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Il carrello è vuoto
Il carrello è vuoto
Vendita vinili - musica Black Metal e Dark estrema
100 copies limited - black double vinyl in gatefold cover
COPIA NUOVA ma arrivata danneggiata dal fornitore: solo un trascurabile angolo ammaccato della copertina (veramente lieve)
The most prominent and significant American death/funeral doom emissaries EVOKEN succeed their 2018 landmark Hypnagogia album with their seventh full-length opus Mendacium set for release on Oct 17. A work that will reveal itself as one of the darkest and most oppressive EVOKEN albums among their unparalleled repertoire.
Where 2018’s Hypnagogia would see the band capture and focus on a more melancholic, tangible, and even more of an accessible sonic design, Mendacium takes that acute shift back to the monumental dirge-like dread and woeful catacombic and disharmonious heaviness reminiscent of the band’s Quietus and Antitheses of Light masterworks. All while still encapsulating the tectonic-shifting nature of their Caress of the Void and Atra Mors releases while venturing more through classic gothic audial textures and even treading a little down experimental mire as well, reminiscing an aura seeping from such luminary artists as Dead Can Dance, Monumentum, and Disembowelment.
To signal this shift in sound harking back to this previous era, the band would recall the services of producer Ron “Bumblefoot” Thal who worked with EVOKEN on their Antithesis of Light and Quietus albums respectively. The result being Mendacium capturing a sepulchral heaviness saturated in ambience with even more of an emphasis on deathlike dread and anguish; an ambience reflecting the depths and catacombs of an ancient cathedral or monastery, ultimately defining Mendacium as EVOKEN’s most powerful sounding album to date.
Debut album of Philadelphia unholy metal band after several EP releases
For fans of Vastum, Krypts, Phrenelith, Master, Incantation, Abhorrence, Funebrarum, Disembowelment
A bludgeoning autopsy of death metal, gore and deathgrind, the low-tuned grooves, discordant leads and mid-tempo rumble of Cerebral Rot is evident in tracks like “Spinous Forms Of Mortal Abhorrence” and the title-track while setting the bar for a melted transformation into more ghastly liquified forms. The gargling slime vox of Ian Schwab are dangerously radioactive, summoned straight from the sealed basement of a nuked morgue narrating a splatter-fest of morbid poetry, decomposing flesh, absurd experiments, and gruesome transgression. Each song plays out like a medical examiner’s case file crossed with the fevered ramblings of a psychopath—precise in its anatomical horror and repugnant in its bizarre depravity.
B-side collection of doom-laden dark heavy metal band’s 2024 critical juggernaut The Stygian Rose (Decibel Magazine’s Best Album Of The Year)
Features a transcendental revisioning of Mayhem’s “Dem Mysteriis Doom Sathanas”
Double Silver Vinyl • 7 mm Spined Gatefold Jacket • Poly-lined Innersleeves
collection long in the shadows, “Songs of Hiraeth” brings to light a body of work written and recorded between 2009 and 2011 – songs once set aside, scattered across forgotten splits or lost to the passing of time. Now, remixed, re-amped, and newly presented, these tracks finally take their rightful place within the Panopticon canon.
Originally intended for collaborative releases that never materialised, these seven songs were born during a formative period for Austin Lunn – a time of travel, personal growth, and political reflection. Themes of indigenous history, green anarchism, and the consequences of industrialisation blend with a deep sense of nostalgia and the urge to shed past trauma.
“Songs of Hiraeth” stands not as a meditation on death, but as a tribute to transition, memory, and paths once wandered. It captures the spirit of an era – now brought into focus with the clarity of hindsight.
180g Sun Disk edition in Gatefold w/insert & poster + Music Download card for the album! Limited to 150 copies.
Arkhaaik has managed to massively expand their sound and created songs that lend a gripping vibrancy to the archaic world of prehistoric times, with an emphasis on utter brute force that is completely foreign to the comforts of modernity. The band has retained a distinctly primitive edge, which sets them apart from more polished contemporaries, while still sounding utterly colossal. While UIHTIS (the hunt) is a highly atmospheric, almost cinematographic album, it showcases some absolutely scorching riffs and "balls to the wall" grooves that are sure to cause whiplash for any listener.
