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"Invoking The Abysmal Night", the fourth full length of Aegrus is finally here and it's going to be one of the highlights of 2023. The album contains seven infernal tracks of Black Metal supremacy in the name of Satan, Lucifer and Death.
Lux Tenebris: "There is more variation than ever before on that album and at the same time it sounds 110% Aegrus so I can guarantee that you will not be disappointed.
I'm highly satisfied with the outcome starting from the cover art and ending with the very last note of the album"
The cover artwork is again made by highly talented Helgorth from Babalon Graphics.
300x heavyweight orange fire 12" (180g) in a microtene innerbag, printed innersleeve, full-color on 220g, download card, jacket, full-color printed on 350g, all assembled in a plastic overbag.
"Invoking The Abysmal Night", the fourth full length of Aegrus is finally here and it's going to be one of the highlights of 2023. The album contains seven infernal tracks of Black Metal supremacy in the name of Satan, Lucifer and Death.
Lux Tenebris: "There is more variation than ever before on that album and at the same time it sounds 110% Aegrus so I can guarantee that you will not be disappointed.
I'm highly satisfied with the outcome starting from the cover art and ending with the very last note of the album"
Since their formation in 2007, MINENWERFER have pursued a proud 'n' pure vision of black metal idiosyncratically focused on World War I - idiosyncratic, in the sense that the band hail from America but mostly sing in German. What has resulted is a startlingly accomplished canon that has quietly built itself into prolific proportions, with their first album arriving in 2010, followed by albums in 2012 and 2019, and a slew of split releases and EPs in the interim.
Of those many short-length releases, Kriegserklärung can conveniently be seen as a companion to an album release – in this case, 2012's thick-yet-throttling Nihilistischen. And yet, where that album saw MINENWERFER inching closer to a palatable professionalism, the 24-minute Kriegserklärung fully bursts through those doors with a startling clarity, setting the stage for the band's grand 2019 full-length, Alpenpäesse. Which is all to say that MINENWERFER have been mining songwriting gold for many years now!
OSMOSE PRODUCTIONS have been fans of MINENWERFER for years, and is honored to unleash their once-underground back catalog on the wide scale it so deserves.
Re-issue, 400x heavyweight marble (gold/black) ) 12" (180g) in a black poly-lined innersleeve, download card, gatefold, full-color printed on 350g carton, all assembled in a plastic overbag.
Since their formation in 2007, MINENWERFER have pursued a proud 'n' pure vision of black metal idiosyncratically focused on World War I - idiosyncratic, in the sense that the band hail from America but mostly sing in German. What has resulted is a startlingly accomplished canon that has quietly built itself into prolific proportions, with their first album arriving in 2010, followed by albums in 2012 and 2019, and a slew of split releases and EPs in the interim.
Of those many short-length releases, Kriegserklärung can conveniently be seen as a companion to an album release – in this case, 2012's thick-yet-throttling Nihilistischen. And yet, where that album saw MINENWERFER inching closer to a palatable professionalism, the 24-minute Kriegserklärung fully bursts through those doors with a startling clarity, setting the stage for the band's grand 2019 full-length, Alpenpäesse.
A limited 30th anniversary pink marble-effect vinyl edition of Katatonia’s debut album, Dance Of December Souls.
The seminal album by a soon to be legendary band exudes an atmosphere of melancholy, accentuated by the growled, despairing vocals of Jonas Renske.
Katatonia was formed in Stockholm Sweden, in 1991 by Anders Nystrom and Jonas Renkse. Their debut album, 'Dance of December Souls', was released in 1993, gaining the band recognition for their eclectic brand of gothic doom/death metal and joining acts such as Paradise Lost and My Dying Bride as one of the genre's defining bands. On future albums a newer, sleeker Katatonia sound came to the fore, starting with a streamlined and structured collection of melodic dark rock songs which became third album 'Discouraged Ones' which is widely regarded as the main evolution point for modern day Katatonia, where a much more progressive style of metallic rock was successfully embraced.
'Dance of December Souls' was recorded at Unisound Studios, April 1993 and released later that same year. Engineering and mixing was handled by Dan Swanö (Opeth, Marduk, Dissection). This early incarnation of Katatonia contained a more doom/black metal approach, whilst always keeping the trademark sorrowful & hypnotic guitar melodies which are still evident today. Katatonia quickly became part of the leaders of the gothic doom movement alongside top UK acts Paradise Lost, My Dying Bride and Anathema.
Marking 25 years since its original release, Katatonia's Discouraged Ones is presented on limited edition orange marble vinyl, with the album's original cover artwork.
An album of sublime and haunting Rock/Metal melancholy.
Katatonia was formed in Stockholm, Sweden in 1991 by Jonas Renkse and Anders Nyström & have risen from their early beginnings in dark death/gothic doom metal, to become one of the leading acts of the metallic rock/prog scene, in an illustrious career spanning over three decades and twelve full-length studio albums.
’Discouraged Ones’ was recorded in 1997 at the infamous Sunlight Studios by Fred Estby and Tomas Skogsberg (Entombed, Dismember), and released the following year. 'Discouraged Ones' saw a new direction change with the epic compositions of old replaced with stripped down, compact structures to make room for new vocal harmonies courtesy of Jonas Renkse (who also played drums on the album), putting an end to the growling vocal style from prior releases and giving the band a broader appeal which only helped their trajectory towards being established on the global stage.
Upon release, 'Discouraged Ones' was seen as somewhat of a breakthrough opus for Katatonia which undoubtedly planted the seeds, stylistically, of what the band evolved into & represent to this day, even though more progressive elements were integrated over time. Overall, ’Discouraged Ones’ is a pinnacle of dark, gothic rock/metal excellence combined with ethereal, trance-like intensity.
OFC’s third and final album, An Ending in Fire, is a visionary masterpiece, the conceptual zenith of the band’s work, drawing a nexus between the chthonic depths of consciousness and the vast, black emptiness of the universe. Members went on to form Ares Kingdom, Angelcorpse, Vulpecula, etc.
OFC’s 1992 debut LP of black death metal savagery and dystopian nihilism delivered with militaristic precision. A perfect clash of Sodom/Bathory with Sacrilege/Bolt Thrower. Singular and 100% unique to this day. Members went on to form Ares Kingdom, Angelcorpse, Vulpecula, etc.
A 2023 official release of the cult classic primitive Norwegian black metal recorded in 1992, featuring Dimmu Borgir’s Shagrath.
The sole release by Fimbulwinter, this edition includes additional tracks with 12" booklet and 2 posters
Fimbulwinter, though short-lived, created a sole cult release in the form of 1994’s ‘Servants of Sorcery’, which emerged as the “second wave” of Norwegian black metal was truly taking hold. The band was formed in Oslo 1992, led by the notable figure of Shagrath, becoming most known afterwards as mainman for the phenomenon that was Dimmu Borgir. A more raw affair than the symphonic majesty of Dimmu Borgir, Fimbulwinter demonstrated a primal and fierce black metal attack, and concocted a perfect example of the early-90s style, with an extra injection of praise to bands of the 80s.
Even though ‘Servants of Sorcery’ as a release didn’t see the light of day until 1994, the tracks themselves were recorded back in the winter of 1992, and so stand as an essential and influential early example of what was to form a whole new chapter in metal history. Joining Shagrath was Skoll (Ved Buens Ende, Ulver, Arcturus) on bass, with the line-up completed by Necronos & Orbweaver.
This edition of ‘Servants of Sorcery’ - a title consistently requested by fans for a proper reissue for many years - notably includes material plus additional songs sourced and transferred from the band’s own tape collection (with work overseen by Shagrath himself), to present this most complete and comprehensive edition of Fimbulwinter’s work and legacy. Alongside Fimbulwinter’s own original material of spellbinding lo-fi grim chaos are storming cover versions of ‘Morbid Tales’ by Celtic Frost (which featured on the original ‘Servants of Sorcery’ release), plus ‘The Watchtower’ by Darkthrone, which is now included for the first time.
A 2023 official release of the cult classic primitive Norwegian black metal recorded in 1992, featuring Dimmu Borgir’s Shagrath.
The sole release by Fimbulwinter, this edition includes additional tracks and presented on CD format including 16 page booklet.
Fimbulwinter, though short-lived, created a sole cult release in the form of 1994’s ‘Servants of Sorcery’, which emerged as the “second wave” of Norwegian black metal was truly taking hold. The band was formed in Oslo 1992, led by the notable figure of Shagrath, becoming most known afterwards as mainman for the phenomenon that was Dimmu Borgir. A more raw affair than the symphonic majesty of Dimmu Borgir, Fimbulwinter demonstrated a primal and fierce black metal attack, and concocted a perfect example of the early-90s style, with an extra injection of praise to bands of the 80s.
Even though ‘Servants of Sorcery’ as a release didn’t see the light of day until 1994, the tracks themselves were recorded back in the winter of 1992, and so stand as an essential and influential early example of what was to form a whole new chapter in metal history. Joining Shagrath was Skoll (Ved Buens Ende, Ulver, Arcturus) on bass, with the line-up completed by Necronos & Orbweaver.
This edition of ‘Servants of Sorcery’ - a title consistently requested by fans for a proper reissue for many years - notably includes material plus additional songs sourced and transferred from the band’s own tape collection (with work overseen by Shagrath himself), to present this most complete and comprehensive edition of Fimbulwinter’s work and legacy. Alongside Fimbulwinter’s own original material of spellbinding lo-fi grim chaos are storming cover versions of ‘Morbid Tales’ by Celtic Frost (which featured on the original ‘Servants of Sorcery’ release), plus ‘The Watchtower’ by Darkthrone, which is now included for the first time.
Special preorder promo price! After 15/10 price will be increased and set to 22.00€
After four years of waiting, Aeon Winds are back with their new album Night Sky Illuminations. Their third full-length studio album, it follows up the themes the band dealt with in their previous album Stormveiled (2019) and the EP Extinguishing the Light (2022).
The mythological legacy of pre-Christian times intertwines with the mystical fascination of Carpathian sceneries and blends into seven long, hymnic and powerful songs.
Recorded, mastered and produced at Tryzna Studio, Aeon Winds new studio album features a painting by Russian digital illustrator Yaroslav Gerzhedovich, and will be released on CD, LP and digital November 17th, 2023 via Avantgarde Music.
Special preorder promo price! After 15/10 price will be increased and set to 13€
After four years of waiting, Aeon Winds are back with their new album Night Sky Illuminations. Their third full-length studio album, it follows up the themes the band dealt with in their previous album Stormveiled (2019) and the EP Extinguishing the Light (2022).
The mythological legacy of pre-Christian times intertwines with the mystical fascination of Carpathian sceneries and blends into seven long, hymnic and powerful songs.
Recorded, mastered and produced at Tryzna Studio, Aeon Winds new studio album features a painting by Russian digital illustrator Yaroslav Gerzhedovich, and will be released on CD, LP and digital November 17th, 2023 via Avantgarde Music.