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 GALAXY VINYL

Deluxe trifold 2025 edition from this Swedish melodic black / death masterpiece originally released in 1996. This is the 2020 remaster version including one bonus track. Officially licensed from Century Media with courtesy of Sacramentum.

PRESSING INFO:
2025 repress housed in a deluxe trifold sleeve with high gloss finish
Contains one bonus track
Remastered by Dan Swanö in 2020
Officially licensed from Century Media with courtesy of Sacramentum

Forged in the heart of the Midwest U.S. death metal scene, Recorruptor has spent the last decade refining their sound—and with this release, they’ve carved it into a precise weapon of pure extremity. Gone is the excess. What remains is a concentrated assault of calculated riffing, razor-sharp brutality, and a deep-rooted homage to the genre’s finest legacies.

From blast beats to crushing grooves, Sorrow Will Drown Us All showcases a band firing on all cylinders, combining technical ferocity with raw power. Fans of Aborted, Cattle Decapitation, Suffocation, and classic American death metal will find plenty to devour here.

Having shared the stage with titans like Cannibal Corpse, Morbid Angel, and The Black Dahlia Murder, Recorruptor brings the same intensity to the studio—delivering an album that feels as honest and unrelenting as their live shows.

OSSUARY follows the path laid down by Primal Tomb split. It’s fast, hard and heavy Pummeling riffs, punishing moshparts and skull crushing vocals.

Includes: CD, patch, metal pin.

“Uomo Mangia Uomo”, a limited edition CD compilation that brings together their notorious Trilogia della Morte Italiana for the first time in one unholy volume.

Self-styled as Italian Horror Glorifying Death Metal, TENEBRO have carved out a singular niche, channeling the rotting essence of the country’s most depraved horror and exploitation cinema.

This compilation includes their three cult EPs, previously released on cassette (Dismal Fate Records) and 7-inch vinyl (Seven Metal Inches Records), now unearthed together with an exclusive unreleased bonus track, “Uomo Mangia Uomo”, recorded specifically for this edition.

THIRTIETH ANNIVERSARY EDITION OF SIGH’S SECOND STUDIO ALBUM OF MASTERFULLY CRAFTED EASTERN ATMOSPHERIC BLACK METAL, NOW ON PEACEVILLE, WITH NEW AUDIO MASTER. PRESENTED ON DOUBLE CD.

Japanese black metal legends Sigh formed in 1989/1990. The genre-classic debut ‘Scorn Defeat’ followed on Euronymous’ Deathlike Silence Productions in 1993 & with each subsequent release, Sigh grew to become one of the country’s greatest & most revered metal exports. With a journey through the strange & the psychedelic, incorporating a whole eclectic mix of genre styles & experimentation throughout their career, Sigh has remained a vital creative force in the avantgarde field whilst maintaining their old school roots, as witnessed with the stellar 2022 album, ‘Shiki’. 2025 also saw Sigh reimagining their ‘Hangman’s Hymn’ album for a release on Peaceville as part of the band’s 35th anniversary celebrations, in the shape of ‘I Saw The World’s End: Hangman’s Hymn MMXXV’.

Marking thirty years since its original release & kickstarting a string of reissues of Sigh’s revered yet hard to find classic early catalogue, this edition of ‘Infidel Art’ contains a new master created by Patrick Engel at Temple of Disharmony, featuring a new transfer from the original DAT source. The release also includes a new interview with main-man Mirai Kawashima conducted by Dayal Patterson of Cult Never Dies, delving into the history & legacy of the album.

This edition of ‘Infidel Art’ is presented on double CD format, including a rare first mix of the entire album, as well as additional tracks ‘The Zombie Terror’ from the ‘Far East Gate In Inferno’ compilation, plus songs originally included for a split release with Kawir, having also received a new transfer from the original DAT source.

THIRTIETH ANNIVERSARY EDITION OF SIGH’S SECOND STUDIO ALBUM OF MASTERFULLY CRAFTED EASTERN ATMOSPHERIC BLACK METAL, NOW ON PEACEVILLE, WITH NEW AUDIO MASTER. PRESENTED ON DOUBLE CD.

Japanese black metal legends Sigh formed in 1989/1990. The genre-classic debut ‘Scorn Defeat’ followed on Euronymous’ Deathlike Silence Productions in 1993 & with each subsequent release, Sigh grew to become one of the country’s greatest & most revered metal exports. With a journey through the strange & the psychedelic, incorporating a whole eclectic mix of genre styles & experimentation throughout their career, Sigh has remained a vital creative force in the avantgarde field whilst maintaining their old school roots, as witnessed with the stellar 2022 album, ‘Shiki’. 2025 also saw Sigh reimagining their ‘Hangman’s Hymn’ album for a release on Peaceville as part of the band’s 35th anniversary celebrations, in the shape of ‘I Saw The World’s End: Hangman’s Hymn MMXXV’.

Marking thirty years since its original release & kickstarting a string of reissues of Sigh’s revered yet hard to find classic early catalogue, this edition of ‘Infidel Art’ contains a new master created by Patrick Engel at Temple of Disharmony, featuring a new transfer from the original DAT source. The release also includes a new interview with main-man Mirai Kawashima conducted by Dayal Patterson of Cult Never Dies, delving into the history & legacy of the album.

This edition of ‘Infidel Art’ is presented on double CD format, including a rare first mix of the entire album, as well as additional tracks ‘The Zombie Terror’ from the ‘Far East Gate In Inferno’ compilation, plus songs originally included for a split release with Kawir, having also received a new transfer from the original DAT source.

 brown marble vinyl + double sided A3 insert 

Triumphant French Canadian black metal served icy and raw with plenty of riffs to get you stomping.This is the 3rd repress of this amazing debut full lenght by Montreal's Conifère. A records that fuses black metal and punk-ish riff together like no one else can. The band is at their absolute peak right here! 

The pulverizing debut full-length by this Japanese Death/Doom Metal juggernaut that was previously only available on digital and as a limited, self-released digipak for the Japanese market. Burden of Despair was formed by guitarist 7405926 (ex-Cryptic Revelation, Dyingrace) in Osaka, back in 2004. The band released two demos over the next couple of years, but remained dormant for a long time, until it re-surfaced with a brand new lineup in 2021 and released the "Desecration" EP in early 2022. Fast forward to early 2025, and the band released their opera prima, "Confutatis", an album that showcases a sonic entity that writhes like a gargantuan leviathan with a riff-driven amalgamation of massive Death/Doom Metal and mid-paced brutality, garnished with a superb sense of grooviness and a Hardcore edge that borrow heavily from both old school Death Metal and Upstate NYHC. Totally recommended to fans of Mutagenic Host, Tzompantli, Kruelty, Fuming Mouth, Gatecreeper, Terminal Nation, Mortiferum, Vastum... This worldwide press of "Confutatis" is presented on a noble jewel case that will include the "Rehearsal" demo (2004) as bonus.

A CD that compiles all the material that this U.S. band has released so far: "Corpus Inhumation" demo (2024), "Cadaver Mutilation" demo (2024), "Stilled Life" single (2024) and "Corporeal Separation" demo (2025). Cadaverous Odour was brought forth by multi-instrumentalist Sasha Gallant in the summer of 2023 with the basic idea being to mix up some of the sounds he loves most in Death Metal: the murkiness of bands like Infester and early Incantation, the speed of bands like Incubus and Morbid Angel, the dark grindiness of Finnish bands like Agonized and Xysma, the weird leads from Necrophiliac, and the hypnotic mixture of Doom and Grind from Disembowelment. Although intended to be a side project, as Sasha's main bands are Depraver and Dimensionless, Cadaverous Odour has been gaining traction as time passed by and its smell is way too rank to be left to waste. All hail festering and nauseating Death Metal!
 

The highly anticipated 2nd full-length by this U.S. band. Thaumaturgy was spawned in the American Midwest by an enigmatic musician that goes under the alias KT, driven by the urge to play a vicious blend of dark, doom-laden, chasmic and cavernous Death Metal, taking influence from a wide range of outsider music. Thaumaturgy attempt to push the boundaries beyond the genre's forerunners in order to invoke contemplation upon the super-mundane realms that their name implies. Previously an outright Death/Doom Metal act with a darkened edge, the band has morphed into an entity whose musical offering is crammed with furious, ripping riffs, contrasted by crushing, echoing doom passages, as well as a surprising element of dark melody, evoking comparisons to the more diabolical early bands from Sweden, such as Necrophobic and Grotesque, although combining that approach with the tenebrosity and the murkiness of Incantation and Krypts, the violent and chaotic assault of Morbid Angel, the aggressiveness of Dutch bands like Sinister and Pestilence, the modern approach of acts like Grave Miasma and Cruciamentum, and even the sheer lightlessness of bands such as Demoncy and Adversarial. Active since 2021, Thaumaturgy released its debut EP, "Charnel Gnosis", that same year. Two years later came the full-length "Tenebrous Oblations". Now a power-trio after the addition of TG and DS to their ranks, Thaumaturgy present their second album, "Pestilential Hymns", and the fullest, foulest display of their still-growing strength. A descent into both despair and madness, "Pestilential Hymns" instills a warped, charcoal-coated headspace that's strangely addicting. Riffs race and rearrange with palpitating tension, seemingly going both faster and slower simultaneously; tight but never-robotic drums keep up in kind, speaking in slithering counterpoint to that sooty riffing; touches of haunting synth occasionally linger just at the threshold of perception, poignantly highlighting the mangled melody that sometimes surfaces from this rush of crush; and then the vocals spit pain and confusion in a manner most Martin Van Drunen-esque, effectively underlining the palpably human aspect to this otherwise-alien assault. To qualify Thaumaturgy as "blackened" would not be unfair, but "Pestilential Hymns" as a (w)hole wholly feels like a Death Metal record, just one on the fringes of unorthodoxy and angularity, unbound but never belabored. Still, despite this forward-thinking approach, Thaumaturgy retain a sense of the ancient, of elder days in the underground when diabolism truly began to bloom in Death Metal. Capping this madcap experience is suitably ancient cover artwork by Daniel Hermosilla (Nox Fragor Art). This is music to mangle your mind!