Shop

The full album De Tyfus De Teerling by Dutch Necro-rockers Grafjammer!

Time To Kill Records together with the publishing house Hollow Press, specialized in publications "Dark Weird Fantasy" join forces to give birth to a collaboration for the release of the cyber game "Cyberflesh" where extreme music, horror comics and "dark Weird" experience merge.

Created by Simone Alberto Grifone (game designer), David Genchi (drawings) and Marco Taddei (texts), and published by Hollow Press with soundtrack of the masters of Italian death Fulci and the hypnotic sounds of Talpah.

This collaboration was born as a soundtrack for "Cyber Flesh", a comic that mixes elements of cyberpunk, science fiction and horror. Through the music of Talpah and the Fulci, the comic comes to life in a symphony of distorted sounds and horror visions, taking the listener on a sensory journey through the dark depths of the human mind and beyond.
 

German cult act Black Autumn & These Hands Melt proudly present "Zwischen Fernen Dunkeln" ("Between Distant Darkness").
Conceived during over a year of close creative collaboration between the band & the label, this compilation collects the series of EPs released by Black Autumn for the "Rauhnächte". The days inbetween the years, a period of silence made for contemplation and introspection.

“Invisible Threads” is a sonic assault that penetrates the darkest depths of existence. This album explores themes of human degradation, unspoken fears, and wars that ravage not only bodies but also minds. A fierce manifestation of death metal, “Invisible Threads” overwhelms the listener with a crescendo of sonic brutality and raw emotions—an unrelenting frontal impact from the first to the last track, destined to leave a lasting mark.

MURDERWORKS is the third full album of Rotten Sound and is also considered as the stepping stone for the band, which also got us finally touring internationally. We had been doing more crusty stuff at first on Under Pressure and earlier releases. Then we added elements of death metal on Drain and finally started blasting more than ever on Murderworks.
​
Murderworks was created mostly during 2001, when Keijo already lived in Tampere while others still were based in Vaasa. Keijo had moved already in 1997, but on 2001 he was rehearsing more than before with others, who were also spending a lot of time together at the rehearsal place. That extensive rehearsing made the release and entire band tighter than before, which probably has a lot to do with how the album ended up being.

2nd full-length album by finnish masterminds SENTENCED! Blackened death metal unmatched untill this day and an inspiration for many.
North From Here was originally released in 1993 on Spinefarm Records. Here is the official 2024 vinyl repress on Cosmic Key Creations. This pressing comes with original front and back cover artwork in a gatefold jacket, extensive liner notes and re-mastered (2018 master) for vinyl. Issued under exclusive license from Century Media Records

750x North green with black smoke
Gatefold jacket, reverseboard finish, black flood inside printing, mastered for vinyl

28-page 8" Book + CD, ltd. 250 handnumbered copies

Stefano Gentile and Dirk Serries met almost thirty years ago when Stefano’s Amplexus label released Vidna Obmana’s seminal classic "The Transcending Quest" on a limited 3” CD. Fast forward twenty years later, after the ending of Dirk Serries’ critically acclaimed Vidna Obmana project, Stefano and Dirk, under his own name, regathered with another gem "The Devastation Chant", a limited 8” lathe cut and a 10” vinyl on Gentile’s new label Silentes/13 that featured Stefano’s own impressive collage artwork. Now again, after four years, Dirk Serries, fully operational under his own name as a free (jazz) improviser, frequently returns to his trademark ambient music while continuing to push himself as an artist and sound sculptor. THE DISINTEGRATION OF SILENCE is Dirk’s new album that, partially inspired by the melancholic collage artwork of Stefano Gentile, plays with the sounds he has been recognized and appreciated worlwide for almost four decades, while - so typical for Dirk’s ongoing knack for adventure - expanding the comfort of his ambience with alienating analog and real-time treatments. An album that has been performed solely on electric guitar in conjunction with plenty of pedal effects and absolutely no computers. Enjoy this breathtaking work of melancholy and introspection, marking it another milestone in the collaboration between Stefano Gentile and Dirk Serries

Quinto Sol was the brainchild of Faith & Disease keyboardist, the late Joaquin Tavares (d. 2006). Joaquin and co-founder Alfredo Feregrino sculpted a very brilliant "pre-Hispanic" ritual project that incorporated complex Mayan and Ancient symbolism woven into a percussive, dirge-like soundscapes. Tracks are culled from the studio and a "Day Of The Dead" live performance at the Seattle Art Museum. "Ollintonatiuh" also includes performances from F&D's Dara Rosenwasser, Eric Cooley and Joshua Furman while members of Quinto Sol. Bonus tracks include an alternate mix of the Tavares composition "Wallow" from F&D's CD Fortune His Sleep

    After "THE DISINTEGRATION OF SILENCE", marked as a continuation of the work between visual artist Stefano Gentile and Belgian ambient musician Dirk Serries, Dirk returns to Stefano's Silentes/13 label with a new album, entitled "DEFIANCE OF SELF". In the wake of its predecessor, Dirk worked on this album in January 2024 using his motherboard of pedals and an electric guitar to create this slightly darker and experimental album. Once again performed and recorded entirely in real-time, and embracing the willful character of some of his outboard pedal effects, Dirk allows them to lead direction of each piece. "DEFIANCE OF SELF" is alienating, expansive, utterly eerie and inventive, as the author continues to consolidate a new creative path that's clearly his own. Let yourself be absorbed in this dark realm of thematic soundscapes, accentuated by the somber and melancholic '80s style of Stefano Gentile's photography.

The idea behind "Methexis" is to take some of the foundational concepts of jazz such as interplay, timbral research and improvisation, and render them in a predominantly electronic context. The compositions were sketches, for example various modes of interactions and three modal macro-areas were indicated on the piece "Methexis", while "On Silent Haunches" is an improvisation for solo electric piano structured on the final four chords of the "Ladybird" standard, and so on, the pieces were constructed leaving each musician with endless possibilities for interpreting the music. Interaction was one of the underlying principles of the project and occurred on two levels: the first saw the musicians interpret the compositions, the second saw Borda edit, process and manipulate the recorded material depending on what each musician had played.