Vinili

Spirit Adrift refuses to slow down. With Enlightened In Eternity, Nathan Garrett, alongside drummer Marcus Bryant, has created yet another monument to the timelessness of heavy metal. And while this album builds on the sizable foundation established by previous releases, it also sets itself apart in formidable new ways, widening the scope of what Spirit Adrift can be. What this band has mastered, and where others have failed, is the ability to invoke the power of metal’s past, whether it be the ’70s, ’80s or even the ’90s, as one hears here, without ever feeling throwback or “retro”. Spirit Adrift urgently represent the sonic and emotional zeitgeist of 2020. Enlightened In Eternity carries the same enormous magnitude of the most significant metal records of every era, but Garrett has carved out his own place among the greatest of songwriters, by crafting uniquely classic and instantly recognizable songs. Vocally, Garrett again showcases an obvious evolution of his already high-level ability with more soaring soul and snarling venom injected into his classic metal form. The gorgeous guitar leads, melodies, harmonies and unforgettably heavy riffs benefit from a huge, timeless production quality. Bryant has elevated his drumming to new levels of intensity and tasteful subtlety. And as always, the tracks remain imprinted on the mind long after the album has finished. Whether it’s the ever-expanding catalog of incredible albums and songs or the searing live performances, the dominance of Spirit Adrift upon the current heavy metal landscape is now undeniable. And while Enlightened In Eternity already marks the band’s fourth album, Spirit Adrift have only just begun..

- 350gsm Jacket with inside flooded in black and matt varnish
- 140g Black Vinyl
- Insert on 150gsm Art Paper
- Limited to 400 copies

- 350gsm Gatefold Jacket with Silver Hot Foil Print and inside flooded in black
- 2x 140g Black Vinyl
- Sigil Etching on Side D
- Insert on 180gsm Art Paper

Deluxe 12" vinyl edition feat. three overlooked tracks.

For over a decade, FEN have steadily developed into one of the most intriguing bands within the UK black metal scene. Often bracketed within the post-black and "shoegaze" movements, the London trio’s sound is actually more unique to themselves – a startling paradox of searing and aggressive paradox within a progressively daring and ambient beauty. Starting out with a pastoral form of atmospheric black metal on 2009's acclaimed debut The Malediction Fields, the trio's sound has expanded and diversified considerably across five full-length albums to embrace a number of different elements all honed and synthesized into a distinctive, yet captivating, soundscape. In late 2015, the band recorded a three-track EP, entitled Stone and Sea, which was a deliberate hearken back to their older, more explosive, sound whilst retaining the maturity the English trio had developed across the years. The intention was to record something ‘for themselves’, to escape from the album cycle for a time and work on a self-contained piece.  

Recorded, produced and re-mastered specifically for vinyl by Greg Chandler (Esoteric, Lychgate, Grave Miasma, Fluisteraars), these tracks take the best aspects of post-rock and black metal and intertwine key elements of traditional folk to create a masterpiece laced with a definite touch of the "epic."
'Stone & Sea' is a tribute to the crumbling coastlines of Eastern England and the spirits that lie restless beneath the waters.

Recorded, produced and mastered specifically for vinyl by Greg Chandler at Priory Recording Studios in Birmingham, UK. www.prioryrecordingstudios.co.uk
Artwork by Immortalpict Illustration. immortalpictillustration facebook

"Bardo Exist was written and produced by NHV Beherit in 2019-2020. This album was mixed and mastered by Joona Lukala / Noise For Fiction in May 2020. Drawings by Stan Dark Art ("This art series was inspired by Beherit darkness and band dedicated"). 

 Reprint, 500x galaxy - ultra-clear/violet 12" LP, gatefold, full-color on 350g, all assembled in a PVC overbag.

Reprint, 500x A-side/B-side - sea blue/white 12" (180g) in a black poly-lined innersleeve; gatefold jacket full color + PMS and black flood inside, printed on 350g, all assembled in a plastic overbag.

 The year is 1997, the deviant trinity is made up of Equitant, Proscriptor and Shaftiel and therefore, the recording is called The Third Storm Of Cythrául. Osmose Productions is pleased to revive Absu's third, most blackened thrash record to date. Originally released in 1997, this repressing is exposed as the “2013 Alternate Stereo Mix Edition,” which was remixed by both Proscriptor and J.T. Longoria (King Diamond, Solitude Aeternus, Etc.) to audibly translate the album's production as the band originally intended. Featuring the original cover artwork by Kris Verwimp and gatefold layout with liner notes, one shall lick the blade…whip with wrath…for swords and leather! (Full-color poster included).

500x ultra clear with sea blue marble shade swirl 12" (180g) in a black poly-lined innerbag, poster A2, full-color on 150g art paper, gatefold cover

Tara, as a dual-album set. Originally released in late May of 2001, it has been a highly celebrated recording and a loyal favorite amongst Absu's followers. Unlike the band's previous two releases, Tara is a concept album that principally deals with the harmony of strife, immortality, puissance and tyranny. It was immediately conceived after their 1998 release of In The Eyes Of Ioldánach when drummer/vocalist Proscriptor's frustration grew with the sinking intelligence in the extreme metal world – it was his calling to fully educate his audience. Therefore, the album features a lexicon (glossary) insert of pensive occult systems and mythological notations – to assist the listener with an enlightened, more comprehensive understanding. As always, Kris Verwimp infuses the gatefold with three sensational illustrations. (Full-color poster included).

Reprint, 500x clear black ice vinyl 2x12" (180g) in black poly-lined innerbags, printed insert on 220g, poster A2, full-color on 150g art paper, gatefold, full-color on 350g, all assembled in a PVC overbag.