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Vendita vinili - musica Black Metal e Dark estrema
Released at the dawn of 2020 on CD format, Zmierzch Stalowej Ciemności was VERMISST's first, fuller-length strike since their formation in 2018. Despite being a relatively new entity, the band's sound is undoubtedly OLD, hailing the old gods of their Polish homeland's rich black metal heritage. Cryogenically cold, unremittingly grim, shrouded in a mysticism rich in ancient splendor, VERMISST are thoroughly mid '90s Polish black metal for a modern world too long neglectful of the Old Ways. Pure and proud, Zmierzch Stalowej Ciemności is poignant proof that classicism endures no matter the decade, and that ever-so-subtle twists on tradition can result in resoundingly "new" manifestations worthy of that noble lineage.
Now, courtesy of fans-from-the-beginning SIGNAL REX, VERMISST's Zmierzch Stalowej Ciemności is being released on vinyl format for the first time ever, with three exclusive (and righteously raw) tracks expanding the release to 40 minutes in length.
Limited to 1st press black vinyl in heavy gatefold sleeves with insert with lyrics.
"World Domination" is a gateway to old and new Demonical. The band's sixth album marks the debut for vocalist Christofer Sätderdal and the return for original drummer Ronnie Bergerstål (2006-2011, 2019-present). There are no major changes to the band's proven formula of brutal, melodic and insolently Swedish death metal. "World Domination" picks up where 2018's "Chaos Manifesto" left off, with a touch of extra dynamics and vibrancy that enrich the band's sound.
Second press in Aside/Bside Sea Blue / Grey vinyl
Recorded in its entirety on August 4th, 2019 in São Paulo (Brazil) during the final show of VARATHRON's "30 Years Of Darkness Tour"
12" GATEFOLD DLP TRANSPARENT
Morta Skuld's 2020 studio release of brutal, hook-laden US Death Metal devastation that marks 30 years of the band's existence.
Black vinyl in gatefold sleeve.
Clear smoke vinyl.... Sound Cave exclusive
This is the solo project by Uada founding member and guitarist James Sloan, a kaleidoscopic black metal creature deeply rooted in the depressive black metal sounds of the Nineties.
The Sorcerer’s Sorrow is Anachitis very debut, where obscure, minimal synths pave the way for obsessive guitar riffs and desperate shrieks recounting a tale of despair and self destruction. In Sloan’s words, “There is an underlying story here being told backwards of someone who desperately seeks answers to escape the pain of existence through esoteric practices, but finds nothing but a path to total self destruction”.