Vinili

Please note: mock-ups are purely indicative computer graphics: the final product sometimes varies considerably

Crust is a band from northwestern Russia founded back in 2014.
Themusic this trio creates is a varied blend of styles but can be broadly defined as blackened doom sludge. Their lyrics mostly touch issues such as the degradation of morality in contemporary society, the shift in values, the vices of human nature, miseries and misfortunes that are usually not few and far between in people’s lives.
Dissolution is the fifth studio record by the band, where they demonstrate more black metal tendencies than before, though melodic guitar arrangements, dark atmospheres and post-metal elements are definitely still present. The lyrical theme that unites most of the songs is still the acceptance of inevitable death as the only way of mental and spiritual liberation.
Crust is a hell’s locomotive fueled by the agony of sinful souls, that knows no stopping and is constantly moving forward to new music discoveries.

Audio preview CLICK HERE

Crust is a band from northwestern Russia founded back in 2014.
Themusic this trio creates is a varied blend of styles but can be broadly defined as blackened doom sludge. Their lyrics mostly touch issues such as the degradation of morality in contemporary society, the shift in values, the vices of human nature, miseries and misfortunes that are usually not few and far between in people’s lives.
Dissolution is the fifth studio record by the band, where they demonstrate more black metal tendencies than before, though melodic guitar arrangements, dark atmospheres and post-metal elements are definitely still present. The lyrical theme that unites most of the songs is still the acceptance of inevitable death as the only way of mental and spiritual liberation.
Crust is a hell’s locomotive fueled by the agony of sinful souls, that knows no stopping and is constantly moving forward to new music discoveries.

Audio preview CLICK HERE

Triple LP in trifold cover! Neon orange vinyls, 200 copies limited

Please note: mock-ups are purely indicative computer graphics: the final product sometimes varies considerably

The Burning Circle and Then Dust is Lycia’s fourth studio recording, originally released on double CD via Projekt Records in 1995. Save for a small CD re-release in 2006 by Silber Records, the album has never been reissued since. It is hence with great pride that here at Avantgarde Music we officially announce a new edition of one of Lycia’s masterworks from the ‘90s, due out on 2CD as well as triple LP, making this the first Burning Circle vinyl release ever.
Mike VanPortfleet himself commented: “After several years of doing more synth oriented material I wanted a return to my guitar roots (in particular English post punk and 4AD). Lycia started as a guitar based band and I wanted to reaffirm that with disc one, which was originally going to be the release. I was also listening to a lot of shoegaze then, which inspired a return of making the guitars, as opposed to the synths, the focal point of the atmospherics.”.
Many things have been said about the album along the last twentyeight years, and the band chose the following to describe the record.
Per Projekt.com. - The Burning Circle And Then Dust was a groundbreaking point in Lycia’s career. It marked a shift from more atmospheric music towards song-oriented music with tracks like “Pray” & “Slip Away.” It marked the first collaborations between Mike VanPortfleet & Lycia members David Galas & Tara Vanflower. It marked the transformation of Lycia into a honed out live touring machine.
Per Pandamonium Magazine via Projekt.com. - Moving back into more formal song structures, Burning Circle returns to true song-writing, and places equal emphasis on guitar as the electronics. However, the music is as intense and powerful as ever, conjuring up vast vistas of soundscapes which are captured in delicate webs of song and structure. Songs like “Pray” are positively dance friendly, while others find Lycia moving towards the fertile ground of darkpop. breathtaking in scope and beauty, exultant in vision, exhilarating in sensory delight. Lycia have arrived.
Per Ned Raggett of AllMusic - a high point of American dark rock and the band's greatest and most ambitious work.

Since their formation in 2007, MINENWERFER have pursued a proud 'n' pure vision of black metal idiosyncratically focused on World War I - idiosyncratic, in the sense that the band hail from America but mostly sing in German. What has resulted is a startlingly accomplished canon that has quietly built itself into prolific proportions, with their first album arriving in 2010, followed by albums in 2012 and 2019, and a slew of split releases and EPs in the interim.

Of those many short-length releases, Kriegserklärung can conveniently be seen as a companion to an album release – in this case, 2012's thick-yet-throttling Nihilistischen. And yet, where that album saw MINENWERFER inching closer to a palatable professionalism, the 24-minute Kriegserklärung fully bursts through those doors with a startling clarity, setting the stage for the band's grand 2019 full-length, Alpenpäesse. Which is all to say that MINENWERFER have been mining songwriting gold for many years now!

OSMOSE PRODUCTIONS have been fans of MINENWERFER for years, and is honored to unleash their once-underground back catalog on the wide scale it so deserves.

Re-issue, 400x heavyweight marble (gold/black) ) 12" (180g) in a black poly-lined innersleeve, download card, gatefold, full-color printed on 350g carton, all assembled in a plastic overbag.

OFC’s third and final album, An Ending in Fire, is a visionary masterpiece, the conceptual zenith of the band’s work, drawing a nexus between the chthonic depths of consciousness and the vast, black emptiness of the universe. Members went on to form Ares Kingdom, Angelcorpse, Vulpecula, etc.

• 12″ LP
• Gatefold jacket with high gloss
• 2 sided A2 poster

Special preorder promo price! After 15/10 price will be increased and set to 22.00€

After four years of waiting, Aeon Winds are back with their new album Night Sky Illuminations. Their third full-length studio album, it follows up the themes the band dealt with in their previous album Stormveiled (2019) and the EP Extinguishing the Light (2022).

The mythological legacy of pre-Christian times intertwines with the mystical fascination of Carpathian sceneries and blends into seven long, hymnic and powerful songs.

Recorded, mastered and produced at Tryzna Studio, Aeon Winds new studio album features a painting by Russian digital illustrator Yaroslav Gerzhedovich, and will be released on CD, LP and digital November 17th, 2023 via Avantgarde Music.

High Roller Records, 2nd pressing, transparent ultra clear vinyl, ltd 200, 4 page insert, poster, Cassette transfer, audio restoration and mastering by Patrick W. Engel at TEMPLE OF DISHARMONY in November 2020 / January 2022. Artwork and handlettering by Alexander von Wieding.

Black Vinyl, gatefold

By now, GRAFVITNIR require no introduction. Since their fiery birth in 2007 and successive NâHásh debut album in 2009, this still-mysterious Swedish formation have dependably - and provocatively - stoked the fires of ancient black metal, becoming veritable royalty by the end of the decade. From that fiery beginning, GRAFVITNIR's aesthetic has been firm and unyielding: exquisitely and restlessly melodic, its sulfurous fire paradoxically as cryogenic as it comes, medieval in atmosphere and literally bewitching in feel and fury. To suggest that the band harken back to a time when Dissection sired countless clones - but, crucially, each one of them as satisfying and significant as the next - is to underline the gravitas of GRAFVITNIR's particular vision of black metal: a steadfast and enduring classicism that's timeless then, now, and forever into the future.

And so it goes with GRAFVITNIR's ninth album, Into the Outer Wilderness. No compromise, no quarter: this is GRAFVITNIR further distilled into 43 minutes of menace and majesty. But the title Into the Outer Wilderness is telling, as the duo here evoke that sensation of plunging into a clandestine world of witchcraft and sacred rites, spun into a delirium through somehow shimmering and even sparkling melodicism. And yet, for however organic their productions have always sounded - rough and raw, sure, but most importantly, human - there's conspicuously more grit here on Into the Outer Wilderness as well as clarity, making for a unique entry into GRAFVITNIR's nigh-untouchable catalog. Elsewhere, it's righteously ripping songwriting as only these Swedes can deliver, entrancing and enervating as ever; there is only one GRAFVITNIR then, now, and especially forever. Venture forth Into the Outer Wilderness! 

Third press of the 4th full length by the Italian vampire punx. Eight tracks of pure passion, desperation, anger and questions that will never be answered. Darker than ever and with a new rhythm section that'll make you twist and shout, this record will drag you down the abyss of existence to release you releaved and stronger than before. Fans of The Cult, A Flock Of Seagulls, Chameleons and Fields Of The Nephilim won't be disappointed. Artwork by Andrea Bonini (Aus Tears). Mastered by Nick Townsend.

Pressed on blue / gold merge heavy vinyl w/ splatters. Side D contains no music but features a black screen print. Colors on final records may vary to a degree from the mockup.

SÜHNOPFER, hailing from France, return with their most fully realised release to-date of blasting, emotive, edge-of-seat Baroque Black Metal.

"Nous sommes d'Hier", the band's 4th full length since formation in 2001, finds sole member and multi-instrumentalist Ardraos continuing to explore a medieval universe in his quest to restore the tarnished glory of the Bourbons - marching between the Middle Ages and the modern era to weave compulsive tales of dark times, remembered legends and places that resonate with the death of an age.