwegian Black Metal as well as the characteristic versatility and harmonious playing of the French, Skratte combines the most diverse elements and motives in its distinct sounds.

While “Akt I” still had more of a classic, melodic Black Metal orientation with Folk elements, Hevnbrann allows “Akt II” to rise up against the boundaries of conventional Folk Black Metal, often crossing them and merging furious Black Metal with epic male vocals, Gothic Rock reminiscences, monumental acoustic arrangements and melancholic violins into a totally unique soundscape that reaches out to listeners and then draws them in relentlessly.

Thematically, “Akt II” gives a voice to the nature spirits and accompanies them on an emotional journey that takes them ever onwards, struggling and striving against the turmoil of today’s world.

Collector's Edition in Digipack with 12-page fold-out booklet with the lyrics on one side and a map of the territory on the other, limited to 500 copies.

While “Chapter One” told about a group of adventurers and their travel to distant Valdura, “Chapter Two” focuses on the arrival of Aryun and his companions in that mythical realm. Unexpectedly drawn into a long simmering conflict between the corrupt government and the resistance in Valdura’s capital Tordal, they meet the female resistance leader Tabe who informs them of the plight they just encountered.

For songwriter Erech the six songs on “Chapter Two” are the logical continuation of the music on the debut, with perhaps a bit less overall focus on straightforward melodic Black Metal and instead playing with influences from Power Metal and atmospheric Black Metal sprinkled with classic Folk songwriting. To that end, and more often than on the debut, the throaty, intoxicating voice of Circe takes center stage besides the raspy Black Metal vocals of Erech, and there she truly shines.

‘All Stillborn Fires, Lick my Heart!’ is truly a ride of ups and downs, a journey of lunacy, unpredictable, diverse and grand in its simplicity; classic Kringa in other words.

Although nothing new under the black sun, the band has taken everything just a step further, naturally after 13 years of existence. Dare I say this is their best work to date? I do. And I will! Layered with manic riffing, howls and screams, intensity and viciousness, the album takes you to places you dared not dream even existed.

Taglia L

Emerging Pagan black metal project Unfelled (ft. members of WOODS OF DESOLATION, DRUDKH, AUSTERE) is rising from the underground to release its debut full-length, ‘Pall of Endless Perdition.’ Designed by the same mastermind behind Woods of Desolation, the project serves as a vicious and violent counterpart to its elegant and melodic predecessor, showcasing multi-instrumentalist D.’s impressive musical duality. Musically weaving together fury and triumph with aggression and melody, the lyrics predominately centre on bloodshed, war and death – the threefold cloak beneath which lies eternal darkness.

The creative centers of Obsequiae and Inexorum come together as one in the preeminent new force known as Majesties. To those familiar with the individual pieces that make up Majesties, the sound on debut album ‘Vast Reaches Unclaimed’ will be another striking addition to their respective oeuvres, recalling the glorious days of Wrong Again and No Fashion Records.

Evoking a time when Gothenburg was starting to unseat Stockholm as the unimpeachable city for Swedish Death Metal in the mind of the international metal scene, Majesties have that intrinsic sense of Death Metal’s rabid intensity and the effortlessly satisfying melodic ability that made albums like ‘The Jester Race’ and its immediate forbears instant classics. The mix of major key melodies and twin guitar harmonies snaking through every track ornament the vigorous riff eruptions and anguished vocals in a sheen of gleaming brilliance that proves an exhilarating triumph to behold.

Without a hint of the corruption the style experienced in a post ‘Slaughter of the Soul’ world, ‘Vast Reaches Unclaimed’ exists as a fervent reminder of what was and what again shall be. Majesties are re-animating the corpse of the true Melodic Death Metal style that both divided and invigorated the Death Metal scene of the mid 1990s and bring it into 2023 like it never left, sounding as novel and thrilling as ever

third press .................... Jewelcase edition 03/2023

With their sophomore album Imperative Imperceptible Impulse, Ad Nauseam took a step forward in terms of composition, musical structures and sound. Music is not intended as a mere sequence of riffs that sounds well one after the other, but is now a naturally ordered structure where almost every musical event refers to the past and/or predicts the future, generating very layered and complex patterns dominated by polyphony and polyrhythms and where each instrument has its own role and is essential in the whole. The music represents a merging of many different styles, the most prominent ones being extreme death/black metal, avantgarde, jazz, post-core, doom/sludge and ambient. 

The composition process of Imperative Imperceptible Impulse has been heavily influenced by 20th century classical composers like Stravinsky, Šostakóvič, Xenakis, Scelsi, Penderecki and Ligeti, to name a few. Both the concepts of harmony and melody have been put into discussion to get a music where harmony is obtained by means of disharmony and melody by dissonances. To push this method even further, a unique tuning system has been conceived, to allow a new harmonic vocabulary and to eradicate the players from the comfort zone of the usual melodic patterns every guitar/bass player is used to.