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The sixth seal of Battle Dagorath' saga will indeed stand as their best album to date by many aspects, last but not least a sharp and definite production that's giving full emphasis to their majestic and epic songwriting (counting over 73 minutes of aural battle this time...)

A crushing Spectral Black Metal soundscape that unlocks a visionary journey into the third eye. Abyss Horizons represents the unraveling of your unconscious Ancient dreams, crossing the abyss into transcendental Magic realms. Traversing the boundaries of this dimension, the shadows of transformation are now awakened to restore the illumination of the Great Darkness.

 

Remah is a black metal entity born from a long-standing friendship and split between Paris and Brussels. Dea and ABR have known each other for a very long time and played black metal together since the beginning of their friendship, 17 years ago.

After a 10-year gap in their musical relationship, they gathered once more to create Une Main, Remah debut album, of which Dea wrote and produced all the music and clean vocals while ABR wrote and sang the lyrics. The result is a mixture of ice-cold, blade-sharp black metal with deep roots in several different styles: there’s the circular riffing of Blut Aus Nord most atmospheric and industrial works, the profound suffering of Xasthur depressive black metal records and of course furious, relentless blasts of rage coming from a Scandinavian heritage.

But Remah do not end in black metal. Thanks to a diverse musical background and previous multi-colored experiences (Emptiness, Soror Dolorosa, Luminance and others), Dea’s music is greatly influenced by cold- and darkwave, as the musician specifically names the likes of Lycia among his influences, as well as the early psychedelic rock scene (Ultimate Spinach, The Zodiac, etc).

All these elements find their own place in Une Main, a black metal album capable of delivering the widest range of emotions. Abrasive at times, ominously psychedelic at others, Remah music have a vibe of its own. 

Previously only included in the "Hoelle und vernichtung" discography vinyl boxset (now completely sold out) this total cult session is finally back, for the first time on CD! Raw, punishing Black/Thrash from one of Germany's oldest and most influential hordes of darkness and evil! A blood-drenching set featuring all their classic anthems in the crudest form plus some hidden gems that haven't been included on their demos and album.
Quoting Uli Hildenbrand himself: "the best complete recording of a POISON Live set in decent quality (sound and performance-wise), done in our rehearsal room but with somewhat better equipment and -of course- remastered in the most effective way by F.O.A.D. and yours truly! It was recorded in November 1986 in preparation of our first (and only) studio session planned for the end of December, when we were still trying to figure out which of the songs we would eventually record in the studio. Some oft he latest material was still „work in progress“, especially „Sphynx“ wich I think was rehearsed here for the first time ever… On the other hand, pretty much all of the trax we’d already recorded for the previous 3 demos are featured here in vastly superior versions. Listen to „Angel of Satan“ or „Legions of Hell“ AND there is that one song that we never recorded before or again – although it’s probably one of our best (in retrospect) – check out „Zombie Dance“ [continues in the CD booklet] ..."

Project of Lord Vrăjitor (Warmoon Lord, Old sorcery)

Gone are the days of high adventure, but there are portals and webways that cross paths with our mundane lives. Prepare your journey to the war-torn, magical and baroque world of Argenthorns!

A new, mysterious, symphonic black metal project from the land of the thousand lakes will take you on an epic cloak and dagger adventure. Argenthorns is the solo endeavor of Mason Rofocale, multi-instrumentalist and narrator of our tale, who will recount unspeakable perils and obscure enemies. A quest was laid, and The Ravening marks the first chapter of Mason Rofocale’s occult chronicle through lands unknown!

A black metal tale told the way it used in the ‘90s, with piercing screams, fascinating keyboards and icy cold riffs, for fans of (early) Dimmu Borgir, Bal-Sagoth, Odium and Limbonic Art.

ISON new album! Gatefold sleeve, double LP in white vinyl 

ISON new album! Gatefold sleeve, double LP in "color in color with splatters" vinyl effect!

CD with bonus track "The Swansong of My Heart" (demo version) in Digipak with 12-page booklet

Season of Mist is now reissuing FUNERAL’s ‘To Mourn Is a Virtue,’ which was originally released in 2011.
This release is the missing link between the band’s seminal albums, ‘Tragedies’ (1995) and ‘In Fields of Pestilent Grief’ (2002).
This compilation album contains a wealth of unreleased demo-recordings as well as nine rare tracks that had been recorded between 1996 and 2004 and remastered in 2010.

For fans of EVOKEN, AHAB, MOURNING BELOVETH.
Artwork by William-Adophe Bougereau - "Le premier deuil" (1888).

Tithe is a Portland, Oregon-based band that constructs an unorthodox amalgamation of death metal, black metal, and grind without straying too far from the fundamentals of aggressiveness and depravity. Conceived in 2017 by vocalist / guitarist Matt Eiseman and drummer Kevin Swartz, the band spent its first years writing and releasing a self-titled EP before finding bassist Alex Huddleston at the end of 2018. This lineup went on to release their debut album Penance in May 2020, which despite the challenge of releasing in the middle of the COVID-19 pandemic, was well-received. The album explores the themes of psychedelics, mental illness and the human condition. Tithe’s sophomore album Inverse Rapture evolves upon the themes of Penance and morphs into a more angry, raw and dissonant form. The trio’s most incendiary material to date, this latest maintains the blazing tempos the band is known for with dreary, lowering passages strewn throughout. Produced / mixed by Fester, mastered by Adam Gonsalves and featuring the macabre art of Abomination Hammer, Inverse Rapture is a complete exhibition of viciousness and despair beginning to end.

30 years after its release this essential finish Death Metal Demo has been released on vinyl. The master has been restored carefully from the original tapes by Patrick Engel at Temple of disharmony to take care for a perfect sound at 45rpm.