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Reissue 2024 on T.S.I. label

DESTRUCTION - Total Desaster/ Satan‘s Vengeance, ltd 460, insert, deluxe plastic bag

High Roller Records, lyric sheet, ltd 460, Picture shape vinyls are special accessoires, which will look unique, but surely won't provide the listening experience of a conventional vinyl pressing. Primarily they should be considered as collector's items with an optical aspect. Slight deformations caused by the pressing process, which won't affect the record's playability, can occur.

 High Roller Records,  silver vinyl, ltd 400,...

WINDSWEPT is yet another creative vehicle for the esteemed Roman Saenko, known worldwide for his pioneering work in Drudkh, Precambrian and Hate Forest among others. While most of his musical creations stem from black metal, thankfully, WINDSWEPT is consistent in this regard and unapologetically restrictive, retaining Saenko's characteristically hypnotic riffing coasting atop a wintry atmosphere.

Now, after a couple albums with Season of Mist, WINDSWEPT join forces with PRIMITIVE REACTION, who released the debut album of his PRECAMBRIAN project in 2020, with the brand-new mini-album Der eine, wahre König.
Uniquely, this four-song / 28-minute recording features two equally esteemed vocalists - Winterherr of Paysage D' Hiver, and Meilenwald of Ruins of Beverast - with both men splitting duties evenly. Indeed, with such a structure, Der eine, wahre König is a portrait of evenness: unwavering, unflinching, immovable, engrossing.
Movement manifests in subtlety, as is Saenko's stock in trade; further and deeper listens reveal a wealth of nuance even if it's not always apparent.

All four tracks comprising the record feature all-German lyrics, evoking a different-yet-related sense of austerity from the mainman's proudly Ukrainian ruminations, and both vocalists rise to the challenge of pushing their respective throats to the limit whilst remaining rooted to WINDSWEPT's core consistency.
That Der eine, wahre König attacks from the very first second and successively expands, concluding with the near-11-minute "Jedes Todes Lohn," and retains its astute balance of urgency and epicness speaks to Saenko's never-faltering mastery.

WINDSWEPT is yet another creative vehicle for the esteemed Roman Saenko, known worldwide for his pioneering work in Drudkh, Precambrian and Hate Forest among others. While most of his musical creations stem from black metal, thankfully, WINDSWEPT is consistent in this regard and unapologetically restrictive, retaining Saenko's characteristically hypnotic riffing coasting atop a wintry atmosphere.

Now, after a couple albums with Season of Mist, WINDSWEPT join forces with PRIMITIVE REACTION, who released the debut album of his PRECAMBRIAN project in 2020, with the brand-new mini-album Der eine, wahre König.
Uniquely, this four-song / 28-minute recording features two equally esteemed vocalists - Winterherr of Paysage D' Hiver, and Meilenwald of Ruins of Beverast - with both men splitting duties evenly. Indeed, with such a structure, Der eine, wahre König is a portrait of evenness: unwavering, unflinching, immovable, engrossing.
Movement manifests in subtlety, as is Saenko's stock in trade; further and deeper listens reveal a wealth of nuance even if it's not always apparent.

All four tracks comprising the record feature all-German lyrics, evoking a different-yet-related sense of austerity from the mainman's proudly Ukrainian ruminations, and both vocalists rise to the challenge of pushing their respective throats to the limit whilst remaining rooted to WINDSWEPT's core consistency.
That Der eine, wahre König attacks from the very first second and successively expands, concluding with the near-11-minute "Jedes Todes Lohn," and retains its astute balance of urgency and epicness speaks to Saenko's never-faltering mastery.

'We are God”, the 3rd full length album by the German band TSATTHOGGUA, is aimed at all the perverted black sado-crazies out there. The original line-up of the band has reunited after more than twenty years to kick some ass and dominate. In true black love, they are once again signed to the renowned Osmose Productions label and offer you nine brutally hellish, blasphemous black terror tracks of the bizarre kind for 40 minutes.
The anthems of hate and contempt were recorded and mixed at the infamous Rambado recording studio. Incredibly powerfully mastered by the fantastic D. Koehne, the new songs promise pure glorious ecstasy.
With this release they are taking a completely new path with their bizarre art paired with the inimitable chaotic style of years past. The next extraordinary artwork was designed by the fantastic artist MorphArts and shows in his art the clear demarcation from everything known from this and past days.
With this release, TSATTHOGGUA show once again that there is no paradise for human sheep. It will pass the time until salvation.

Jewel case edition, 12 page booklet on 135g art paper, sealed.

CD in deluxe gloss 6-panel digipak incl. album artwork, plus a designed album download card.

"Manifestaties van de Ontworteling" (Manifestations of the Uprooting) boldly ventures into experimental soundscapes while preserving its eerie ambiance.

Captured live, utilizing vintage analog audio equipment, the album delivers a raw and genuine sonic journey. The band's objective was not merely to produce music but to forge an experience that surpasses conventional limits, pushing the boundaries of creativity

This sophomore album by Urkraft celebrates darkness and the lights that shine in it, be they campfires, streetlights or the stars. Through seven tracks, the listener is taken on a journey through forests rife with wondrous complexities, where the blackest of nights are illuminated by the cold glow of the moon.

Urkraft's music is a relentless assault of savage riffs and haunting melodies, driven by thundering drums and punctuated by anguished screams that echo across the barren wastelands.

With "Lyset skinner best i mørket", Urkraft delivers an uncompromising ode to the beauty of darkness and the power of black metal to channel its primal energy. Prepare to be embraced by the shadows that lurk within. The darkness awaits...

ringing together two of Finnish black metal hottest / coldest newcomers, Kaksi liekkiä Saatanalle is pure nastiness distilled into 20 tundra-deep minutes; with two songs a piece here, both AESTHUS and SIELUHAASKA delivered debut albums under the banner of PURITY THROUGH FIRE in 2022 and 2023, respectively. AESTHUS are up first, and whip forth the freezing filth which made their Hänen temppelinsä varjoissa so celebrated in the underground. No more but definitely no less, the quintet stick to classic Finnish black metal in the turn-of-the-millennium tradition, here arguably sounding both more melodic and frantic than said debut album. SIELUHAASKA, for their part, put a more measured twist on Finnish black metal - pensive, anguished, and strangely anthemic - with their Kun aurinkoni kuoli debut, and here continue their hypnotic ways with even more anguish and arguably more mesmerizing gait. Almost honorarily Teutonic by design, their folkish fire might remind of Finnish dark horses like Noenum or Mortualia. Kaksi liekkiä Saatanalle proves, once again, it's always darkest up north...