Vinili

Double LP in solid silver vinyl - 200 copies printed

Russian blackgaze duo Olhava is back with their new studio album. Frozen Blooom is the natural follow-up to self-titled Olhava (2019) and Ladoga (2020), and integrates some dronescapes the band experimented on Never Leave Me Alone (2020), the drone version of their debut.

Multi-instrumentalist Andrey Novozhilov and drummer Timur Yusupov describe their new journey with words of thoughtful contemplation: “When winter is just starting to fade and give some space to the first steps of spring… When life starts to reappear and the very early flowers peek through the thawing soil, a sudden drop of the temperature can leave them petrified and frozen back again, punished by the “Queen of Fields”. This statuesque dead beauty, being infinitely alive and dead at the same time is the main metaphor of this album. Frozen Bloom is about unfulfilled dreams. About how we sacrifice everything today for some abstract “tomorrow”, which may never come. But tomorrow and yesterday don’t exist – only this very moment of static contemplation is real”.

Frozen Bloom is Olhava’s fourth opus in three years, and here the duo took some different routes compositionally. Two of the four tracks are traditionally storm-like blackgaze passages, while the other two are leaning towards a more meditative drone experience. The album also features A. Lunn, who kindly agreed to record an electric guitar solo as well as acoustic parts and choral parts on “Frozen Bloom I”.

Frozen Bloom was recorded at Olhava home studios, as well as at the local rehearsal space. Mikhail Kurochkin took care of mixing and mastering.

Double LP in solid silver vinyl - 100 copies printed

Russian blackgaze duo Olhava is back with their new studio album. Frozen Blooom is the natural follow-up to self-titled Olhava (2019) and Ladoga (2020), and integrates some dronescapes the band experimented on Never Leave Me Alone (2020), the drone version of their debut.

Multi-instrumentalist Andrey Novozhilov and drummer Timur Yusupov describe their new journey with words of thoughtful contemplation: “When winter is just starting to fade and give some space to the first steps of spring… When life starts to reappear and the very early flowers peek through the thawing soil, a sudden drop of the temperature can leave them petrified and frozen back again, punished by the “Queen of Fields”. This statuesque dead beauty, being infinitely alive and dead at the same time is the main metaphor of this album. Frozen Bloom is about unfulfilled dreams. About how we sacrifice everything today for some abstract “tomorrow”, which may never come. But tomorrow and yesterday don’t exist – only this very moment of static contemplation is real”.

Frozen Bloom is Olhava’s fourth opus in three years, and here the duo took some different routes compositionally. Two of the four tracks are traditionally storm-like blackgaze passages, while the other two are leaning towards a more meditative drone experience. The album also features A. Lunn, who kindly agreed to record an electric guitar solo as well as acoustic parts and choral parts on “Frozen Bloom I”.

Frozen Bloom was recorded at Olhava home studios, as well as at the local rehearsal space. Mikhail Kurochkin took care of mixing and mastering.

gatefold, 24 pages booklet, 2 posters

black and white swirl vinyls

TRANSPARENT GREEN VINYL, 2022

Sold out da qualche anno, ecco finalmente una ristampa per l'acclamato "Seasons of Desolation": copertina gatefold, vinile effetto 'Aside-Bside' in verde e nero

Emotionally raw and brutally savage release following in the tradition of 2015's Arpitanian Lands. Enisum have managed to mix elements of atmospheric black metal and doom metal into ten perfect songs for this album.

Ascolta su BandCamp

Darkness is falling. A cold wind blows from the snow-covered Carpathians, making the windows rattle and the corners of the house creak. Something is coming, eyes flashing red in the night and its footprints filled with grave dirt. What nocturnal terror is this? Why, it’s the arrival of the long-awaited third album by The Coffinshakers, folks.

While most bands quickly lose the spark, The Coffinshakers have stayed relevant – eternal like the undead. Though humor is their hallmark, there is also poignancy and something genuinely spine-tingling in their rugged, melancholy ballads. And this new offering shows them at the height of their baleful, campy power. They truly are a band that ages like fine wine – although vampires, of course, never drink… wine.

Much will be familiar to dedicated fans. Rob’s trademark malevolent chuckles still reverberate with sardonic glee, the deep rumble of his voice continuing to send all yellow-bellies hiding behind the barn. At the same time, his vocals have gained in both power and subtleness. The same goes for the guitar, bass, and drum work, now incorporating a broader array of classic Americana influences. These unholy badmen have drunk the blood straight from the neck of the authentic country, bluegrass, folk and other rootsy music of inbred US backwaters – and it has made their fangs sharper than ever.

And though The Coffinshakers still ride forth with tongue firmly planted in cheek, there is a new apocalyptic urgency to their third offering. From the marching drums of the desolate “Graves, Release Your Dead” to the echoing vocals of “River of Souls” and the cathartic cataclysm of “Down in Flames”, it all forebodes the imminent end of the whole dirty enchilada of existence. The band’s flippancy comes with a genuinely unsettling kernel of darkness – and black humor is always the most satisfying. Vampires may not cry, but we all know they laugh wickedly as they rise from the bone orchard.

Trenchant marched forward from the hardened heart of Texas in 2016.
Formed by NRS, TND, and GRA, the band made their official debut with the 2018 EP, Martial Chaos, and subsequently released their full-length CD, Commandoccult, on Godz Ov War Productions in 2022.

The band’s profile has continued to rise with the addition of LRA on second guitar for live appearances across the US, with Commandoccult gaining wide acclaim in the underground. Trenchant’s brand of rapid-fire blackened death should not be regarded as simply “War Metal”; it is “World War Metal”, with martial themes revealed through deadly metaphysical channels. For adherents of acts like ANGELCORPSE, IMMORTAL, or IMMOLATION, Commandoccult is a riveting foray into musical combat. Their work is both vicious and anthemic, and it will rouse even the most stoic listener to take arms.

180g vinyl, ltd 200 x black  vinyl, UV varnish, 12-page 12“ booklet, A2 poster.

Official reissue of both legendary demo’s from the Swedish 80s black/thrash metal undergound legends MEFISTO.

1986: Next to mighty BATHORY, MERCILESS, OBSCURITY and later MORBID and NIHILIST, MEFISTO were one of the first bands, which proudly hold high the flag of extreme metal underground in Sweden. Although they never made it out of the underground, these two demos are a testament to how vibrant and active the scene was in the 80’s. A scene that would cause a sensation, especially in Sweden, just a short time later…

Remastered for this DSR reissue by Dan Swanö at Unisound, July 2023.

180g vinyl, ltd 250 x gold vinyl, 4-page 12“ insert, A2 poster.

Please note: mock-ups are purely indicative computer graphics: the final product sometimes varies considerably

Crust is a band from northwestern Russia founded back in 2014.
Themusic this trio creates is a varied blend of styles but can be broadly defined as blackened doom sludge. Their lyrics mostly touch issues such as the degradation of morality in contemporary society, the shift in values, the vices of human nature, miseries and misfortunes that are usually not few and far between in people’s lives.
Dissolution is the fifth studio record by the band, where they demonstrate more black metal tendencies than before, though melodic guitar arrangements, dark atmospheres and post-metal elements are definitely still present. The lyrical theme that unites most of the songs is still the acceptance of inevitable death as the only way of mental and spiritual liberation.
Crust is a hell’s locomotive fueled by the agony of sinful souls, that knows no stopping and is constantly moving forward to new music discoveries.

Audio preview CLICK HERE

Crust is a band from northwestern Russia founded back in 2014.
Themusic this trio creates is a varied blend of styles but can be broadly defined as blackened doom sludge. Their lyrics mostly touch issues such as the degradation of morality in contemporary society, the shift in values, the vices of human nature, miseries and misfortunes that are usually not few and far between in people’s lives.
Dissolution is the fifth studio record by the band, where they demonstrate more black metal tendencies than before, though melodic guitar arrangements, dark atmospheres and post-metal elements are definitely still present. The lyrical theme that unites most of the songs is still the acceptance of inevitable death as the only way of mental and spiritual liberation.
Crust is a hell’s locomotive fueled by the agony of sinful souls, that knows no stopping and is constantly moving forward to new music discoveries.

Audio preview CLICK HERE

Triple LP in trifold cover! Neon orange vinyls, 200 copies limited

Please note: mock-ups are purely indicative computer graphics: the final product sometimes varies considerably

The Burning Circle and Then Dust is Lycia’s fourth studio recording, originally released on double CD via Projekt Records in 1995. Save for a small CD re-release in 2006 by Silber Records, the album has never been reissued since. It is hence with great pride that here at Avantgarde Music we officially announce a new edition of one of Lycia’s masterworks from the ‘90s, due out on 2CD as well as triple LP, making this the first Burning Circle vinyl release ever.
Mike VanPortfleet himself commented: “After several years of doing more synth oriented material I wanted a return to my guitar roots (in particular English post punk and 4AD). Lycia started as a guitar based band and I wanted to reaffirm that with disc one, which was originally going to be the release. I was also listening to a lot of shoegaze then, which inspired a return of making the guitars, as opposed to the synths, the focal point of the atmospherics.”.
Many things have been said about the album along the last twentyeight years, and the band chose the following to describe the record.
Per Projekt.com. - The Burning Circle And Then Dust was a groundbreaking point in Lycia’s career. It marked a shift from more atmospheric music towards song-oriented music with tracks like “Pray” & “Slip Away.” It marked the first collaborations between Mike VanPortfleet & Lycia members David Galas & Tara Vanflower. It marked the transformation of Lycia into a honed out live touring machine.
Per Pandamonium Magazine via Projekt.com. - Moving back into more formal song structures, Burning Circle returns to true song-writing, and places equal emphasis on guitar as the electronics. However, the music is as intense and powerful as ever, conjuring up vast vistas of soundscapes which are captured in delicate webs of song and structure. Songs like “Pray” are positively dance friendly, while others find Lycia moving towards the fertile ground of darkpop. breathtaking in scope and beauty, exultant in vision, exhilarating in sensory delight. Lycia have arrived.
Per Ned Raggett of AllMusic - a high point of American dark rock and the band's greatest and most ambitious work.