Vinili

Sarkom are back with a vengeance with “Exceed In2 Chaos”, their fifth opus after “Anti-Cosmic Art” released in 2016. In the meantime, they have kept themselves busy releasing several EPs containing some new tunes and a memorable rendition of the Prodigy classic “Breathe”. Anyway, 2025 marks the comeback in full form: “Exceed In2 Chaos” is a grand return to classic, razor-sharp norwegian black metal in pure Sarkom tradition. Since the artwork, Sarkom again push the boundaries of Black Art with a challenging, violent and brightly coloured design.
Musically speaking, “Exceed” displays nine tracks of cold, evil black metal enhanced by a great production and a bone-chilling vocal performance by Unsgaard. Balancing between fast splinters and panzer-like mid-tempos, the record clocks at almost 50 minutes of pure darkness!

Gigantesca operazione di recupero da parte di century media
l'intero materiale dei finnici Necropsy, tra le band death metal anni 90 rimaste nel limbo dell'underground e mai realmente esplose.

Limited 4LP slipcase with Petrol Green vinyl. With booklet.

Tomb Of The Forgotten - NECROPSY's early demos to be re-released on vinyl in January via Svart Records. NECROPSY is one of the few truly legendary bands of the obscure Finnish death metal scene of the late 80s/early 90s. Dark and twisted Death Metal in the vein of early SENTENCED, early AMORPHIS, CONVULSE, DEMIGOD, PURTENANCE, DEMILICH and ABHORRENCE. Hailing from Lahti, Finland, the band formed in 1987 and released the material featured on this compilation before taking a 14-year hiatus beginning in 1994. Founding member Janne Kosonen and his brother Tero reformed NECROPSY in 2008 and are still active today.

Tomb of the Forgotten (The Complete Demo Recordings 1989-1993), originally released by Century Media in 2013, is the first ever official demo compilation fully authorised by the band and features all of NECROPSY's early recordings with 40 tracks in total. All audio material has been carefully remastered from the original master tapes by DMS Mastering (GRAVE, MORBID, ASPHYX) for the best possible audio quality. Includes an extensive interview with the band, tons of pictures, scans of concert flyers, demo artwork, fanzine reviews and more.

Witness their Ascent Into Draconian Abyss, which was teasingly released in an extremely limited tape version for those who had the good fortune of attending the most recent Signal Rex-curated Invicta Requiem Mass festival and witnessing their crimes in the flesh. As the duo forecasted with the recent maxi-single Excesses of Perpetual Gloom, their muse only becomes thirstier and more miserable. Mons Veneris are always surprising, yet always uncompromising and always themselves, as testified by Ascent Into Draconian Abyss: the opening 20-minute title track is a harrowing descent into lunacy, and the ghoulishness only intensifies on the album's successive three tracks. More monkish vokills come forth, haunting like nothing else as their buzzing belligerence winds through craggy corridors of mondo-primitivism, all before the hall-of-mirrors madness of closer "Chant to the Unknown." Mons Veneris will fuck you on your Ascent Into Draconian Abyss! 

White Vinyl

New EP from the mysterious USBM entity named Uthullun. Crossing through "The Barbed Thread of Madness", the listener is taken through the anguished and solivagant embodiment of dissonance and a psychoactive cathartic journey beyond gehennah and oblivion.

Half white/half black vinyl repress. Comes housed in noble gatefold sleeve with 5mm spine printed on 350gsm carton and with double sided inner sleeves printed on 220 gsm carton

This album contains what happened in between. No tracks are re-mixed, nothing has been touched up. It's all straight from original tapes. These recordings feature legendary artists (members of BURZUM, IMMORTAL, HADES, The BATALLION) in several unique line ups pioneering some of the oldest Norwegian black, deathrash and death metal!

This complete compilation, featuring ALL tracks Old Funeral ever recorded, follows Old Funeral from their rebellious youth through to an ending in darkness.

Includes:
The first 7 demo recordings NEVER released before except for the 50 original cassette copies from 1989.
Live recording from Garage, Bergen, Norway in April 1991. NEVER released in any format before.
The "Abduction Of Limbs" 1990 DemoThe "Devoured Carcass" 7" 1991 EP
The track "Forced To Be Lost" 1991 recorded in Grieghallen.
The September 1992 advance tape
Live track from Hulen, Bergen, Norway 1991.
Vinyl Gatefold/ CD booklet includes original democover artwork + flyers + never before seen pictures including the VERY FIRST photosession from May 1988!

SHADOW KINGDOM RECORDS is elated to reissue the seminal sophomore album of Italy’s BULLDOZER, The Final Separation, on CD, vinyl LP, and cassette tape formats.

Italy's BULLDOZER is a name that commands respect and awe. In the thrash and black metal underground of the 1980s, they were the uncompromising counterparts to legends like Venom and Motorhead. Known for their raw energy and wild performances, BULLDOZER carved their niche with ferocious anthems and a chaotic aesthetic. Their frontman, AC Wild, epitomized the band's untamed spirit. They were the definition of a cult band before the term became a staple in metal lore. Simply put, there was, and is, only one BULLDOZER.

The BULLDOZER saga continued with unrelenting force with the release of their second album, The Final Separation, in 1986. From the first explosive riffs of the title track, The Final Separation cements itself as a powerhouse of relentless thrash and blackened fury. The album is a maelstrom of aggressive riffs, thunderous drumming, and AC Wild's unmistakable snarls. With tracks like "Ride Hard - Die Fast" and "We are...Italian," BULLDOZER showcased their ability to blend high-speed ferocity with anthemic choruses, creating a sound that is both punishing and infectious.

The Final Separation is a testament to BULLDOZER's ability to evolve while retaining their core essence of unfiltered metal mayhem. The production is sharper, the musicianship tighter, but the spirit remains raw and rebellious. This is an album that captures the essence of 80s metal with its unapologetic attitude and unbridled energy.

And so, The Final Separation stands as a landmark in BULLDOZER's discography, a shining example of their indomitable spirit and musical prowess. SHADOW KINGDOM is honored to resurrect this classic, making it available once more in all its unrelenting glory across all formats.

The genesis of “Benediction” can be traced to Hungary. Or more precisely, an encounter with a photography book, weathered by time, depicting rituals of the Christian faith: masses, moments of devotion to the saints, and prayers. These black-and-white photographs – which capture moments of selfless abandonment, ascetic discipline, and obedience – were veritably vibrating with the malefica inherent to Christianity. A markedly sinister presence of old crones, usually considered beacons of benevolence, appeared to make reality crack and reveal the latent image behind Catholic faith and ritual. The album’s title, naturally, should be read ambiguously. 

SADISM è la storica DEATH METAL band proveniente dal Cile, uno dei culti più anticristiani che hanno segnato la scena musicale estrema. Considerato una pietra miliare del DEATH METAL cileno, il debutto “Tribulated Bells” del 1992 contiene riff micidiali ed una batteria con una tecnica raramente sentita in quegli anni, con un sound scurissimo che fa si che questo album sia stato un’influenza per tutta la scena DEATH METAL sudamericana. Questa nuova ristampa in CD contiene un BONUS CD con i tre demo tape registrati dal gruppo pria e dopo l’album. Per i fan di Morbid Angel, Vader, Possessed, Slayer, Sepultura.

in offerta speciale solo durante preordine, un digi + un vinile a prezzo ridotto

Grey Aura is ready to release Zwart vierkant: Slotstuk, a new, unpredictable journey through art and music.

Zwart vierkant: Slotstuk (Black Square: Finale, Final Piece) continues Grey Aura’s journey into the intersection of abstract art and psychological disintegration. Building on themes from their 2021 album, Zwart vierkant, the new work delves into the second half of Ruben Wijlacker’s novel, De protodood in zwarte haren. This story follows Pedro, a 20th-century Modernist painter whose attempt to dismantle physical reality through abstraction leads him to the brink of madness.

Drawn to the avant-garde movement of Suprematism, Pedro becomes captivated by Kazimir Malevich’s ‘Black Square’: an emblem of pure abstract feeling and the rejection of natural representation. To him, the painting’s void is not merely an end but a gateway to boundless artistic potential and spiritual enlightenment. Within this black square, Pedro envisions his muse, Chauchat—a Wallonian poet and the wife of another collective member. Their elusive romance reflects the essence of abstraction: an existence more imagined than tangible, always slipping beyond his reach.

As his obsession grows, Pedro convinces a group of Utrecht artists to join him in creating a Gesamtkunstwerk—a three-dimensional embodiment of the black square. His unrelenting drive pushes the collective toward bizarre tasks and even criminal acts, all in service of his radical vision. The story reaches its climax when Pedro unveils his ultimate creation: an empty void, a chilling representation of the death of the physical realm and the culmination of his artistic ideology.

Drawing inspiration from the pillars of avantgarde metal, such as Dødheimsgard and Manes, Grey Aura is one of the most interesting names in the experimental corners of extreme metal, and Avantgarde Music is proud to release their new album on CD, LP and digital on March 28th, 2025, just days before the band will present their new work on the stage of Roadburn Festival.

Grey Aura is ready to release Zwart vierkant: Slotstuk, a new, unpredictable journey through art and music.

Zwart vierkant: Slotstuk (Black Square: Finale, Final Piece) continues Grey Aura’s journey into the intersection of abstract art and psychological disintegration. Building on themes from their 2021 album, Zwart vierkant, the new work delves into the second half of Ruben Wijlacker’s novel, De protodood in zwarte haren. This story follows Pedro, a 20th-century Modernist painter whose attempt to dismantle physical reality through abstraction leads him to the brink of madness.

Drawn to the avant-garde movement of Suprematism, Pedro becomes captivated by Kazimir Malevich’s ‘Black Square’: an emblem of pure abstract feeling and the rejection of natural representation. To him, the painting’s void is not merely an end but a gateway to boundless artistic potential and spiritual enlightenment. Within this black square, Pedro envisions his muse, Chauchat—a Wallonian poet and the wife of another collective member. Their elusive romance reflects the essence of abstraction: an existence more imagined than tangible, always slipping beyond his reach.

As his obsession grows, Pedro convinces a group of Utrecht artists to join him in creating a Gesamtkunstwerk—a three-dimensional embodiment of the black square. His unrelenting drive pushes the collective toward bizarre tasks and even criminal acts, all in service of his radical vision. The story reaches its climax when Pedro unveils his ultimate creation: an empty void, a chilling representation of the death of the physical realm and the culmination of his artistic ideology.

Drawing inspiration from the pillars of avantgarde metal, such as Dødheimsgard and Manes, Grey Aura is one of the most interesting names in the experimental corners of extreme metal, and Avantgarde Music is proud to release their new album on CD, LP and digital on March 28th, 2025, just days before the band will present their new work on the stage of Roadburn Festival.