Vinili

Debut album from 2026 by Bulgaria's NECROMONGER and a true celebration of the foulest and most primitive early 1990s Death Metal. Featuring musicians from projects such as FECAL BODY INCORPORATED and COCKLUSH, the band embraces a vision deeply rooted in the genre's origins, rejecting modern trends in favor of the darkest and most repulsive sounds of the extreme underground.

Winter lake (blue, crystal and black splatter) 12" double vinyl (33 rpm) in gatefold.
Limited to 300 copies worldwide!

THY CATAFALQUE is the solo-helmed Hungarian avant-garde metal project of Tamás Kátai, running since 1998 and now a two-time Fonogram (Hungarian Grammy) winner. What began as a studio-only outlet has grown, over the past few years, into a full international touring act with festival slots across Europe and Latin America.
'XIII: Sárga erdo' is THY CATAFALQUE's thirteenth album, and unlike its predecessors it carries no single narrative thread: the twelve tracks move instead through what plays like a wandering across old ground, touching on loss, distance, memory and disappearance without ever settling on one story. The record marks a real shift in how it's built: this is the first time THY CATAFALQUE has used a live drummer rather than programmed rhythm, and while the cast is enormous - thirty-four musicians plus a twenty-voice male choir - the folk and classical textures that once flooded every corner of a song (piano, strings, brass, reed, sitar, kamancheh, zither) are used here with real discipline, brought in only when a track calls for them. The result sits closer to the bone than the maximalism of the last record, heavier in restraint than in volume, and it still finds room for a fictitious folk song built for a vanished people on the Volga, an incineration metaphor turned into the album's heaviest cut, and an opener that reads like a farewell letter.
Gábor Vári returns behind the desk for a second record running, keeping the production language consistent even as the arrangements pull back.

Italy's melodic death doom collective Shores of Null open a new chapter with their new album "Homesick," set for release October 16th, 2026. Once again, the record will be full of sharpened songwriting, emotional depth and the unmistakable blend of doom, gothic, blackened, and melodic death metal that has become their signature. "Homesick" represents the band’s most mature and focused work to date. Conceived as a complete listening experience, the album moves through longing, loss, anger, vulnerability, and the search for belonging. It captures Shores Of Null at their most confident and emotionally honest, balancing crushing moments with some of the most memorable melodies the band has written to date, enriched by guest appearances from Natalie Koskinen (Shape of Despair) with her vocals on "The Numbing Void" and Shaun MacGowan (My Dying Bride) on several tracks, including violin on "Dreaming of a Scar" and "The Numbing Void".

For their new album Scour Order, their sixteenth release, Krallice comes full circle and returns to Profound Lore (who initially released the band’s first three releases) with a new album that is raging and dark, dense but also expansive. One that slightly recalls the earlier phase of the band yet continues in the forward-thinking/next level singular sonic histrionics that the band have continued to expand and morph upon throughout the years. While the band have been experimenting more with their sound (band members switching roles, the band diving into more ambient and experimental territory etc.) over the last little while, Scour Order sees Krallice tether slightly back to more of a progressive black metal aura akin to the first four albums.

• Second album from German black/death cult band, first album was on Sentient Ruin Laboratories

• Strange death metal set in a fictional world with inspiration from Mayan culture

• Vinyl edition includes 24x24 double-sided poster insert, CD in digipak with foldout insert

• For fans of Timeghoul, Demilich, Profanatica, Tzompantli, Genocide Shrines, Gorguts, Volahn

The ultra-prolific Jason Köhnen (BONG-RA, THE KILIMANJARO DARKJAZZ ENSEMBLE, THE ANSWER LIES IN THE BLACK VOID, CELESTIAL SEASON) continues a rich seam of form with the 5th full-length emission from THE LOVECRAFT SEXTET, in which the feral obscurity of avant-primitivist-Black Metal is injected into his patented cinematic Darkjazz.

THEODOR BASTARD refuse to stay still. In the five years of relative silence since their previous studio venture, the world music pioneers were searching for a way out of the darkness that’s descended over reality. The path that they discovered didn’t lead back to their home in the harsh northern forest region of Karelia but away from it, into the coldness of the city and a collapsing civilization. By reconnecting with their electronic roots, THEODOR BASTARD are reborn on a new album mysteriously called 'V'.

'V' reflects just how much has changed since the world last heard from the band. While still widely recognized internationally as leaders for ritual folk and world music, THEODOR BASTARD have re-embraced their early electronic impulses because that’s now how modern life feels: cold, sharp, tense. Long-time fans were pleasantly surprised when the pulse-pounding analog synths of “Nebo” first appeared in the award-winning Russian crime drama ‘The Method’, but the album’s lead single is a sure sign that they’re bound for dark new horizons. Like a space shuttle, “Sverkay” rumbles with distorted bass before it’s suspended high above the earth by a trap-like beat.

“Vdokh – vydokh” ("inhale - exhale"), sings a bewitching Yana Veva as she glimpses what’s to come from our dangerous endgame with war, technology and social division. To a world that’s mired in its own deadly trance, 'V' arrives like a much-needed slap across the face. The album was created during a long and trying period for THEODOR BASTARD. It offers little comfort: its anger, confusion and disappointment are hurled at the outside world, which through our own actions, is tipping over the edge. The aggressive “Vedma” surges with black cosmic energy, as if summoning the apocalypse. But the band aren’t without hope. At their core, the ritual spirit remains. “Ostavlyaem” dances as light as a feather, only to transcend this earth for a place amongst the stars.

With 'V', THEODOR BASTARD return with dark electronics for dark times.

For fans of HEILUNG, GARMARNA, WARDRUNA.

Formed in Kraków in 2019, Cursebinder set out to dissolve the lines between extreme metal and just about anything else. The self-produced demo EP (2020) announced the intention; the debut full-length Drifting (Avantgarde Music, April 2023) delivered on it, with forty minutes of haunting atmosphere, nuanced guitar work and shifting rhythms that earned the band a reputation for music impossible to pin down and difficult to forget.

Three years later, Psychohazard is a force with no shape and no mercy. The second full-length by Cursebinder hits harder and cuts deeper than anything they’ve done yet. Their latest release sees the band push for a more introspective, organic and life-affirming direction, circling the existential clash between the urban rat race and the human desire for love and connection.

At its center is raw human experience with all its contradictions; its veins overflow with a burning desire to look ever closer at the intangible forces that drive our lives. The band smashes their way through eight tracks of demolishing riffs dissolving into hazy atmospheres, jazz-inflected drift surfacing from the dark and layered rhythms drenched in pure psychedelic rage, baring their souls to those willing to listen. 

Their commitment to the ideas, unrelenting emotional power and the intensity of their live shows spill all over this record. So does everything else.  Unpredictable, elemental and intimate, Psychohazard is an invitation to ask the questions we’ve been avoiding.

Gatefold, three sides recorded, with extensive huge book!
Available in two vinyl colors options

One of the UK underground's longest-running and most respected acts, HECATE ENTHRONED has been praised by the likes of Terrorizer for their "mixture of death metal aggression with black metal atmosphere" while New Noise Magazine declares them "an absolute must for fans of extreme gothic metal". Originally co-founded in Wales by guitarist Nigel Dennen in the mid-1990s, the band is dedicated to delivering their own brand of evil metal with little regard to politics or the trends of popular demand. The group's 1997 full-length, the Andy Sneap-produced 'The Slaughter Of Innocence, A Requiem For The Mighty' (Blackend Records), was a seminal release in the then-burgeoning orchestral black metal movement, and since then, five more studio outputs including their M-Theory Audio debut in 2019 with the 'Embrace Of The Godless Aeon' (HECATE ENTHRONED's first recording with vocalist Joe Stamps) and numerous live performances have firmly established the band as one of extreme metal's most important voices.

The album will be released May 29 on Digipak CD, limited-edition colored vinyl including 250 Boreal Light (EU) and 250 Draconic Vision (US) variants, and digital.  'The Corpse of a Titan, A Lament Long Buried' is once again produced by HECATE ENTHRONED and Dan Abela (Akercocke, Bleed from Within, Annal Nathrakh), who also mixed/mastered the album with cover art created by Erskine Designs (Inanimate Existence, Bleed The Sky).

"The Scottish threat of blackened speed metal is back!
Featuring 8 new tracks over 44 minutes, the highly anticipated fourth album, Coronach, reaches new heights of metallic intensity.
Bolder, more daring, and more adventurous than ever, Hellripper is crafted for speed and razor-sharp riffs."