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Re-issue with the original artwork, new layout.

Cult black metal outfit NARGAROTH is now reissuing eight of its full-length records via Season of Mist on CD format!
First album released in 1999, 'Herbstleyd', is re-released on 2 CDs in deluxe digipak with 12-page deluxe booklet, both with silver pantone print.

For fans of TSJUDER, GORGOROTH, MAYHEM, DARKTHRONE, MARDUK.

Tracklist:
01. Introduction - Herbstleyd (08:52)
02. Karmageddon (04:24)
03. Nargaroth (03:01)
04. Des Alten Kriegers Seelenruh (08:39)
05. Amarok - Zorn Des Lammes (15:34)
06. Das Schwarze Gemälde (08:41)
07. Vom Traum, Die Menschheit Zu Töten - Outroduction (10:15)
08. Stabbed In ´he Balls (live in Rotterdam, NL) (06:21)
09. I Burn For You (live in Innsbruck, AT) (03:44)
10. Abschiedsbrief Des Prometheus (live in Innsbruck, AT) (05:10)
11. Orgasmatron (Motörhead Cover) - Extended Version (live in Innsbruck, AT) (11:40)

Slipcase edition out on Rock Brigade Records

 digipak reissue

After the big success of “Futile” in 1999, Rapture released the sophomore “Songs For The Withering”, following the path traced two years.

Austin Lunn from Panopticon would say on the album: “This album is for me, the joy and comfort in melancholy... The bittersweet sound track to autumn, the echoes of rainy days... Nostalgic yet relevant but above all, an honest and relatable glimpse into human sorrow.  It is a warm but wet blanket, reminding me of worse days and how I fucking made it through: One foot in front of the other, consoled by the honest and exposing lyrics, powerful melodies and crushing drums of Rapture’s unsung masterpiece. Before the last breath, inhaling. Before the final death, to exhale and never let hope die that I would one day conquer the great distance.”

Fourth and last album, this is Emperor´s swansong. The band left the death metal field for a more symphonic and metal opus.

Giving a follow up to a masterpiece like Black shining leatherà was hard, but C.F. confirms their unique class in creating a waird opus like this, true Black Metal.
 

VIA DOLORIS is the singular vision of Gildas Le Pape, shaped by solitude, discipline, and an uncompromising sense of craft. Rooted in Nordic black metal tradition yet guided by melody and introspection, the project traces a deeply personal inner journey. “Guerre et Paix” is an album of tension and balance, where shadow and light coexist in measured dialogue. Across seven expansive compositions, VIA DOLORIS explores the fragile architecture of the human psyche, moving through despair, rupture, and fleeting moments of clarity. The music favours restraint over excess, allowing melody to lead with quiet authority. Guitars unfold in long, expressive arcs, while rhythms remain deliberate and grounded, anchored by the nuanced drumming of Frost (Satyricon, 1349). Shifting between French, English, and Norwegian, language carries its own emotional gravity. Folk and pagan echoes surface subtly, lending the album a timeless, almost ritualistic atmosphere. For fans of BATHORY, SATYRICON, KAMPFAR. Artwork by Linnea Syversen

VIA DOLORIS is the singular vision of Gildas Le Pape, shaped by solitude, discipline, and an uncompromising sense of craft. Rooted in Nordic black metal tradition yet guided by melody and introspection, the project traces a deeply personal inner journey. “Guerre et Paix” is an album of tension and balance, where shadow and light coexist in measured dialogue. Across seven expansive compositions, VIA DOLORIS explores the fragile architecture of the human psyche, moving through despair, rupture, and fleeting moments of clarity. The music favours restraint over excess, allowing melody to lead with quiet authority. Guitars unfold in long, expressive arcs, while rhythms remain deliberate and grounded, anchored by the nuanced drumming of Frost (Satyricon, 1349). Shifting between French, English, and Norwegian, language carries its own emotional gravity. Folk and pagan echoes surface subtly, lending the album a timeless, almost ritualistic atmosphere. For fans of BATHORY, SATYRICON, KAMPFAR. Artwork by Linnea Syversen

VIA DOLORIS is the singular vision of Gildas Le Pape, shaped by solitude, discipline, and an uncompromising sense of craft. Rooted in Nordic black metal tradition yet guided by melody and introspection, the project traces a deeply personal inner journey. “Guerre et Paix” is an album of tension and balance, where shadow and light coexist in measured dialogue. Across seven expansive compositions, VIA DOLORIS explores the fragile architecture of the human psyche, moving through despair, rupture, and fleeting moments of clarity. The music favours restraint over excess, allowing melody to lead with quiet authority. Guitars unfold in long, expressive arcs, while rhythms remain deliberate and grounded, anchored by the nuanced drumming of Frost (Satyricon, 1349). Shifting between French, English, and Norwegian, language carries its own emotional gravity. Folk and pagan echoes surface subtly, lending the album a timeless, almost ritualistic atmosphere. For fans of BATHORY, SATYRICON, KAMPFAR. Artwork by Linnea Syversen

Oromet presents atmospheric funeral doom with a melodic emphasis without surrendering the all-encompassing heaviness that is the genre's hallmark. Where some seek to immiserate and drown the listener, Oromet explores the complete nature of sorrow as the band weaves the choke of despair and the lightness of serenity. The Sinking Isle focuses on the inevitability of collapse and the cycles of ruin and rebirth. Adrift on cataclysmic seas, melody remains the compass—a hopeful light guiding the listener through themes of loss, nostalgia, and pessimism.

For fans of Mournful Congregation, Bell Witch & Esoteric.