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The band's fifth full-length brings an essential dark stir of eerie, haunting & melancholic total Norwegian Black Metal! Fronted by Doedsadmiral of Nordjevel, NATTVERD have created an album to top their legacy, and to dwell in sinister realms for ages to come! Featuring guest vocals by Hoest (Taake) and Von Hellreich.

Necrogod is the perfect expression of atavistic death metal brutality spearheaded by none other than Rogga Johansson (Paganizer, Revolting, Eye of Purgatory) who has teamed up with the revered The Master Butcher (Morbid Stench, Insepulto) to make this feat possible. It's a product of careful deliberation and years of experience, with Rogga Johansson laying down the heaviest music of possibly his entire career and The Master Butcher just taking things to another level with his barrage of unearthly roars. This is the culmination of death metal mastery, a groovy, pummelling record that imbibes the best elements of Swedish and American death metal  scenes to create a truly fearsome record without parallel. What's surprising is that despite the face-blasting aggression and unbridled vocal delivery, the music is well-rounded with thought-out structures, tempo changes, build-ups, solos and even traces of sick melodies. Clearly a marked deviation from the usual Rogga Johansson fare that one is acquainted with, this is some next level old school brutality that will knock you flat and will have you crawling back for more.  

For fans of - Undeath, Grave, Paganizer, Cannibal Corpse, Broken Hope, Baphomet, Of Feather and Bone, Malignant Altar

Cutterred Flesh have evolved to play what’s beginning to resemble a progressive form of brutal death metal. Without reducing the wholesome girth, they are able to pull off amazing feats that will stop the listener in his tracks and have him mentally slot them in a higher category than what he had originally pegged them at. While not as slick as some of their contemporaries skittishly moving about with hardly any impact, Cutterred Flesh’s music carries real weight and boasts of similar diversity if not more and is littered with unpredictable parts. Each of the songs on their sixth full length have a special thing going on and close listens only reveal the intricate structuring and even traces of emotive facets. It’s rare to come across a brutal death metal album that scratches the bludgeoning heaviness itch and also leaves a lasting impact that’s not purely external. Cutterred Flesh have clearly mastered their craft at this stage and come up with an album that is unfathomably heavy yet versatile and engaging which easily stands out from the one-dimensional ones languishing in the narrow confines of the brutal death metal realm.

For fans of: Benighted, Aborted, Cattle Decapitation, Monument of Misanthropy, Devourment, Enragement

Members of Acausal Intrusion and Dwelling Below conspire amongst themselves to create dissonant/technical death metal that pushes the limits of reality. With music being this intricate, strangely intuitive and visceral, it blurs the point where the magnification of their music ends and the imagination takes over. It's a dark, murky, nightmarish dive into a realm where trajectories from multiple dimensions manifest to intersect and overlap before dissipating, taking different temporal forms. Nothing is permanent in their world; the tunes change every few seconds and so does everything around them - the implications are in real-time and catastrophically mind-melting. It's a downward spiral of your consciousness where the out-of-control thoughts overwhelm and overpower, and take you on a one-way trip to incessant hallucinations and inevitable madness. Innumerable riffs are piled on top of one another first frantically, then slowly to allow for them to be properly seared into memory so that they can haunt you in turns for the rest of your life. Hierarchies have, on only their debut, created a truly frightening album not merely outwardly but one that is also psychologically scarring for the listener, and endlessly fascinating all the same.

Cinque Album in digitale del catalogo Avantgarde Musi, Riceverete cinque codici scaricabili dalla piattaforma Bandcamp a link

https://avantgardemusic.bandcamp.com/yum

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Per favore indicate nelle note dell'ordine i cinque titoli desiderati, selezionabili e ascoltabili a questo link

Digital album: you will receive a code to download the album from:

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Skaldr is a black metal band created in 2017. Comprised of experienced musicians offering their first representation in the heavier aspects of music, the group joined together to explore shared interests in the darker elements of expression. Continuing with the melodious gloom of their debut album, Scythe of Our Errors, Skaldr beckons from the darkness once more with their sophomore record, Saṃsṛ. A thematic observation of loss, devastation, and change, Saṃsṛ reflects on how death and life, formation and demise, are bound in an inextricable cycle—each sustaining the existence of the other in perpetuity.

With Saṃsṛ, Skaldr leans into the melodic, cold atmospheres reminiscent of Scandinavia classic black metal sound from the '90s. Drawing inspiration from bands like Dawn, Dissection, and Windir, Skaldr evokes a sound that feels both rooted in tradition and invigorated with fresh energy. Each track builds upon the previous, weaving intricate guitar melodies, relentless percussion, and somber atmospheric elements to create a mournful yet fierce landscape. Skaldr's dual guitars create an interplay of harmony and discord, echoing the album’s theme of unity through destruction

Jonathan comments: The working title for this song was “90's movie soundtrack” and somehow I still think that says a lot about the atmosphere of the track. The instrumentation features a classic singer-songwriter setup, blending a blues and rock-infused vocal-style with a vintage electric piano. Midway through the track, drums and bass inspired by oldschool hip hop beats, a choir and a screeching organ join in, adding layers of depth and rhythm to the otherwise minimalistic approach. While some things seem to be so durable and unwavering that it will last forever, even the most steadfast things could end sooner than expected and without warning. The pain many of us feel at some point in our lives—experiencing the finality of existence through loss and instability—can be disheartening, sometimes even robbing us of confidence and hope. Nothing escapes the transience of all things and the relentless flow of the river of time. “Riverflame” is the little flame inside our chest that ever burns with the fervor of inspiration through the tides of time and space, nurtured by the very same realization that everything will end all too soon. Yet, rather than drawing a somber conclusion, the fire urges you to release your soul—dance, express yourself, and live fully while you still can, alive and full of dreams. May we all find peace with the impermanence of all things.

ESKHATON is CYCLONIC DEATH METAL: absolute chaos and total death - psychotic, bestial, raw blistering ferocity and horror atmosphere - from Melbourne, Australia. ESKHATON means Total Death: the end of all things and time.

Formed by Invokocide (vocals/guitars) in 1999, with the addition of Whirwindead (guitars) in 2002, it was not until November 2008 when Hammerkill joined on drums that the lineup was able to record, with bass work done by Whirlwindead and Invokocide until a bassist could be found. Two albums and an EP were recorded and released between 2011 and 2014, with the EP being unreleased until 2018. The lineup changed in 2015 when Militiarkh was possessed to take hold of the drums, who later also did live shows for HOBBS ANGEL OF DEATH.