Vinili

Almost 4 years after their debut album “Drapsdalen” Valdaudr returns with the mighty follow up!
“Du Skal Frykte” brings even more nostalgia and atmosphere from the past to the table. There's a bit more melodic touch to it, but in the right way. Often reminding of the great early Satyricon, Ulver and other scene pillars, this album still brings you back to the early 90's and the whole reason why we started enjoying this epic and majestic genre. Hail Norwegian Black Metal!

This old and rancid sabbatical articulation was consecrated in morbid malignancy through archaic incunabula vampyric texts and the twisted philosophical structure of vinegar blood, the cadaveric cauldron with which these texts are nourished and bathed and the vibrational current of cryptic music, is embraced under the temple of heresy regarding the visions and the reverse trance anointed in mortal blood on octingenti black candles, unbaptized opus that serve as a funerary reminder towards the pestilent and monumental orchestrations of the "Vampyric Arts of Putrefaction".

The bestiality and ferocity are translated into a fiery and black barbaric cadence that is robustly justified with the putrid gloomy emblem of a distant black church, an unbaptized fortress of agonizing mist and black pylons of catacombs and unclean spirits. Die Schattenfestung serves a single evil purpose which is reflected under octingenti black candles of a rotten and cadaverous sound rehearsal as an album of primordial force towards vampyric raw black metal.

Exhumed from sanguine sulfur necropolis by charnel smoke spell, Ecuador’s Wampyric Rites have been evoked once again for another masterclass in raw black metal orthodoxy, with their latest incantation, Summoning the Beasts in the Night of Lycanthropic Moon, being a four chapter grimoire slaked with the lunar thirst of the unquenchable bestial bloodlust. Woven with the prodigal power of wolven tapestry terror, Summoning the Beasts in the Night of Lycanthropic Moon, is awash with epic spell compositions, dungeon synth soliloquy, raging melancholic tremolo, rasping vocal lamentation, infectious percussive patterns, feral grimdark thematics, sorrow storm atmospherics and a full-bodied equilibrium of production putridity—one that mixes these alchemical elements together into true necromantic work of gilded sonic cruelty. Yet another stellar offering from one of South America’s most potent raw black metal cabals, Wampyric Rites have led another salacious audial assault upon the mortal realms, one that any acolyte of tomb cult reverie would be remiss to experience for themselves.

Limited to 100 copies. Housed in a gatefold cover.

The second part of the Djevel trilogy, the 8th album.
With a new vitality, Djevel returned with last years acclaimed "Tanker som rir natten", a mesmerizing and epic piece of work, pushing the boundaries for the band and its new line-up. "Naa Skrider Natten Sort" is the natural continuation,
thematically its the second part of the trilogy about the night and all what it represents, but also a work with more contrast and variation.

Fourth press of the first full length for this vampire goth punk combo on vinyl! Featuring members of Kontatto, Campus Sterminii, Giuda, Headed Nowhere and Sumo, Horror Vacui keep on exploring the dark side of the pentagram.
9 tracks of absolute goth/death rock powered by 101% punk attitude.
Fans of Belgrado, Bellicose Minds, Arctic Flowers, Lost Tribes, don't miss the Italian answer to these bands!

Second press of the third full length by the mighty Italian dark gang on vinyl! Three years after their second album "Return Of The Empire", the Italian Vampire punx combo returns with their new full length „New Wave of Fear’’. The tunes got darker and less punk than their previous releases but, all in all, the formula hasn't changed too much, and, hell yeah, this is a concept album about life and death. The A side has been named "This Side" and deals with things that belong to the world we're living (immigration, the rise of the extreme right wing parties, terror, life in general etc.). The B side has been named "Other Side" and it's all dedicated about death. It's a more intense record and definitely better than their old ones, and you can also hear the crusty roots of some of the members in their last song where Amebix and Fields Of The Nephilim meet in a no men's land to face the end of it all.

Fourth press of the second full length for the Italian vampire punx Horror Vacui after their (already) classic "In Darkness You Will feel Alright" on vinyl! 10 brilliant tracks of pure goth/death rock in the vein of Lords Of The New Church, Spectres, T.S.O.L., Sisters Of Mercy and 1919. This record has originally been released in 500 copies by the American label Black water in support of their October/November 2014 U.S.A. tour and then it's been repressed several times by L.O.T.D./Agipunk, Avant! Records and Plastic Bomb Records. This version includes the 2014 U.S. tour single 7" tracks as a bonus. Don't miss the chance to add this item to your collection or be damned forver!

Fåntratt’s “Ångerstupa” navigates the mystical expanse of Nordic folklore and seafaring legends, casting an experimental sound that intertwines the haunting melodies of dungeon synth with avant-garde innovation. With contributions from talents like Jovana Ćuk, the album transcends traditional genre boundaries. Fåntratt’s unique sound pays homage to influences like Bo Hansson, Örnatorpet, Paysage d'Hiver and Ildjarn while charting a new course in the realm of esoteric music.

Sargeist has always had an interesting atmosphere, and it's rather hard to describe. Imagine if Mütiilation's predilections for drugs, suicide, and Satan were celebrated instead of mourned and you have a good idea.
Sargeist's music is always vaguely disgusting and filthy yet resolutely proud of its own decay-hedonistic and excessive, like Caligula-era Rome. Well, if you want filth-caked black metal, it's hard to find a better example in the Sargeist catalog than this demo. Sargeist has never sounded so sleazy as on tracks like 'Anti-Human Black Metal Wrath', where the strains of 'Deathcrush'-era Mayhem come home to roost in a short, violently rhythmic track. The production only aids the oily, viscous feeling of these songs, with the murky guitars and drums moving like a sea of raw sewage under the perpetually hissing and howling vocals. It's definitely a good example of rawness used to aid music rather than detract from it.

Re-issue properly with a complete updated layout released with leading band member Shatraug himself as supervisor.

500x heavyweight marble (milky clear/black) 12" (180g) in a microtenne innerbag, innersleeve printed, black & white on 220g carton (coated paper); poster black & white, 280x430mm on 150g art-paper, simple jacket, full-color printed on 350g carton, coated paper (semi-gloss), all assembled in a plastic overbag.

Grim Nihlistic Black Metal. This is a cold as death, Black Metal masterpiece!! Featuring members of HORNA & BEHEXEN, this is the Finnish BM supergroup! Perhaps the coldest release since DARKTHRONE's "Under A Funeral Moon"!

The riffing is fast, melodic, and in pure Finnish/Norwegian black metal roots heritage.

The band's melodic quality shines best in the track ‘Sargeist' on this album. It's absolutely heart wrenching. Dripping with anger and emotion. Regret, sorrow, hatred, ready to end it all. No Funeral. This is the real fucking deal.

Sargeist does a brilliant job breaking from blast-beats into a head banging steady rhythm that keeps me tapping my boot through the song at different rhythmically timed formations. It's in many ways traditional shit, done better than most groups out there.

Re-issue properly with a complete updated layout released with leading band member Shatraug himself as supervisor.

500x heavyweight smoke milky clear/black 12" (180g) in a microtene innerbag, printed innersleeve, black & white on 220g carton, poster 2pp, black & white, 280x430mm, 150g art-paper, jacket, black & white printed on 350g carton, all assembled in a plastic overbag.

Those Who Reign Below is the 8th studio album in the purest tradition of old school death metal, a work of musical impiety, a death metal as hateful as much as aggressive, switching imposing mid-tempos and demonic accelerations, sulphureous melodies and vocals straight from the devil's forge. An aura of evil surrounds each track, in a veritable debauchery of hate that gives the impression of having witnessed the manifestation of the devil.

This album represents the extreme and uncompromising side of MERCYLESS, which has grown steadily over the years, in a blasphemous symphony inherited from the 90s Death Metal.
The cover was designed by Mexican artist Nestor Avalos, whose talent represents all the darkness emanating from this album. The production was entrusted to Raph Henry of HELDSCALLA studio, who sculpted a sound highly representative of the violence and anger of this extreme and irreligious music.

It's a tribute to the underground, to the man who blends in with the crowd and takes on a presence so frightening that he's so clearly recognizable... the Devil... on his throne, majestic and merciless!"

300x heavyweight bloodred 12" (180g) in a microtene innerbag, printed innersleeve, full-color on 220g carton, download card, gatefold jacket, full-color pinted on 350g carton, all assembled in a plastic overbag.

Finnish death metallers Disgrace released a bunch of demos and one EP before their first full-length album, “Grey Misery,” which was released in 1992. The Finnish metal scene was flourishing with releases during those days—many of them are recognized as immortal classics among die-hard maniacs around the world: Slumber of Sullen Eyes, Member of Immortal Damnation, The Karelian Isthmus, Children of the Scorn, to name a few. And, of course, Grey Misery!

A bunch of classic albums, each with its own distinct sound and style, emerged during that time. Disgrace stepped up their game from their demo days, recording and mixing Grey Misery at Timo Tolkki’s TTT studio in May 1991. It was originally released on vinyl, CD, and tape by the Modern Primitive label in 1992. The band remembers that everything went smoothly during the recording process. It is evident that Disgrace practiced a lot and sharpened their songwriting skills without compromising the brutality in their delivery. Grey Misery takes the listener through nine tracks of organic, gloomy, groovy, and heavy-as-hell grinding death metal. Jukka Taskinen and Toni Stranius’ guttural double vocals still remind us of Bill Steer and Jeff Walker from Carcass. Some of the riffs also bear a resemblance, no doubt about that, but Disgrace managed to present their own blend of Finnish brutality with groove and almost prog-rock-like technical parts in some tracks. After Grey Misery, Disgrace decided that their days of death metal were over and transitioned to a brighter style with garage punk and rock’n’roll. That is a whole different story altogether.