Vinili

The Hérésie by Virgin Prunes stands as one of the most radical and confrontational statements of early 1980s post-punk. Originally released in 1982 as a double 10” box set, the record was conceived as a multimedia exploration of madness, blending studio material with raw live recordings and accompanying texts and artwork.

A visceral fusion of industrial noise, gothic atmospheres, and performance art, Hérésie captures the band at their most uncompromising—eschewing traditional song structures in favor of ritualistic intensity and emotional extremity. It remains a cult landmark that helped define the darker, more experimental edge of the post-punk movement.

For Record Store Day 2026, Hérésie returns in a definitive expanded 2LP edition: newly remastered, enriched with rare live recordings from Paris’ Rex Club, and presented with updated artwork and liner notes.

2026 reissue !

Per la prima volta in qualsiasi formato, la controversa visione di Pier Paolo Pasolini del 1975 dei “120 giorni di Sodoma” del Marchese de Sade, caratterizzata da composizioni classiche di grande bellezza e dissonanza, in netto contrasto con gli eventi scioccanti e crudeli che si svolgono sullo schermo. Tre settimane prima della scandalosa uscita di “Salò o i 120 giorni di Sodoma”, Pasolini fu brutalmente assassinato a Ostia, in Italia. Sulla scia della tragedia, il leggendario compositore Ennio Morricone scrisse “Addio a Pier Paolo Pasolini” per il defunto regista, inclusa nel montaggio finale. Seguendo la narrazione di uno dei momenti cinematografici più significativi di Pasolini, la colonna sonora si apre con “Son Tanto Triste” di Ennio Morricone, scende nei malinconici accordi minori di Bach, Chopin, Orff, Puccini e Graziosi, incorpora sinistre interpretazioni del cast e include il cupo tributo di Morricone al regista.

Released in 1987 and destined to become one of the most controversial and iconic films in European underground cinema, Jörg Buttgereit's “Nekromantik” is far more than a visual provocation: it is a radical, poetic, and deeply disturbing work in which image and sound merge into a singular emotional experience.

The soundtrack by Daktari Lorenz / Hermann Kopp / John Boy Walton accompanies the film with a minimal and obsessive sonic landscape, suspended between piano melodies, decadent electronic ambient textures, and distorted childlike melodies. A deliberately alienating contrast that amplifies the film's sense of tragedy, loneliness, and morbid romanticism.

This release is not merely a tribute to a cult film, but a celebration of music as a narrative force, capable of transforming horror into melancholy and transgression into a distorted form of romanticism.

Made from the biblical book of the pensieve of the songs of solomon

200 Limited Edition 12" Vinyl

New hymns and ballads about the cursed creatures of the night and wandering through the worlds of a morbid mind. Furious monotonous passages shimmering with graveyard synthesizers and otherworldly vocals open the gates to the kingdom of darkness and here begins your last journey. An album inspired by the second wave of black metal, old horror movies, cemeteries and the indescribable nature of the North. All songs were written and recorded by Elias between 2022 and 2025.

With “My Body to the Worms”, Mammon’s Throne bends the sub-genres of metal to their will to forge a crushing offering of dark extreme metal!

Comes with a 2-page insert and a download card. Pressed on grey/black marble effect heavy vinyl. Colors on final record may vary to a degree from the mockup.

PURE WRATH were formed 2014 in West Java, Indonesia as the anguished, atmospheric and affecting Black Metal project of multi-instrumentalist Januaryo Hardy.

Fourth full-length "Bleak Days Ahead" builds wonderfully upon the panoramic and poignant melodies of 2022's wounded "Hymn to the Woeful Hearts". Utilising a more 'live' and separated production, the band and guests have dialled back the cinematics and upped the dynamics - allowing a varied sound palette including organ, mellotron, throat singing, piano and saxophone to express the sadness in high-functioning depression and the suffocating routines of modern life.

250 x galaxy milky clear black vinyl

Grim, barbaric, ice-cold blackness from beyond the Arctic Circle.

Murmansk is a Russian city situated north of the Arctic Circle near the Norwegian and Finnish borders. It’s not only notorious for its extremely harsh and long winters but also for being home to one of Russia’s oldest and most significant Black Metal bands – OLD WAINDS.
Arisen from the icy plains in 1995, founder Morok aided by a variety of members throughout the horde’s 30 years of existence managed to produce a remarkable discography. Unaffected by fleeting fashion and with disregard for public exposure three demos, one split album with NAV and five full length albums filled to the brim with barbaric hymns of no-nonsense Black Metal were up to this point spawned under the banner of OLD WAINDS.

Hot on the heels of OLD WAINDS’ latest album Stormheart on Darkness Shall Rise we are extremely thrilled to hereby present long overdue reissues of some glorious titles of their early catalogue.

Often mistakenly considered a second demo tape, Where the Snows are Never Gone…, conceived and released in 1997, is OLD WAINDS’ first full-length album. The eight songs whose titles and lyrics apart from the opener are all written in Cyrillic show the band at their most barbaric and unhinged. Musically following in the footsteps of early Norwegian classics, the material sees these mad savages annihilating everything in their way. Those inhuman vocals must also rank among the most insane and hate-filled ever.

250 x galaxy red black vinyl

Grim, barbaric, ice-cold blackness from beyond the Arctic Circle.

Murmansk is a Russian city situated north of the Arctic Circle near the Norwegian and Finnish borders. It’s not only notorious for its extremely harsh and long winters but also for being home to one of Russia’s oldest and most significant Black Metal bands – OLD WAINDS.
Arisen from the icy plains in 1995, founder Morok aided by a variety of members throughout the horde’s 30 years of existence managed to produce a remarkable discography. Unaffected by fleeting fashion and with disregard for public exposure three demos, one split album with NAV and five full length albums filled to the brim with barbaric hymns of no-nonsense Black Metal were up to this point spawned under the banner of OLD WAINDS.

Hot on the heels of OLD WAINDS’ latest album Stormheart on Darkness Shall Rise we are extremely thrilled to hereby present long overdue reissues of some glorious titles of their early catalogue.

Where the Snows are Never Gone… was followed by a 2nd demo before Religion of Spiritual Violence would be unleashed upon the unworthy masses in 2002. Comprising of titles and lyrics entirely in Cyrillic their second album is undoubtedly several steps up in terms of song-writing and production. By and large continuing the trajectory of their previous efforts, OLD WAINDS on Where the Snows are Never Gone… present material more refined and versatile while still retaining the barbaric edge of its predecessors.

250 x galaxy transparent royal black vinyl

Grim, barbaric, ice-cold blackness from beyond the Arctic Circle.

Murmansk is a Russian city situated north of the Arctic Circle near the Norwegian and Finnish borders. It’s not only notorious for its extremely harsh and long winters but also for being home to one of Russia’s oldest and most significant Black Metal bands – OLD WAINDS.
Arisen from the icy plains in 1995, founder Morok aided by a variety of members throughout the horde’s 30 years of existence managed to produce a remarkable discography. Unaffected by fleeting fashion and with disregard for public exposure three demos, one split album with NAV and five full length albums filled to the brim with barbaric hymns of no-nonsense Black Metal were up to this point spawned under the banner of OLD WAINDS.

Hot on the heels of OLD WAINDS’ latest album Stormheart on Darkness Shall Rise we are extremely thrilled to hereby present long overdue reissues of some glorious titles of their early catalogue.

Some old fanatics who revered OLD WAINDS’ first two albums for their unadulterated savagery were initially taken aback by Scalding Coldness.
It’s on Scalding Coldness that their compositions are presented with a proper studio production for the first time. Although considerably cleaner and therefore less bestial than previous efforts, Scalding Coldness is basically a logical continuation of Religion of Spiritual Violence. Clocking in at over 40 minutes their third full length consists of eight proficiently composed tracks of hateful coldness. Despite the material being boosted by a pro production and the introduction of more melody, Scalding Coldness bears the distinct OLD WAINDS mark and is a mandatory acquisition