€ 0,00
Il carrello è vuoto
Il carrello è vuoto
Ricerca personalizzata
... Cyclic sequences, shapes that change and return to themselves in an endless loop, flashing lights that envelop the perpetual motion of machines in a soft embrace, cascades of notes that change color without our senses knowing, the eternal beating of artificial hearts in metal chests ...
- - - - - - - - - - - - -
Kubusschnitt, born in 1999, is a real electronic-music band in the Berlin School style which, over time, has involved several musicians from the UK, Belgium, Germany and Holland. A Kosmische-musik all-stars band!
The beauty of being a band is being together and sharing ideas, experiences, inspiration and, of course, a few beers at the pub. Traveling, playing and celebrating successes on stage together (or drowning failures in alcohol): there is nothing more fun than going on tour with the band!
Kubuscchnitt, over the years, have played several concerts and tasted life on the road; "Continuous Forms" tape is a small testimony because it only collects live songs from the band: raw and punk stuff (never printed in official albums ) that we love precisely for its dirty and lived-in look.
In September 1986, the first comic book dedicated to the character of Tomas Caine was released; it was entitled "La Pastorale del Destino" (The Pastoral of Doom). It could have been one of the many comic books that filled the shelves of the Italian newsstands of those years, but it wasn't like that: the success of Tom Caine was extraordinary.
Balancing horror atmospheres typical of the time, irreverent irony, and love stories, Tomas Caine immediately met the tastes of the young Italians of the 80s. The texts by the late Mino Camogli were modern and full of expressions in vogue among young people, and the drawings by Steno Artebagni were dark and innovative compared to the boring standards of the Italian comics of previous years.
- - - - - - - - - - - - - - - - -
In 1989 Docuvideo TV bought the rights to make a television drama starring Tomas Caine: a pilot episode was made, which aired in February 1990. Tony Soragna was chosen to play the role of the main character, coming from the success of some soap operas. Other actors in this episode were Margò Ramponi, Alexander Sarth, and Alfio Martinez.
Despite the excellent acting performance of Tony Soragna and the expert direction of Pio Malagutti, the script did not meet the tastes of the audience and was harshly criticized by Mino Camogli, the creator of Tomas Caine, who disavowed the project. Because of all this, no further episodes of the series were filmed and the project was shelved.
- - - - - - - - - - - - - - - - -
However, among the most interesting things about that TV movie, there was the soundtrack by the Serbian experimental composer Ivan Ristic, credited as RIS.
The second album by the Polish newcomers MANBRYNE is upon us!
The album picks up where Heilsweg left off, opening another chapter of passionate Black Metal driven by solemn melodies balanced by rabid fury, while conceptually continuing the topics such as doubt, temptation, human relation with the divine and its impact on our reality both within and without.
"Invoking The Abysmal Night", the fourth full length of Aegrus is finally here and it's going to be one of the highlights of 2023. The album contains seven infernal tracks of Black Metal supremacy in the name of Satan, Lucifer and Death.
Lux Tenebris: "There is more variation than ever before on that album and at the same time it sounds 110% Aegrus so I can guarantee that you will not be disappointed.
I'm highly satisfied with the outcome starting from the cover art and ending with the very last note of the album"
The cover artwork is again made by highly talented Helgorth from Babalon Graphics.
300x heavyweight orange fire 12" (180g) in a microtene innerbag, printed innersleeve, full-color on 220g, download card, jacket, full-color printed on 350g, all assembled in a plastic overbag.
"Invoking The Abysmal Night", the fourth full length of Aegrus is finally here and it's going to be one of the highlights of 2023. The album contains seven infernal tracks of Black Metal supremacy in the name of Satan, Lucifer and Death.
Lux Tenebris: "There is more variation than ever before on that album and at the same time it sounds 110% Aegrus so I can guarantee that you will not be disappointed.
I'm highly satisfied with the outcome starting from the cover art and ending with the very last note of the album"
Since their formation in 2007, MINENWERFER have pursued a proud 'n' pure vision of black metal idiosyncratically focused on World War I - idiosyncratic, in the sense that the band hail from America but mostly sing in German. What has resulted is a startlingly accomplished canon that has quietly built itself into prolific proportions, with their first album arriving in 2010, followed by albums in 2012 and 2019, and a slew of split releases and EPs in the interim.
Of those many short-length releases, Kriegserklärung can conveniently be seen as a companion to an album release – in this case, 2012's thick-yet-throttling Nihilistischen. And yet, where that album saw MINENWERFER inching closer to a palatable professionalism, the 24-minute Kriegserklärung fully bursts through those doors with a startling clarity, setting the stage for the band's grand 2019 full-length, Alpenpäesse. Which is all to say that MINENWERFER have been mining songwriting gold for many years now!
OSMOSE PRODUCTIONS have been fans of MINENWERFER for years, and is honored to unleash their once-underground back catalog on the wide scale it so deserves.
Re-issue, 400x heavyweight marble (gold/black) ) 12" (180g) in a black poly-lined innersleeve, download card, gatefold, full-color printed on 350g carton, all assembled in a plastic overbag.
Since their formation in 2007, MINENWERFER have pursued a proud 'n' pure vision of black metal idiosyncratically focused on World War I - idiosyncratic, in the sense that the band hail from America but mostly sing in German. What has resulted is a startlingly accomplished canon that has quietly built itself into prolific proportions, with their first album arriving in 2010, followed by albums in 2012 and 2019, and a slew of split releases and EPs in the interim.
Of those many short-length releases, Kriegserklärung can conveniently be seen as a companion to an album release – in this case, 2012's thick-yet-throttling Nihilistischen. And yet, where that album saw MINENWERFER inching closer to a palatable professionalism, the 24-minute Kriegserklärung fully bursts through those doors with a startling clarity, setting the stage for the band's grand 2019 full-length, Alpenpäesse.
Marking 25 years since its original release, Katatonia's Discouraged Ones is presented on limited edition orange marble vinyl, with the album's original cover artwork.
An album of sublime and haunting Rock/Metal melancholy.
Katatonia was formed in Stockholm, Sweden in 1991 by Jonas Renkse and Anders Nyström & have risen from their early beginnings in dark death/gothic doom metal, to become one of the leading acts of the metallic rock/prog scene, in an illustrious career spanning over three decades and twelve full-length studio albums.
’Discouraged Ones’ was recorded in 1997 at the infamous Sunlight Studios by Fred Estby and Tomas Skogsberg (Entombed, Dismember), and released the following year. 'Discouraged Ones' saw a new direction change with the epic compositions of old replaced with stripped down, compact structures to make room for new vocal harmonies courtesy of Jonas Renkse (who also played drums on the album), putting an end to the growling vocal style from prior releases and giving the band a broader appeal which only helped their trajectory towards being established on the global stage.
Upon release, 'Discouraged Ones' was seen as somewhat of a breakthrough opus for Katatonia which undoubtedly planted the seeds, stylistically, of what the band evolved into & represent to this day, even though more progressive elements were integrated over time. Overall, ’Discouraged Ones’ is a pinnacle of dark, gothic rock/metal excellence combined with ethereal, trance-like intensity.
OFC’s third and final album, An Ending in Fire, is a visionary masterpiece, the conceptual zenith of the band’s work, drawing a nexus between the chthonic depths of consciousness and the vast, black emptiness of the universe. Members went on to form Ares Kingdom, Angelcorpse, Vulpecula, etc.
OFC’s 1992 debut LP of black death metal savagery and dystopian nihilism delivered with militaristic precision. A perfect clash of Sodom/Bathory with Sacrilege/Bolt Thrower. Singular and 100% unique to this day. Members went on to form Ares Kingdom, Angelcorpse, Vulpecula, etc.
