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Reprint, 500x heavyweight galaxy (black/silver) 12" (180g) in a black poly-lined innersleeve, insert 2 page on 140g offset paper, gatefold jacket on 350g uncoated (matte) with UV parcial lacquer, all assembled in a PVC overbag.

Reprint, 500x heavyweight galaxy (black/silver) 12" (180g) in a black poly-lined innersleeve, insert 2 page on 140g offset paper, gatefold jacket on 350g uncoated (matte) with UV parcial lacquer, all assembled in a PVC overbag.

Seven years without a new studio album by long-running Swedish black metal act DARK FUNERAL was a tough time for its worldwide legions of fans, but finally in 2016, two decades after the release of the band's legendary debut album “The Secrets Of The Black Arts” a new aeon is about to begin. And, DARK FUNERAL's sixth studio album, “Where Shadows Forever Reign”, produced by Daniel Bergstrand (In Flames, Dimmu Borgir, Behemoth), actually refers back to the aforementioned first album in several ways: Firstly, it proudly comes along with stunning artwork by Necrolord (Dissection, Necrophobic, Emperor) just like “The Secrets…” back in ‘96, secondly, it also marks a debut of sorts as it is the first DARK FUNERAL opus with new vocalist Heljarmadr (Grá). His vitriolic snarl finds a perfect match in Lord Ahriman's trademark riffing, and shines on the intense opening track, which would not have felt out of place on 1998's “Vobiscum Satanas”, as well as on the slower epic, “As I Ascend”, the diverse “To Carve Another Wound”, or the grim finale “Where Shadows Forever Reign”. Rewarding their fans to the fullest with an incredibly strong new album burning with passion and determination, DARK FUNERAL shall celebrate a triumphant return...in the sign of the horns.

Reprint, 100x turquoise with black marble 12" in a black poly-lined innerbag, gatefold jacket, full-color on 350g, all assembled in a PVC overbag.

transparent blue/black galaxy

 Originally released in the autumn of 2001 on the pivotal No Fashion label, DARK FUNERAL's third album, Diabolis Interium, arguably brought the band to their biggest audiences yet. The album's release was followed by wealth of touring across both Europe and the United States, the latter still a rarity back then for Scandinavian black metal bands. Indeed, with the razor-sharp execution across Diabolis Interium, DARK FUNERAL were perfect ambassadors for the sound, and for Swedish black metal in general: many bands had come and gone over the ‘90s, but there they stood, sticking to their guns – and spiked gauntlets. Nothing could extinguish this inferno!

At long last, OSMOSE will do DARK FUNERAL's back catalog justice with the first of many reissues. This version of Diabolis Interium will faithfully reproduce the original. Include 4 cover tracks (King Diamond, Sodom, Slayer, & Mayhem) and 3 live tracks (from South American 2003).

Re-issue, 398x orange crush with black marble effect 2x12" (180g) in black poly-lined innerbag, gatefold full color, black flood inside, on 350g, all assembled in a PVC overbag.

Alongside contemporaries Dissection and Marduk, DARK FUNERAL are among the most important Swedish black metal bands ever. In fact, when one merely mentions the phrase “Swedish black metal,” thoughts immediately turn to their name: since their formation in 1993, DARK FUNERAL quickly came to define the shocking sound of cryogenic melody and cruelly blasting fury. Though their six albums to date have been patiently parceled out over a considerable amount of time, their works endure to this day and have influenced countless bands over the past 20 years.

Originally released in the autumn of 2005, of DARK FUNERAL's fourth album, Attera Totus Sanctus, was arguably the band's fastest and fiercest record ever – which is all the more remarkable given the band's longevity to that point. Where most bands soften or slow down as they get older – or break up, respectably, before ruining their good name – DARK FUNERAL proved that age is just a number and made their razor-sharp yet always-melodic sound that much more nuclear-powered. In fact, that they were able combine such amazingly blitzed speeds with melodies that are highly memorable, even at those speeds, is something that's black magick indeed… And another fiery album cover proved that nothing could extinguish DARK FUNERAL's inferno!

At long last, OSMOSE will do DARK FUNERAL's back catalog justice with the first of many reissues. This version of Attera Totus Sanctus will faithfully reproduce the original, now finally available on vinyl for the first time in nearly a decade.

Reprint, 300x orange crush with black marble effect 12" (180g) in black poly-lined innerbag, gatefold full color, and black flood inside, on 350g, all assembled in a PVC overbag.

Originally released in the autumn of 2009, of DARK FUNERAL's fifth album, Angelus Exuro Pro Eternus, completes something of a trilogy with the predecessors Diabolis Interium (2001) and Attera Totus Sanctus (2005), in that they all featured the band's fastest and fiercest work yet along with suitably fiery cover artwork. However, that's not to say that Angelus Exuro Pro Eternus merely repeated past glories; in fact, DARK FUNERAL here exhibited a relatively adventurous grasp of dynamics to suit the more melancholic & romantic themes being explored here. More than that, some 15-plus years after their formation, their power and passion had not lessened one bit. Sadly, Angelus Exuro Pro Eternus was to be the final recorded performance of founding vocalist Emperor Magus Caligula.

At long last, OSMOSE will do DARK FUNERAL's back catalog justice with the first of many reissues. This version of Angelus Exuro Pro Eternus will faithfully reproduce the original, now finally available on vinyl for the first time in nearly a decade.

Reprint, 298x orange crush with black marble effect 12" (180g) in a black poly-lined innerbag, gatefold, full-color with black flood inside on 350g, all assembled in a PVC overbag.

Originally released in the spring of 1998 on the pivotal No Fashion label, DARK FUNERAL's second album, Vobiscum Satanas, consolidated the strengths of the band's classic The Secrets of the Black Arts debut – shockingly fast execution, exceptionally memorable melody, and plenty of icy atmosphere to spare – and made the whole attack tighter and more concise. The production, too, once again courtesy of Peter Tägtren at Abyss Studios, became razor-sharp, highlighting these subtle developments. As such, many quite rightly consider Vobiscum Satanas the equal of The Secrets of the Black Arts. Either way, between this pair of albums did DARK FUNERAL establish themselves among THE top black metal bands of the late ‘90s.

At long last, OSMOSE will do DARK FUNERAL's back catalog justice with the first of many reissues. This version of Vobiscum Satanas will faithfully reproduce the original,

Reprint, 400x sea blue with white splatter 12" (180g) in a black poly-lined innerbag, poster 60x60mm, gatefold jacket with black flood inside, 350g, all assembled in a pvc overbag.

The year is 1997, the deviant trinity is made up of Equitant, Proscriptor and Shaftiel and therefore, the recording is called The Third Storm Of Cythrául. Osmose Productions is pleased to revive Absu's third, most blackened thrash record to date. Originally released in 1997, this repressing is exposed as the “2013 Alternate Stereo Mix Edition,” which was remixed by both Proscriptor and J.T. Longoria (King Diamond, Solitude Aeternus, Etc.) to audibly translate the album's production as the band originally intended. Featuring the original cover artwork by Kris Verwimp and gatefold layout with liner notes, one shall lick the blade…whip with wrath…for swords and leather! (Full-color poster included).

Reprint, 500x black 12" (180g) in a black poly-lined innerbag, poster A2, full-color on 150g art paper, gatefold cover, full-color on 350g, all assembled in a PVC overbag.

Tara, as a dual-album set. Originally released in late May of 2001, it has been a highly celebrated recording and a loyal favorite amongst Absu's followers. Unlike the band's previous two releases, Tara is a concept album that principally deals with the harmony of strife, immortality, puissance and tyranny. It was immediately conceived after their 1998 release of In The Eyes Of Ioldánach when drummer/vocalist Proscriptor's frustration grew with the sinking intelligence in the extreme metal world – it was his calling to fully educate his audience. Therefore, the album features a lexicon (glossary) insert of pensive occult systems and mythological notations – to assist the listener with an enlightened, more comprehensive understanding. As always, Kris Verwimp infuses the gatefold with three sensational illustrations. (Full-color poster included).

Reprint, 500x clear black ice vinyl 2x12" (180g) in black poly-lined innerbags, printed insert on 220g, poster A2, full-color on 150g art paper, gatefold, full-color on 350g, all assembled in a PVC overbag.

MINT
this version details, click here
 

"Monuments Anciens" is a collection of exclusive tracks along with instrumental demo recordings from Sorcier Des Glaces. Some of them were recorded back in 2001 on an old tape-recorder, which later versions of these songs ended-up on the third Sorcier Des Glaces album "The Puressence of Primitive Forests".
It also features exclusive tracks that were intentionally recorded with raw production in 2010/2011.

"Monuments Anciens" offers some of the rawest and very primitive Sorcier Des Glaces material, always picturing the black, cold & evil world SDG is known for".