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Three years after their crushing debut Defiled In Oblivion, Castrator return with Coronation Of The Grotesque, an album that not only exceeds all expectations but leaves them shattered in its wake, firmly cementing the band among the North American death metal elite. 

Decrepisy returns with brutally gothic doom-laden death metal on their second full-length album, Deific Mourning. Leaning heavier on the doom side of death than their first output, Emetic Communion, Deific Mourning pulls from goth-industrial influences that seep through the infected wounds that comprise the decomposing body of the album. Each track a stage of grief and unbelief as life abandons form into the mystery of the unknown. Stillborn in anxiety, grief, and sickness, every riff agonizingly culled from terror, despair and disintegration of a dying form. A body desecrated by vaccine damage, an inflamed nervous system and dysautonomia, pumping fear into every heart beat and waking moment. Deific Mourning was recorded by Charles Koryn (Ascended Dead, Chthonic Deity, Thanamagus) at Elektric City Recording with Vocal tracking, Reamping, mixing, and mastering handled by Greg Wilkinson (Autopsy, Necrot, Mortuous) at Earhammer Studio. Additional vocals, synths, and noisescapes performed by Leila Abdul-Rauf (Hammers of Misfortune, Saros, Vastum) and Gabriel Lageson. Cover illustrations by Kyle House (Acephalix, Necrot, Vastum) with an additional inner sculpture by Emil Melmoth.

Icons of goth and doom, PARADISE LOST will release their long-awaited, 17th album Ascensionon September 19th. The band’s first album in 5 years, following 2020’s critically acclaimed Obsidian, was produced by guitarist Gregor Mackintosh and mixed/mastered by Lawrence Mackrory. Ascension is a testament to the band’s longevity and relevance over their 35+ year career, encompassing their signature styles of gothic, death and doom fans have cherished along the way.

Ascension’s album cover fittingly features the painting The Court of Death (1870-1902) by renowned British artistGeorge Frederic Watts, which hangs in the ate Gallery in London. The painting depicts Death as an enthroned angel flanked by allegorical figures of Silence and Mystery guarding sunrise and the star of hope, while a warrior surrenders his sword and a duke his coronet, showing that worldly status offers no protection. The painting’s bleak, prophetic vision embodies Ascension’s dark, tormented soundscapes as mournful verses collide with dire, foreboding riffs

Icons of goth and doom, PARADISE LOST will release their long-awaited, 17th album Ascensionon September 19th. The band’s first album in 5 years, following 2020’s critically acclaimed Obsidian, was produced by guitarist Gregor Mackintosh and mixed/mastered by Lawrence Mackrory. Ascension is a testament to the band’s longevity and relevance over their 35+ year career, encompassing their signature styles of gothic, death and doom fans have cherished along the way.

Ascension’s album cover fittingly features the painting The Court of Death (1870-1902) by renowned British artistGeorge Frederic Watts, which hangs in the ate Gallery in London. The painting depicts Death as an enthroned angel flanked by allegorical figures of Silence and Mystery guarding sunrise and the star of hope, while a warrior surrenders his sword and a duke his coronet, showing that worldly status offers no protection. The painting’s bleak, prophetic vision embodies Ascension’s dark, tormented soundscapes as mournful verses collide with dire, foreboding riffs