Vinili

Crystal Golden Yellow Vinyl 12"
 

Julinko, nome d’arte di Giulia Parin Zecchin, è da tempo uno dei segreti meglio custoditi della scena sperimentale del nord-est italiano, con tre dischi che hanno contribuito a definire la sua inconfondibile mescolanza di heavy psychedelia, slowcore e dark ambient. In Naebula ciò che colpisce davvero è la potenza e l’intensità della sua voce, un’arma di forza innegabile, capace di trasformarsi in un mezzo di fervore grezzo o librarsi con grazia in un delicato lamento. Il suo approccio non convenzionale risplende in brani come ‘Jeanne De Rien’, dove una cadenza ritmica da marcia funge da colonna sonora portante per un lungo mantra che sfiora quasi il territorio del powpow. ‘Peace Of The Unsaid’ sfrutta la propria struttura aritmica per creare spazio, un’ode notturna e crepuscolare che raggiunge le vette della forza intima di Sinéad O’Connor, pur mantenendo una dolce compostezza. Che si tratti di urla glaciali e assassine o di una vitalità dal tono quasi gospel, brani come ‘Cloudmachine’ o ‘Kiss The Lion’s Tongue’ sembrano attingere tanto alla tradizione del minimalismo europeo, con l’uso dei droni e della ripetizione, quanto a quella dei canti popolari come inni, dove armonie modali cedono il passo a un’ apparente stasi. Un altro elemento chiave nella scrittura di Julinko è la fusione impeccabile fra il suo approccio minimalista e quelle trame dense ereditate da un lontano retaggio di outsider metal, un noir lynchiano spinto all’estremo o esorcismi senza parole attraversati da correnti profonde. 

Scritto e interpretato interamente da Julinko, ‘Naebula’ dispiega e avvolge i suoi incantesimi in spirali sonore creando la colonna sonora perfetta per ossessione, desiderio e contemplazione, un mondo abitato da grandi come Meredith Monk, Diamanda Galás e Jarboe, artiste diverse ma tutte guidate dalla ricerca della più pura e cristallina forma di catarsi. 

orange vinyl + double sided insert 

Dare we say, England's own Sacred Son's 4th full length is his most complex and daring work to date! Don't be fooled by the tongue-in-cheek artwork, this one is heavy, slow, fast, dark and brooding and takes you on an incredible ride of doom-ish black metal, stranding on fantastic dark and raw ambient passages to stitch it all together.

Olde Throne is a melodic and atmospheric black metal band born in a time when main composer and frontman Harrison McKenzie was living in Glencoe, Scotland. Even after moving back to his native New Zealand, McKenzie felt deeply inspired by his experience in the highlands, and this project was the result of such inspiration. Olde Throne released two studio albums under this monicker, An Gorta Mór (2022) and In the Land of Ghosts (2023). Two years later, the man from Christchurch signs with Italian long-standing label Avantgarde Music to release their third full-length album, Megalith.

Two years in its creation, Megalith is a primal journey into the depths of prehistory. Where previous albums explored the strife of 19th-century Ireland (An Gorta Mór) and the spectral lore of 17th- and 18th-century Scotland (In the Land of Ghosts), Megalith delves into the primordial darkness of the Neolithic age. Drawing inspiration from stories of Celtic mythology, the album’s narrative is rooted in tales dating back as far as 10,000 BC. The use of flutes, throat singing and tribal drums forges an immersive brand of Neolithic Black Metal.

100 copies limited - black double  vinyl in gatefold cover

COPIA NUOVA ma arrivata danneggiata dal fornitore: solo un trascurabile angolo ammaccato della copertina (veramente lieve)

Vinyl: Mint 

Sleeve: VG+

Vinyl: MINT

Sleeve: VG+

1st press

Grey With Black Marbling [Smoky Grey]

Three years after their fascinating debut, Suicide Forest is back with Reluctantly, a sophomore album which further develops their art. Taking their name from the Japanese Aokigahara forest, where many troubled 
people travel to end their life, the one-man band from Tucson, Az., moves from classic depressive black metal coordinates and expands their sound palette. As a result, Reluctantly settles somewhere in between DSBM, atmospheric black metal and post-black/blackgaze.
The perfect company for restless souls, Reluctantly reminds of the eerie keyboard patterns of Burzum and the dilated atmospheres of contemporary US black metal pillars like Ash Borer, mixed with some unpredictable twists such as dissonant riffs and solos. Suicide Forest will please both those looking for furious up-tempos and the more introvert blacksters, looking for a sanctuary from the outside world.
Multi-instrumentalist and mastermind A.Kruger wrote Reluctantly in the second half of 2019, before the pandemic struck us all, but began tracking the album at his home studio in early 2020. About the lyrics, when asked what themes inform his work, he plainly replied: The whole album focuses
on the themes of resent and isolation, feelings that were only compounded considering the entirety of Reluctanlty was recorded during the covid-19 lockdown”.

Nota: questo ep faceva parte del set "The cursed Singles"

Non era in vendita singolarmente.

Copertina: VG+  Vinile: mai ascoltato ma con qualche macchia di polvere

Adesivo sulla copertina dice "RED vinyl"  ma si tratta in realtà di un CLEAR VINYL

Here is another fundamental reissue of the Les Legions Noires archive, Aäkon Këëtrëh’s legendary demo “Dans La Forêt…“, originally released in 1996. Lord Aäkon Këëtrëh unique tunes should be well known to any Black Metal / Dark Ambient fan, 8 tracks that can be considered a must have for every fan. Totally remastered and with restored layout.

Formed in January of 1985 by Dave Carr (bass), Chuck Stadulis (drums), John Plumley (guitars) and Gary Capriotti (vocals), the Philadelphia outfit Anvil Bitch was immediately sending shock waves throughout the metal underground with their raw four-track basement demo tape, which established them as major contenders in the quickly growing thrash metal scene. Massive college radio airplay paired with selected international press and the support of influential journalists such as Don Kaye from Kerrang! and the staff at Kick Ass Monthly cemented Anvil Bitch’s reputation of one of the hottest new bands on the scene. The summer of 1986 saw Anvil Bitch enter the studio to record their debut album »Rise To Offend« for New Renaissance Records, along with the track “Neckbreaker” for release on the NRR compilation album »Speed Metal Hell 2« (following “To The Grave” on »Thrash Metal Attack« a year earlier). Underground metal fans finally saw the record hit the shelves in December ‘86. Initial pressings sold out in a matter of months. With albums sales still growing, the band set off on their first major tour playing dates with Motörhead and Nuclear Assault, along with a long leg of headlining shows on the East Coast, from Canada to Miami. In their hometown of Philadelphia Anvil Bitch were easily drawing 1,000+ punters. Unfortunately, Anvil Bitch split up before being able to record a follow-up to »Rise To Offend«. However, they managed to record a one-off EP named »Sanctify« in 2008, before calling it quits for a second time around. Having been out of print for a long time, High Roller Records is proud to announce the de luxe re-issue of an overlooked US thrash metal gem, featuring short sharp shocks such as “Vengeance Of The Sword”, “Maggot Infestation” or “Shark Attack”.