Vinili

Cursebinder was born in 2019 in Kraków, Poland, combining black and doom metal influences with an eye for unrestrained experimentation. Pursuing diverse influences and drawing from post rock, shoegaze, avantgarde and progressive metal, they developed a sound entirely of their own.

In 2006 hard hitting industrial titans Aborym -Official- released their 4th album GENERATOR, follow-up of the critically acclaimed "With No Human Intervention" album. GENERATOR saw the band delve deeper into sonic insanity, pushing further the boundaries of a unique hybrid of a genre they have set for themselves. ABORYM blend the speed and ferocity of Black / Death Metal with otherworldy electronics to upmost perfection, and with this misfit they have succeeded in establishing a new landmark and new standards in extreme metal.
GENERATOR marked the permanent arrival of previous co-worker Bard G. Eithun (Emperor,Blood Tsunami, Thorns) on drums and Preben (Mysticum, Amok) on vocals. This album also marked Attila Csihar's last performance with the band on the track "Man Bites God".

Now, 8 years after its initial CD release on Season of Mist , this post apocalyptic masterpiece is finally released on vinyl through Dead Seed Productions. This new edition comes as a noble 180g vinyl housed in a deluxe hardcover gatefold cover, and includes an A1 full colour poster.

Comes housed in 300 gsm sleeve coated with matt machine varnish; includes double sided 300 gsm insert with one side coated. Includes the exclusive vinyl bonus track "Their Blood In Me" taken from the 1995 ep "För dem mitt blod".

Limited edition transparent red LP

Comes housed in 300 gsm sleeve with double sided inner sleeve on 220 gsm carton.

Violet With Black Splatter

Upon the release of the first full length album Entropic Reflections Continuum: Dimensional Unravel it was instantly revealed that VoidCeremony were treading a path few walk. The album proved that death metal can be performed with the gliding, controlled chaos and smooth fluidity of a jazz quartet, while still leaving the listener holed up in a dungeon, low on HP, out of spells, and surrounded by deadly demons.

Threads Of Unknowing is a journey which resurrects concepts on earlier display and summons evermore progressive and technical compositions. Mastermind and guitarist / vocalist Garrett Johnson and guitar virtuoso Phil Tougas (Atramentus, Chthe’ilist, Worm, First Fragment) share both vocals and lead guitar duties here, while bass god Damon Good weaves both fretted and fretless bass mastery and drummer Charlie Koryn encompasses not only speed and brutality, but a fine mix of precision and improvisation from jazz fusion. The end result is VoidCeremony and their signature sound: time-melting death black fusion.

With an apt cover painting representing the lyrical and philosophical vision of an ancient and forgotten future, VoidCeremony itself seems to be operating on an alternate death metal timeline that once made itself known, but only briefly, and was soon left behind for more commercial appeal. Yet the portal has been re-opened and the merging of these boundless possibilities and directions are now being brought forth directly once again.

In the year marking their 30th anniversary, The Frozen Autumn is back with a new release featuring six new songs, and its title, The Shape Of Things To Come, already hints at the topics that are the closest to the band’s heart.

Leimotivs such as dreamlike visions, parallel realities, recollections of past lives, unfold between rarefied landscapes, passions immortalized in a suspended time, crepuscular atmospheres where the promise of different possible futures, if only partially revealed, is dwelling.

The Shape Of Things To Come resumes the narrative from The Fellow Traveller, yet it is brought to new sound horizons, where layers of electronic sequences merge with rhythmic weaves and pulsing energies, in the unique style that's been the trademark of the band  for these last three decades.

1000x heavyweight grey vinyl 12" (180g) in a black poly-lined innersleeve; download card; poster A2, full-color on 150g art paper, gatefold, full-color with black flood inside, printed on 350g, all assembled in a plastic overbag.

Some things are just supposed to happen. Avantgarde Music and Abysmal Grief have been on this earth for almost three decades, dealing with the dark and obscure, and only miles apart. Yet, they never worked together. Until now.

Despise The Living, Desecrate The Dead is a compilation of “outtakes, oddities and unused material from the period 2016-2021” marking the beginning of the cooperation between the record label from Milan and the long-standing occult metal band from Genoa. In the words of guitarist Regen Graves, Despise The Living… contains “songs recorded and mixed in our studio along the last few years, with different line-ups, that for a number of reasons were never included in previous releases”. Among these are covers of obscure, dark Italian bands of old, a doom metal rework of a funeral march from the ‘50s, and of course a number of new Abysmal Grief songs.

Black vinyl - Gatefold cover / 100 copies limited

Spanish doom/post-metal quintet Ikarie is back with their sophomore album Arde, two years after the acclaimed debut Cuerpos En Sombra. Here is how the band introduces their work…

“If Cuerpos En Sombra was about pain, Arde is about transformative rage. In the first part we presented a series of characters and desolate places, with bodies and souls sunk in misery and mud, of ghosts who are victims but are not aware of the fact that they are being victims.

In this part of the trilogy that doesn’t happen, although the denunciation and lamentation is maintained, it is no longer spoken of the land in that sense but of burning everything for a new beginning, from that fire, so deep and painful, which hanges the shape of things, like magma and the creation of stars, like a collision of planets, there is no way back after that.

With the advice of a forensic psychologist and criminologist, we have selected passages from history, victims and paradigmatic and tremendous characters that exemplify Hannah Arendt’s concept of the “banality of evil” properly, because as a society we are part of it, and therefore, it is a call to revolution.”

Haunting and tortured melodies echo through the ruins of a mausoleum, before erupting into heathenistic majesty.
Each track summons bygone eras with the guitars dominating the realm with flowing and triumphant riffs that inspire a sense of longing trapped within the madness.
The album as a whole instills a sense that it is forgotten relic of a lost time with an infernal entity revealing the secrets within.
Atmospheric and bursting with grandiose ambition, this gem shines within the crypts of black metal.

Info : After laying dormant in the primordial waters for four years, Mournful Congregation emerge from the face of the deep with the first release since 2018's "The Incubus of Karma".

Announcing here "The Exuviae of Gods". Part one of a two-part EP series.
"The Exuviae of Gods" Part 1 features three songs equalling 37 minutes.
Two brand new compositions, plus a brand new re-recording of 1995's "An Epic Dream of Desire" featured on their second demo tape.
"The Exuviae of Gods" Part 2 will follow during 2023.

300x gold vinyl 12" (180g) in a microtene innerbag, printed innersleeve, full-color on 220g, download card, printed jacket full-color, black flood inside on 350g, all assembled in a plastic overbag.